Black Sabbath

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This article is about the band. Black Sabbath_sentence_0

For other uses, see Black Sabbath (disambiguation). Black Sabbath_sentence_1

Black Sabbath_table_infobox_0

Black SabbathBlack Sabbath_header_cell_0_0_0
Background informationBlack Sabbath_header_cell_0_1_0
Also known asBlack Sabbath_header_cell_0_2_0 Black Sabbath_cell_0_2_1
OriginBlack Sabbath_header_cell_0_3_0 Birmingham, EnglandBlack Sabbath_cell_0_3_1
GenresBlack Sabbath_header_cell_0_4_0 Heavy metalBlack Sabbath_cell_0_4_1
Years activeBlack Sabbath_header_cell_0_5_0 1968–2006, 2011–2017Black Sabbath_cell_0_5_1
LabelsBlack Sabbath_header_cell_0_6_0 Black Sabbath_cell_0_6_1
Associated actsBlack Sabbath_header_cell_0_7_0 Black Sabbath_cell_0_7_1
WebsiteBlack Sabbath_header_cell_0_8_0 Black Sabbath_cell_0_8_1
Past membersBlack Sabbath_header_cell_0_10_0 ListBlack Sabbath_cell_0_10_1

Black Sabbath were an English rock band formed in Birmingham in 1968 by guitarist Tony Iommi, drummer Bill Ward, bassist Geezer Butler and vocalist Ozzy Osbourne. Black Sabbath_sentence_2

They are often cited as pioneers of heavy metal music. Black Sabbath_sentence_3

The band helped define the genre with releases such as Black Sabbath (1970), Paranoid (1970), and Master of Reality (1971). Black Sabbath_sentence_4

The band had multiple line-up changes following Osbourne's departure in 1979, with Iommi being the only constant member throughout its history. Black Sabbath_sentence_5

After previous iterations of the group called the Polka Tulk Blues Band and Earth, the band settled on the name Black Sabbath in 1969. Black Sabbath_sentence_6

They distinguished themselves through occult themes with horror-inspired lyrics and tuned-down guitars. Black Sabbath_sentence_7

Signing to Philips Records in November 1969, they released their first single, "Evil Woman" in January 1970. Black Sabbath_sentence_8

Their debut album, Black Sabbath, was released the following month. Black Sabbath_sentence_9

Though it received a negative critical response, the album was a commercial success, leading to a follow-up record, Paranoid, later in 1970. Black Sabbath_sentence_10

The band's popularity grew, and by 1973's Sabbath Bloody Sabbath, critics were starting to respond favourably. Black Sabbath_sentence_11

Osbourne's excessive substance abuse led to his firing in 1979. Black Sabbath_sentence_12

He was replaced by former Rainbow vocalist Ronnie James Dio. Black Sabbath_sentence_13

Following two albums with Dio, Black Sabbath endured many personnel changes in the 1980s and 1990s that included vocalists Ian Gillan, Glenn Hughes, Ray Gillen and Tony Martin, as well as several drummers and bassists. Black Sabbath_sentence_14

Martin, who replaced Gillen in 1987, was the second longest serving vocalist and recorded three albums with Black Sabbath before his dismissal in 1991. Black Sabbath_sentence_15

That same year, Iommi and Butler were rejoined by Dio and drummer Vinny Appice to record Dehumanizer (1992). Black Sabbath_sentence_16

After two more studio albums with Martin, who replaced Dio in 1993, the band's original line-up reunited in 1997 and released a live album Reunion the following year; they continued to tour occasionally until 2005. Black Sabbath_sentence_17

Other than various back catalogue reissues and compilation albums, and the Mob Rules-era lineup reunited as Heaven & Hell, there was no further activity under the Black Sabbath name for six years. Black Sabbath_sentence_18

They reunited in 2011 and released their final studio album and nineteenth overall, 13 (2013), which features all of the original members except Ward. Black Sabbath_sentence_19

During their farewell tour, the band played their final concert in their home city of Birmingham on 4 February 2017. Black Sabbath_sentence_20

