For the film series as a whole, see Crocodile Dundee (film series).
For its main character, see Michael "Crocodile" Dundee.
|Directed by||Peter Faiman|
|Produced by||John Cornell|
|Screenplay by||Paul Hogan
Ken Shadie John Cornell
|Story by||Paul Hogan|
|Music by||Peter Best|
|Edited by||David Stiven|
|Distributed by||Hoyts Distribution
|Running time||104 minutes
|Box office||US$328 million|
Inspired by the true-life exploits of Rod Ansell, the film was made on a budget of under $10 million as a deliberate attempt to make a commercial Australian film that would appeal to a mainstream American audience, but proved to be a worldwide phenomenon.
Released on 30 April 1986 in Australia, and on 26 September 1986 in the United States, it was the highest-grossing film of all-time in Australia, the highest-grossing Australian film worldwide, the second-highest-grossing film in the United States in 1986, the highest-grossing non-US film at the US box office ever and the second-highest-grossing film worldwide for the year.
There are two versions of the film: the Australian version, and an international version, which had much of the Australian slang replaced with more commonly understood terms, and was slightly shorter.
As the first film in the Crocodile Dundee film series, it was followed by two sequels: Crocodile Dundee II (1988) and Crocodile Dundee in Los Angeles (2001), although both films failed to match the critical success of the predecessor.
Sue Charlton is a feature writer for her father's newspaper Newsday, and is dating the editor Richard Mason.
She travels to Walkabout Creek, a small hamlet in the Northern Territory of Australia, to meet Michael J. "Crocodile" Dundee, a bushman reported to have lost half a leg to a saltwater crocodile before crawling hundreds of miles to safety.
On arrival in Walkabout Creek, she cannot locate Dundee, but she is entertained at the local pub by Dundee's business partner Walter "Wally" Reilly.
When Dundee arrives that night, Sue finds his leg is not missing, but he has a large scar which he refers to as a "love bite".
While Sue dances with Dundee, a group of city kangaroo shooters make fun of Dundee's status as a crocodile hunter, causing him to knock the leader out with one punch.
At first, Sue finds Dundee less "legendary" than she had been led to believe, being unimpressed by his pleasant-mannered but uncouth behaviour and clumsy advances towards her.
She is later amazed, however, when in the outback, she witnesses "Mick" (as Dundee is called) subduing a water buffalo, taking part in an aboriginal (Pintinjarra) tribal dance ceremony, killing a snake with his bare hands, and scaring away the kangaroo shooters from the pub from their cruel sport.
The next morning, offended by Mick's assertion that as a "" she is incapable of surviving the Outback alone, Sue goes out alone to prove him wrong but takes his rifle with her at his request.
Mick follows her to make sure she is okay, but when she stops at a billabong to refill her canteen, she is attacked by a large crocodile and is rescued by Mick.
Overcome with gratitude and seeing Mick's willingness to change his bigotry, Sue finds herself becoming attracted to him.
Sue invites Mick to return with her to New York City on the pretext of continuing the feature story.
At first Wally scoffs at her suggestion, but he changes his mind when she tells him the newspaper would cover all expenses.
After this Sue realises her true feelings for him, and they kiss.
At a society dinner at her father's home in honour of Sue's safe return and of Mick's visit, Richard proposes marriage to Sue, and in a haze of confused emotions, she initially accepts in spite of Richard having recently revealed his self-centered and insensitive "true colours" during a period of intoxication.
There, she cannot reach him through the crowd on the platform, but has members of the crowd relay her message to him, whereupon he climbs up to the rafters and walks to Sue on the heads and raised hands of the onlookers and kisses her.
The idea to make the film came to Paul Hogan (the lead actor and one of the story writers) when he was in New York.
He wondered what it would be like if a Northern Territory bushman arrived in town.
As Paul Hogan said:
The film's budget was raised through the 10BA tax concessions via Morgan Sharebrokers.
Paul Hogan used his regular collaborators from TV, including John Cornell, Peter Faiman and Ken Shadie.
The first scenes were filmed in the small town of McKinlay in Queensland, where the hotel used has original warped and polished hardwood floors.
There are also no crocodiles in the area as it's in the outback with no major water source.
There was a further six weeks filming in New York.
Filming finished on 11 October 1985.
When the film finished, Hogan said he expected it would make millions of dollars around the world.
Hogan also said of the film, "I'm planning for it to be Australia's first proper movie.
