Bauhaus (band)

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For other uses, see Bauhaus (disambiguation). Bauhaus (band)_sentence_0

Bauhaus (band)_table_infobox_0

BauhausBauhaus (band)_header_cell_0_0_0
Background informationBauhaus (band)_header_cell_0_1_0
Also known asBauhaus (band)_header_cell_0_2_0 Bauhaus 1919Bauhaus (band)_cell_0_2_1
OriginBauhaus (band)_header_cell_0_3_0 Northampton, EnglandBauhaus (band)_cell_0_3_1
GenresBauhaus (band)_header_cell_0_4_0 Bauhaus (band)_cell_0_4_1
Years activeBauhaus (band)_header_cell_0_5_0 Bauhaus (band)_cell_0_5_1
LabelsBauhaus (band)_header_cell_0_6_0 Bauhaus (band)_cell_0_6_1
Associated actsBauhaus (band)_header_cell_0_7_0 Bauhaus (band)_cell_0_7_1
MembersBauhaus (band)_header_cell_0_9_0 Daniel Ash

Peter Murphy Kevin Haskins David JBauhaus (band)_cell_0_9_1

Bauhaus are an English rock band, formed in Northampton, England, in 1978. Bauhaus (band)_sentence_1

The group consists of Daniel Ash (guitar, saxophone), Peter Murphy (vocals, occasional instruments), Kevin Haskins (drums) and David J (bass). Bauhaus (band)_sentence_2

The band was originally named Bauhaus 1919 in reference to the first operating year of the German art school Bauhaus, although they shortened the name within a year of formation. Bauhaus (band)_sentence_3

One of the pioneers of gothic rock, Bauhaus were known for their dark image and gloomy sound, although they mixed many genres, including dub, glam rock, psychedelia, funk, power pop and ska. Bauhaus (band)_sentence_4

Bauhaus broke up in 1983. Bauhaus (band)_sentence_5

Murphy began a solo career while Ash and Haskins continued as Tones on Tail and, later, reunited with David J to form Love and Rockets. Bauhaus (band)_sentence_6

Both enjoyed greater commercial success in the United States than Bauhaus had, but disappeared from the charts in their homeland. Bauhaus (band)_sentence_7

Bauhaus eventually reunited for a 1998 tour, again from 2005 to 2008, and once again in 2019. Bauhaus (band)_sentence_8

History Bauhaus (band)_section_0

Daniel Ash, his friend David J. Haskins, and Haskins' younger brother Kevin, had played together in various bands since childhood. Bauhaus (band)_sentence_9

One of the longer-lived of these was a band called the Craze, which performed a few times around Northampton in 1978. Bauhaus (band)_sentence_10

However, The Craze still split up fairly quickly, and Ash once again tried to convince his old school friend Murphy to join him, simply because Ash thought he had the right look for a band. Bauhaus (band)_sentence_11

Murphy, who was working in a printing factory, decided to give it a try, despite never having written any lyrics or music. Bauhaus (band)_sentence_12

During their first rehearsal, he co-wrote the song "In the Flat Field". Bauhaus (band)_sentence_13

Ash's old bandmate Kevin Haskins joined as the drummer. Bauhaus (band)_sentence_14

Ash made a point of not inviting David J, the driving force in their previous bands, because he wanted a band he could control. Bauhaus (band)_sentence_15

Instead, Chris Barber was brought in to play bass, and together the four musicians formed the band S.R. Bauhaus (band)_sentence_16

However, within a few weeks Ash relented, and replaced Barber with David J, who suggested the new name Bauhaus 1919. Bauhaus (band)_sentence_17

David J. had already agreed to tour American airbases with another band, but decided that joining his friends' group was "the right thing to do". Bauhaus (band)_sentence_18

With their lineup complete, the band played their first gig at the Cromwell pub in Wellingborough on New Year's Eve 1978. Bauhaus (band)_sentence_19

The band had chosen the name Bauhaus 1919, a reference to the German Bauhaus art movement of the 1920s, because of its "stylistic implications and associations", according to David J. The band also chose the same typeface used on the Bauhaus college building in Dessau, Germany, as well as the Bauhaus emblem, designed by Oskar Schlemmer. Bauhaus (band)_sentence_20

Bauhaus associate Graham Bentley said that the group was unlike any Northampton band of the time, most of which played predominantly cover songs. Bauhaus (band)_sentence_21

Bentley videotaped a performance by the group, which was sent to several record labels, in the hope of obtaining a contract. Bauhaus (band)_sentence_22