Black Sabbath have sold over 70 million records worldwide as of 2013, making them one of the most commercially successful heavy metal bands. Black Sabbath_sentence_21

They were ranked by MTV as the "Greatest Metal Band" of all time, and placed second in VH1's "100 Greatest Artists of Hard Rock" list. Black Sabbath_sentence_22

Rolling Stone magazine ranked them number 85 on their "100 Greatest Artists of All Time". Black Sabbath_sentence_23

Black Sabbath were inducted into the UK Music Hall of Fame in 2005 and the Rock and Roll Hall of Fame in 2006. Black Sabbath_sentence_24

They have also won two Grammy Awards for Best Metal Performance, and in 2019 the band were presented a Grammy Lifetime Achievement Award. Black Sabbath_sentence_25

History Black Sabbath_section_0

Formation and early days (1968–1969) Black Sabbath_section_1

Following the break-up of their previous band Mythology in 1968, guitarist Tony Iommi and drummer Bill Ward sought to form a heavy blues rock band in Aston, Birmingham. Black Sabbath_sentence_26

They enlisted bassist Geezer Butler and vocalist Ozzy Osbourne, who had played together in a band called Rare Breed, Osbourne having placed an advertisement in a local music shop: "OZZY ZIG Needs Gig – has own PA". Black Sabbath_sentence_27

The new group was initially named the Polka Tulk Blues Band, the name taken either from a brand of talcum powder or an Indian/Pakistani clothing shop; the exact origin is confused. Black Sabbath_sentence_28

The Polka Tulk Blues Band included slide guitarist Jimmy Phillips, a childhood friend of Osbourne's, and saxophonist Alan "Aker" Clarke. Black Sabbath_sentence_29

After shortening the name to Polka Tulk, the band again changed their name to Earth (which Osbourne hated) and continued as a four-piece without Phillips and Clarke. Black Sabbath_sentence_30

Iommi became concerned that Phillips and Clarke lacked the necessary dedication and were not taking the band seriously. Black Sabbath_sentence_31

Rather than asking them to leave, they instead decided to break up and then quietly reformed the band as a four-piece. Black Sabbath_sentence_32

While the band was performing under the Earth title, they recorded several demos written by Norman Haines such as "The Rebel", "Song for Jim", and "When I Came Down". Black Sabbath_sentence_33

The demo titled "Song for Jim" was in reference to Jim Simpson. Black Sabbath_sentence_34

Simpson was a manager for the bands Bakerloo Blues Line and Tea & Symphony, as well as being trumpet player for the group Locomotive. Black Sabbath_sentence_35

Simpson had recently started a new club named Henry's Blueshouse at The Crown Hotel in Birmingham and offered to let Earth play there after they agreed to waive the usual support band fee in return for free t-shirts. Black Sabbath_sentence_36

The audience response was positive and Simpson agreed to manage Earth. Black Sabbath_sentence_37

In December 1968, Iommi abruptly left Earth to join Jethro Tull. Black Sabbath_sentence_38

Although his stint with the band would be short-lived, Iommi made an appearance with Jethro Tull on The Rolling Stones Rock and Roll Circus TV show. Black Sabbath_sentence_39

Unsatisfied with the direction of Jethro Tull, Iommi returned to Earth by the end of the month. Black Sabbath_sentence_40

"It just wasn't right, so I left", Iommi said. Black Sabbath_sentence_41

"At first I thought Tull were great, but I didn't much go for having a leader in the band, which was Ian Anderson's way. Black Sabbath_sentence_42

When I came back from Tull, I came back with a new attitude altogether. Black Sabbath_sentence_43

They taught me that to get on, you got to work for it." Black Sabbath_sentence_44

While playing shows in England in 1969, the band discovered they were being mistaken for another English group named Earth. Black Sabbath_sentence_45

They decided to change their name again. Black Sabbath_sentence_46

A cinema across the street from the band's rehearsal room was showing the 1963 horror film Black Sabbath starring Boris Karloff and directed by Mario Bava. Black Sabbath_sentence_47