I don't think we've had one yet—not a real, general public, successful, entertaining movie."
A number of minor changes were made to the film for its US release where it was released theatrically by Paramount Pictures in September 1986.
The film debuted at number 1 grossing US$$8 million in its opening weekend, and remained at number one for nine weeks.
Box Office Mojo estimates that the film sold over 46 million tickets in North America.
The film was the highest-grossing non-American film at the US box office.
The film was a worldwide box office hit grossing US$328 million and surpassed Mad Max 2 as the highest-grossing Australian film at the worldwide box office.
On Rotten Tomatoes, the film holds an approval rating of 88% based on 32 reviews, and an average rating of 6.75/10.
The critics' consensus reads, "Infectiously easygoing charm and a leading man in the role he was born to play help Crocodile Dundee make the most of its familiar fish-out-of-water premise."
Audiences polled by CinemaScore gave the film an average rating of "B+" on an A+ to F scale.
James Berardinelli of Reelviews.net gave the film three stars out of four stating, "What the storyline lacks in ambition, it makes up for in sheer, unfettered likability".
Roger Ebert gave the film 2 stars out of 4 and wrote, "All of the cliches are in the right places, most of the gags pay off and there are moments of real amusement as the Australian cowboy wanders around Manhattan as a naive sightseer.
The problem is that there's not one moment of chemistry between the two stars: Paul Hogan as 'Crocodile' Dundee and Linda Kozlowski as the clever little rich girl.
The movie feels curiously machine-made, as if they had all the right ingredients and simply forgot to add the animal magnetism."
Nina Darnton of The New York Times thought that Paul Hogan was "delightful" in the title role, that the screenplay was "witty, with a fine sense of irony and the gift at poking fun at its own conceits," and that "Linda Kozlowski plays the reporter, Sue, very well," virtues which "go a long way toward compensating for the film's illogical plot and set-up situations."
Variety stated that director Peter Faiman "has problems with the pacing and a script (by Hogan and longtime tv colleague Ken Shadie) that has its flat, dull spots.
Hogan is comfortable enough playing the wry, irreverent, amiable Aussie that seems close to his own persona, and teams well with Kozlowksi, who radiates lots of charm, style and spunk."
Dave Kehr of the Chicago Tribune gave the film 3 stars out of 4 and wrote, "Handsomely directed by Peter Faiman, the film punches most of the right buttons at most of the right times and emerges as an effective crowd-pleaser."
Paul Attanasio of The Washington Post said that the film "has a double 'fish out of water' structure—first she's the fish, then he's the fish—but the movie doesn't go anywhere with it, mostly because the characters are such nullities ...
There's no drama in 'Crocodile Dundee' because there's no real conflict between these characters."
Michael Wilmington of the Los Angeles Times wrote that the film "is nothing you can examine deeply or mull over afterward.
It's simply an expert crowd-pleaser.
It has such a sure, easy, confident touch that it's almost failure-proof—like a tip of the hat, a sip of beer, a quick, golden 'G'day.'"
Although Crocodile Dundee was a hit both in Australia and abroad, it became controversial with some Australian critics and audiences—who resented the image of Australians as being ocker.
Robert Hughes complained in 2000 that to Americans "Crocodile Dundee is a work of social realism", giving them a "'Wild West' fantasy" about Australia.
David Droga said in 2018, however, that "There has been no better ad for Australia than that movie".
|Academy Award||Best Original Screenplay||John Cornell, Ken Shadie & Paul Hogan||Nominated|
|BAFTA Awards||Best Original Screenplay||Nominated|
|Best Actor||Paul Hogan||Nominated|
|Golden Globe Award||Best Actor – Motion Picture Musical or Comedy||Won|
|Best Supporting Actress – Motion Picture||Linda Kozlowski||Nominated|
|Best Motion Picture – Musical or Comedy||John Cornell||Nominated|
|Saturn Award||Best Fantasy Film||Nominated|
|Best Writing||John Cornell, Ken Shadie & Paul Hogan||Nominated|
|BMI Film & TV Award||Best Music||Peter Best||Won|
|Golden Screen||Best Sold Tickets||Won|
|MPSE Award||Best Sound Editing – Foreign Feature||Tim Chau||Nominated|
Credits to the contents of this page go to the authors of the corresponding Wikipedia page: en.wikipedia.org/wiki/Crocodile Dundee.