This approach was hindered partly because many record companies at the time did not have home video equipment, so the group decided to record a demo. Bauhaus (band)_sentence_23

"Bela Lugosi's Dead" and 4AD Bauhaus (band)_section_1

After only six weeks as a band, Bauhaus entered the studio for the first time at Beck Studios in Wellingborough to record a demo. Bauhaus (band)_sentence_24

One of the five tracks recorded during the session, "Bela Lugosi's Dead", more than nine minutes long, was released as the group's debut single in August 1979 on Small Wonder Records. Bauhaus (band)_sentence_25

The band was listed simply as Bauhaus, with the "1919" abandoned. Bauhaus (band)_sentence_26

The single received a positive review in Sounds, and stayed on the British independent charts for two years. Bauhaus (band)_sentence_27

The song received crucial airplay on BBC Radio 1 and DJ John Peel's evening show, and Bauhaus were subsequently asked to record a session for Peel's show, which was broadcast on 3 January 1980. Bauhaus (band)_sentence_28

Of the additional tracks, Classic Rock Magazine wrote that, "The rest of the material finds a band fumbling for direction, even touching on ska." Bauhaus (band)_sentence_29

One of Bauhaus' first US shows was in a venue called Space Place in Chicago, Illinois on September 1980, booked by Jim Nash and Dannie Flesher, the owners of the independent record label Wax Trax! Bauhaus (band)_sentence_30 Records. Bauhaus (band)_sentence_31

Signing with the 4AD label, the band released two more singles, "Dark Entries" in January 1980 and "Terror Couple Kill Colonel" in June 1980, before issuing their first album In the Flat Field in October 1980. Bauhaus (band)_sentence_32

NME described it as "Gothick-Romantick pseudo-decadence". Bauhaus (band)_sentence_33

Despite negative reviews, In the Flat Field topped the indie charts, and made headway on the UK Albums Chart, peaking for one week at No. Bauhaus (band)_sentence_34

72. Bauhaus (band)_sentence_35

In December 1980 Bauhaus released a cover of "Telegram Sam", a hit by glam rock pioneers T. Bauhaus (band)_sentence_36 Rex, as a single. Bauhaus (band)_sentence_37

Beggars Banquet and breakup Bauhaus (band)_section_2

Bauhaus' growing success outstripped 4AD's resources, so the band moved to 4AD's parent label, Beggars Banquet Records. Bauhaus (band)_sentence_38

Bauhaus released "Kick in the Eye" in March 1981 as its debut release on the label. Bauhaus (band)_sentence_39

The single reached No. Bauhaus (band)_sentence_40

59 on the charts. Bauhaus (band)_sentence_41

The following single, "The Passion of Lovers", peaked at No. Bauhaus (band)_sentence_42

56 in July 1981. Bauhaus (band)_sentence_43

Bauhaus released their second album, Mask, in October 1981. Bauhaus (band)_sentence_44

The band employed more keyboards, and a variety of other instruments, to add to the diversity of the record. Bauhaus (band)_sentence_45

In an unconventional move, the group shot a video for the album's title track as a promotional tool for the band as a whole, rather than any specific song from the record. Bauhaus (band)_sentence_46

In July 1982 Bauhaus released the single "Spirit", produced by Hugh Jones. Bauhaus (band)_sentence_47

It was intended to break into the Top 30, but only reached No. Bauhaus (band)_sentence_48

42. Bauhaus (band)_sentence_49

The band was displeased with the single, and re-recorded it later in 1982 for their third album The Sky's Gone Out. Bauhaus (band)_sentence_50

In the same year, Bauhaus scored their biggest hit with a cover of David Bowie's "Ziggy Stardust", which was recorded during a BBC session. Bauhaus (band)_sentence_51

The song reached No. Bauhaus (band)_sentence_52

15 on the British charts, and earned the band an appearance on the television show Top of the Pops. Bauhaus (band)_sentence_53

Due to the success of the single, the album also became the band's biggest hit, peaking at No. Bauhaus (band)_sentence_54

4. Bauhaus (band)_sentence_55

That same year, Bauhaus made an appearance in the horror film The Hunger, where they performed "Bela Lugosi's Dead" during the opening credits. Bauhaus (band)_sentence_56

The final cut of the scene focused on Murphy; this, coupled with the singer's modelling work in a popular ad campaign for Maxell, caused resentment among the rest of the group. Bauhaus (band)_sentence_57

Prior to the recording of their fourth album, Burning from the Inside (1983), Murphy was stricken with pneumonia, which prevented him from contributing much to the album. Bauhaus (band)_sentence_58

Ash and David J took the reins, becoming the driving forces behind the record and even performing lead vocals on several tracks. Bauhaus (band)_sentence_59

The album's lead single, "She's in Parties", reached No. Bauhaus (band)_sentence_60

26 on the charts and earned Bauhaus their third and final Top of the Pops appearance. Bauhaus (band)_sentence_61

Bauhaus then embarked on an international promotional tour for the album, with dates in Europe and the Far East. Bauhaus (band)_sentence_62

David J recalled that the night before they were supposed to perform two shows at Hammersmith Palais in London, the group decided to disband. Bauhaus (band)_sentence_63

The band played their farewell show on 5 July 1983 at the Hammersmith Palais; dedicated fans had been warned by the band's crew not to miss the show, without telling them it was the last. Bauhaus (band)_sentence_64

After a long encore, consisting of some of their early songs, David J left the stage with the words "rest in peace". Bauhaus (band)_sentence_65

Burning from the Inside was released a week later. Bauhaus (band)_sentence_66

The album received largely positive reviews and reached No. Bauhaus (band)_sentence_67

13 on the charts. Bauhaus (band)_sentence_68

Bauhaus released the single "Sanity Assassin" in limited quantities as a farewell gift for those who joined the group's fan club. Bauhaus (band)_sentence_69

Subsequent developments: reunions and a final album Bauhaus (band)_section_3

Bauhaus reunited for the "Resurrection Tour" in 1998, their stage show opened with Double Dare and Pete Murphy singing to the audience via a TV screen set up centre-stage. Bauhaus (band)_sentence_70

The tour featured a new song, "The Dog's a Vapour", which was also included in the Heavy Metal 2000 film soundtrack. Bauhaus (band)_sentence_71

A live album was recorded during the tour, Gotham, which was released the following year. Bauhaus (band)_sentence_72

It included a studio recording of Bauhaus' cover of the Dead Can Dance song "Severance". Bauhaus (band)_sentence_73

Bauhaus reunited again in 2005, playing that year's Coachella Festival in Indio, California. Bauhaus (band)_sentence_74

They opened their set with Murphy being lowered upside-down to the stage, singing "Bela Lugosi's Dead". Bauhaus (band)_sentence_75

Following Murphy's 2005 tour, Bauhaus embarked on a full tour beginning in North America in autumn 2005, ending in Europe in February 2006. Bauhaus (band)_sentence_76

During the tour, Bauhaus covered Joy Division's "Transmission". Bauhaus (band)_sentence_77

The band also mentioned that they hoped to record new music. Bauhaus (band)_sentence_78

In May they performed as opening act for Nine Inch Nails on the summer leg of the latter's US tour. Bauhaus (band)_sentence_79

In 2008, Bauhaus released their first new studio album since 1983, Go Away White (Cooking Vinyl). Bauhaus (band)_sentence_80

It marked the band's end and the album had no promotional tour. Bauhaus (band)_sentence_81

In late 2007, Kevin Haskins said "We were getting along really well, but there was an incident that occurred", and added that as a result, "Some of us just felt that we didn't want to carry on as a working unit". Bauhaus (band)_sentence_82

In early 2008, Murphy claimed that he "was most satisfied with the bonding on an emotional level. Bauhaus (band)_sentence_83

It was good to be working together and to put the past behind us and it was very positive. Bauhaus (band)_sentence_84

The result was coming out really fast, so it was exciting and it was very enjoyable", but in the end, "that rocky character worked and I think it was a bit right to finish it, really". Bauhaus (band)_sentence_85

The same year, David J commented on the breakup: "You have a test tube, and you pour in one chemical, and you pour in another chemical, and something happens. Bauhaus (band)_sentence_86

It starts to bubble. Bauhaus (band)_sentence_87

Pour in another chemical, and it starts to bubble a bit more. Bauhaus (band)_sentence_88

You pour in a fourth chemical, and it bubbles really violently, and then explodes. Bauhaus (band)_sentence_89

That's my answer". Bauhaus (band)_sentence_90

In September 2019, after a 13-year hiatus, Bauhaus announced a show at the 5-000 seat Hollywood Palladium with all original members on November 3. Bauhaus (band)_sentence_91

A second show was added for the following night, after the first show sold out quickly. Bauhaus (band)_sentence_92

A third date at the same venue was then confirmed for December 1. Bauhaus (band)_sentence_93

Post-Bauhaus careers Bauhaus (band)_section_4

After Bauhaus disbanded, the members of the band moved on to various solo work. Bauhaus (band)_sentence_94

Murphy worked briefly with bassist Mick Karn of Japan in the band Dalis Car, before going solo with such albums as 1986's Should the World Fail to Fall Apart, 1988's Love Hysteria and 1989's Deep. Bauhaus (band)_sentence_95

Ash had already started Tones on Tail with Bauhaus roadie Glen Campling as a side project in 1982; after Bauhaus broke up, Kevin Haskins joined the group, and the trio released an album and several EPs before breaking up after a 1984 American tour. Bauhaus (band)_sentence_96

During this time, David J released two solo albums and collaborated with other musicians, recording two albums with the Jazz Butcher, and also with comics writer/spoken-word artist Alan Moore in the short-lived band the Sinister Ducks. Bauhaus (band)_sentence_97

During a discussion about the state of their projects at the time, Ash and David J began talking about reforming Bauhaus. Bauhaus (band)_sentence_98

All four band members arranged a rehearsal, but Murphy failed to show up on the scheduled day. Bauhaus (band)_sentence_99

The other three band members rehearsed regardless, and were inspired by the chemistry they had as a trio. Bauhaus (band)_sentence_100

As a result, Ash and the Haskins brothers formed Love and Rockets in 1985. Bauhaus (band)_sentence_101

Love and Rockets scored a US hit four years later with "So Alive". Bauhaus (band)_sentence_102

The band broke up in 1999 after seven albums. Bauhaus (band)_sentence_103

Both Ash and David J released solo albums during the Love and Rockets years; Murphy contributed backing vocals to David J's 1992 single "Candy on the Cross". Bauhaus (band)_sentence_104

In 2017, Ash and Kevin Haskins toured as Poptone with Haskins' daughter Diva Dompe on bass. Bauhaus (band)_sentence_105

The group performed songs from Bauhaus, Tones on Tail, and Love and Rockets along with cover songs. Bauhaus (band)_sentence_106

A live album recorded at various stops on the tour was released through PledgeMusic. Bauhaus (band)_sentence_107

In 2018, Murphy and David J announced a tour of New Zealand, Australia and Europe to celebrate the 40th anniversary of Bauhaus, with the pair performing In the Flat Field in its entirety. Bauhaus (band)_sentence_108

Musical style Bauhaus (band)_section_5

Bauhaus cited early post-punk bands Joy Division and Siouxsie and the Banshees among their influences. Bauhaus (band)_sentence_109

Daniel Ash said his earliest influence was the music of Dave and Ansell Collins, particularly their Double Barrel single. Bauhaus (band)_sentence_110

The singing was compared to David Bowie and Jacques Brel. Bauhaus (band)_sentence_111

According to David J, he and Daniel were also influenced by Scott Walker, Jacques Brel. Bauhaus (band)_sentence_112

and the complication album Nuggets. Bauhaus (band)_sentence_113

The band's other influences included punk rock (e.g. Devo, the Stooges, The Ramones, Patti Smith, Ian Dury and The Blockheads, Sex Pistols and The Clash), proto-punk/garage rock (e.g. MC5, Flamin' Groovies, The Modern Lovers and New York Dolls), rock music (e.g. The Rolling Stones, The Who, The Kinks and The Dave Clark 5), folk rock (e.g. Bob Dylan and Simon & Garfunkel), glam rock (e.g. David Bowie, T. Rex, Mott the Hoople, Alice Cooper and Gary Glitter), psychedelic rock (e.g. Syd Barrett, Pink Floyd, the Beatles and The Doors), art rock/avant-garde music/experimental rock (e.g. Brian Eno, Captain Beefheart, Frank Zappa, Tom Waits, The Residents, Pere Ubu, Roxy Music, Suicide and the Velvet Underground), krautrock (e.g. Kraftwerk, Can and Neu! Bauhaus (band)_sentence_114 ), Traditional Pop (e.g. Frank Sinatra and Serge Gainsbourg), funk (e.g. James Brown, Bobby Byrd, Sly and the Family Stone) and Jamaican dub music (e.g. Lee Scratch Perry, Errol Thompson and King Tubby). Bauhaus (band)_sentence_115

Bauhaus's literary influences include William S. Burroughs, Allen Ginsberg, Jack Kerouac, Arthur Rimbaud, Charles Baudelaire, Greek Mythology, Oscar Wilde, and Antonin Artaud. Bauhaus (band)_sentence_116

According to David J, the bands they related to in the post-punk scene were Joy Division, Pere Ubu, Devo, Gang of Four, Cabaret Voltaire, and The Pop Group. Bauhaus (band)_sentence_117

When Ash was asked about how he developed his playing style and guitar influences, he replied: "My style of playing comes from a mixture of extreme laziness to learn proper scales/chords and a burning desire to sound original and new. Bauhaus (band)_sentence_118

Although I am a huge fan of Hendrix and Mick Ronson, Robert Fripp on Bowie tracks is also fab, and what about Earl Slick!!" Bauhaus (band)_sentence_119

When asked about the influence of reggae on Bauhaus' music, Murphy stated that it was "massive. Bauhaus (band)_sentence_120

We were listening to toasting music all the time, and David brought in a lot of bass lines that were very lead riffs [...] those bass lines really formed the basis of the music" In regards to the influence of the original Bauhaus movement on the band, Murphy stated that "Bauhaus had no influence on Bauhaus (the band) except for being the sound, shape, energetic, and sensory birth name of our group." Bauhaus (band)_sentence_121

Bauhaus combined these influences to create a gloomy, earnest and introspective version of post-punk, which appealed to many music fans who felt disillusioned in the wake of punk's collapse. Bauhaus (band)_sentence_122

Its crucial elements included Murphy's deep and sonorous voice, Ash's jagged guitar playing and David J's dub-influenced bass. Bauhaus (band)_sentence_123

Their sound and gloomy style would eventually come to be known as gothic rock. Bauhaus (band)_sentence_124

Legacy and influence Bauhaus (band)_section_6

Although the band were short-lived, their music was influential upon many bands and artists that followed. Bauhaus (band)_sentence_125

They had a significant impact on gothic, darkwave and deathrock artists including Christian Death, Type O Negative, Deine Lakaien, Lycia, and Wolfsheim. Bauhaus (band)_sentence_126

The Mission's Wayne Hussey sang with Murphy on stage in 2013. Bauhaus (band)_sentence_127

Bauhaus inspired many industrial rock groups and artists, like Marilyn Manson, Nine Inch Nails, Nitzer Ebb, Skinny Puppy, and Maynard James Keenan (from Tool). Bauhaus (band)_sentence_128

The band has been cited as an influence by electronic act Carl Craig, the Iranian musician Azam Ali, the electronica act Moby, the trip hop band Massive Attack, the crust punk band Amebix, the psychedelic rock band White Hills, the nu metal band Coal Chamber, the extreme metal band Behemoth, the grindcore band Napalm Death, the hard rock/heavy metal band the Cult, the extreme metal band Celtic Frost, and the lo-fi musician Ariel Pink. Bauhaus (band)_sentence_129

Bauhaus were also hailed by several alternative/indie rock groups including Jane's Addiction, Soundgarden, the Smashing Pumpkins, A Neon Rome, AFI, ...And You Will Know Us by the Trail of Dead, Korn, Hole, Interpol, My Chemical Romance, She Wants Revenge, Shearwater, Elliott Smith, the Dresden Dolls, the Flaming Lips and the Horrors. Bauhaus (band)_sentence_130

Bauhaus influenced Dead Kennedys frontman Jello Biafra in the writing of that band's 1982 album Plastic Surgery Disasters. Bauhaus (band)_sentence_131

Duff McKagan of Guns N' Roses listed the Bauhaus compilation Bauhaus 1979–1983 in his 100 favorite albums list. Bauhaus (band)_sentence_132

The group have been namechecked by several other prominent musicians, including Steve Albini (of Big Black), Jeff Ament (of Pearl Jam), Bradford Cox (of Deerhunter), Courtney Taylor-Taylor (of the Dandy Warhols), Jesse Hughes (of the Eagles of Death Metal), Jaz Coleman (of Killing Joke), Al Jourgensen (of Ministry), Randy Blythe (of Lamb of God), Fred Durst (of Limp Bizkit), Jonathan Davis (of Korn), Serj Tankian (of System of a Down), Mark Lanegan (of Screaming Trees), Sean Yseult (of White Zombie), Bilinda Butcher (of My Bloody Valentine), Alan Sparhawk (of Low), Stuart Braithwaite (of Mogwai) Jehnny Beth of Savages, and Stephen Malkmus (of Pavement). Bauhaus (band)_sentence_133

Blink-182 namedropped Bauhaus on their song "She's Out of Her Mind" on their California album. Bauhaus (band)_sentence_134

The Bauhaus song "All We Ever Wanted Was Everything" (from The Sky's Gone Out) was covered by several artists and bands, including John Frusciante (guitarist of the Red Hot Chili Peppers), MGMT and Xiu Xiu (who recorded it in 2006 for their Tu Mi Piaci EP). Bauhaus (band)_sentence_135

Billy Corgan of the Smashing Pumpkins sang T. Rex's "Telegram Sam" and "All We Ever Wanted Was Everything" live on stage with Bauhaus in 1998. Bauhaus (band)_sentence_136

"Double Dare" was covered by the alternative rock band the God Machine. Bauhaus (band)_sentence_137

"Hollow Hills" was covered by the alternative metal band System of a Down. Bauhaus (band)_sentence_138

"Slient Hedges" (along with "Double Dare") was covered by the power metal band Nevermore. Bauhaus (band)_sentence_139

The band's signature song, "Bela Lugosi's Dead", was covered by numerous acts, including Until December (1986), the Electric Hellfire Club (1996), Opera IX (on 2000 album The Black Opera: Symphoniæ Mysteriorum in Laudem Tenebrarum), Sepultura (on 2001 album Nation), Nouvelle Vague (on 2006 album Bande à part), Chris Cornell (2007), Nine Inch Nails (2009), Trent Reznor with Murphy and TV on the Radio (2013), Massive Attack (2013), David J with Jill Tracy (2013), Chvrches (for the 2014 Vampire Academy soundtrack), Dead Cross (on their 2017 debut album) and The Damned (2019). Bauhaus (band)_sentence_140

Cultural references Bauhaus (band)_section_7

Bauhaus's fanbase extends beyond music; the American novelist Chuck Palahniuk was influenced by the Bauhaus song "Bela Lugosi's Dead" when writing his 2005 novel Haunted. Bauhaus (band)_sentence_141

In James O'Barr's 1989 comic book The Crow, the facial features of Eric Draven were based on those of Peter Murphy. Bauhaus (band)_sentence_142

In Neil Gaiman's series The Sandman, Dream's face and appearance were also based on Murphy. Bauhaus (band)_sentence_143

Additionally, comic book writer Alan Moore wrote the sleeve notes of Mask and contributed an anonymous Bauhaus review called "Phantoms of the Teenage Opera" to the UK music paper Sounds. Bauhaus (band)_sentence_144

The 1984 music video of the song "You're the Inspiration" from the American band Chicago featured lead singer Peter Cetera wearing a Bauhaus T-shirt. Bauhaus (band)_sentence_145

In the Beavis and Butt-head season 3 episode "Meet God, Part II" (1993), they view and comment on a music video for Bauhaus' Bowie cover, "Ziggy Stardust". Bauhaus (band)_sentence_146

Susie Lewis, the co-creator of the American animated series Daria, is a fan of the band and used their song "1. Bauhaus (band)_sentence_147

David Jay 2. Bauhaus (band)_sentence_148

Peter Murphy 3. Bauhaus (band)_sentence_149

Kevin Haskins 4. Bauhaus (band)_sentence_150

Daniel Ash" in the closing credits of episode 213, "Write Where it Hurts". Bauhaus (band)_sentence_151

In the 2003 South Park episode "Raisins", Henrietta Biggle (one of the "goth kids") had a bedroom poster of "Blauhaus", a parody version of the band. Bauhaus (band)_sentence_152

Saturday Night Live's recurring "Goth Talk" skit used "Bela Lugosi's Dead" as its theme song. Bauhaus (band)_sentence_153

Members Bauhaus (band)_section_8

Bauhaus (band)_unordered_list_0

  • Daniel Ash – guitars, acoustic guitar, saxophone, backing vocalsBauhaus (band)_item_0_0
  • Peter Murphy – lead vocals, acoustic guitar, keyboards, melodica, congasBauhaus (band)_item_0_1
  • Kevin Haskins – drums, keyboards, piano, backing vocalsBauhaus (band)_item_0_2
  • David J – bass, keyboards, percussion, backing vocalsBauhaus (band)_item_0_3

Discography Bauhaus (band)_section_9

Main article: Bauhaus discography Bauhaus (band)_sentence_154

Bauhaus (band)_description_list_1

Bauhaus (band)_unordered_list_2


Credits to the contents of this page go to the authors of the corresponding Wikipedia page: en.wikipedia.org/wiki/Bauhaus (band).