While watching people line up to see the film, Butler noted that it was "strange that people spend so much money to see scary movies". Black Sabbath_sentence_48

Following that, Osbourne and Butler wrote the lyrics for a song called "Black Sabbath", which was inspired by the work of horror and adventure-story writer Dennis Wheatley, along with a vision that Butler had of a black silhouetted figure standing at the foot of his bed. Black Sabbath_sentence_49

Making use of the musical tritone, also known as "the Devil's Interval", the song's ominous sound and dark lyrics pushed the band in a darker direction, a stark contrast to the popular music of the late 1960s, which was dominated by flower power, folk music, and hippie culture. Black Sabbath_sentence_50

Judas Priest frontman Rob Halford has called the track "probably the most evil song ever written". Black Sabbath_sentence_51

Inspired by the new sound, the band changed their name to Black Sabbath in August 1969, and made the decision to focus on writing similar material, in an attempt to create the musical equivalent of horror films. Black Sabbath_sentence_52

Black Sabbath and Paranoid (1970–1971) Black Sabbath_section_2

The band's first show as Black Sabbath took place on 30 August 1969, in Workington, England. Black Sabbath_sentence_53

They were signed to Philips Records in November 1969, and released their first single, "Evil Woman" (a cover of a song by the band Crow), recorded at Trident Studios, through Philips subsidiary Fontana Records in January 1970. Black Sabbath_sentence_54

Later releases were handled by Philips' newly formed progressive rock label, Vertigo Records. Black Sabbath_sentence_55

Black Sabbath's first major exposure came when the band appeared on John Peel's Top Gear radio show in 1969, performing "Black Sabbath", "N.I.B. Black Sabbath_sentence_56 ", "Behind the Wall of Sleep", and "Sleeping Village" to a national audience in Great Britain shortly before recording of their first album commenced. Black Sabbath_sentence_57

Although the "Evil Woman" single failed to chart, the band were afforded two days of studio time in November to record their debut album with producer Rodger Bain. Black Sabbath_sentence_58

Iommi recalls recording live: "We thought 'We have two days to do it and one of the days is mixing.' Black Sabbath_sentence_59

So we played live. Black Sabbath_sentence_60

Ozzy was singing at the same time, we just put him in a separate booth and off we went. Black Sabbath_sentence_61

We never had a second run of most of the stuff." Black Sabbath_sentence_62

Black Sabbath was released on Friday the 13th, February 1970, and reached number 8 in the UK Albums Chart. Black Sabbath_sentence_63

Following its U.S. and Canadian release in May 1970 by Warner Bros. Records, the album reached number 23 on the Billboard 200, where it remained for over a year. Black Sabbath_sentence_64

The album was given negative reviews by many critics. Black Sabbath_sentence_65

Lester Bangs dismissed it in a Rolling Stone review as "discordant jams with bass and guitar reeling like velocitised speedfreaks all over each other's musical perimeters, yet never quite finding synch". Black Sabbath_sentence_66

It sold in substantial numbers despite being panned, giving the band their first mainstream exposure. Black Sabbath_sentence_67

It has since been certified platinum in both U.S. by the Recording Industry Association of America (RIAA) and in the UK by British Phonographic Industry (BPI), and is now generally accepted as the first heavy metal album. Black Sabbath_sentence_68

The band returned to the studio in June 1970, just four months after Black Sabbath was released. Black Sabbath_sentence_69

The new album was initially set to be named War Pigs after the song "War Pigs", which was critical of the Vietnam War; however, Warner changed the title of the album to Paranoid. Black Sabbath_sentence_70

The album's lead-off single, "Paranoid", was written in the studio at the last minute. Black Sabbath_sentence_71

Ward explains: "We didn't have enough songs for the album, and Tony just played the [Paranoid] guitar lick and that was it. Black Sabbath_sentence_72

It took twenty, twenty-five minutes from top to bottom." Black Sabbath_sentence_73

The single was released in September 1970 and reached number four on the UK Singles Chart, remaining Black Sabbath's only top ten hit. Black Sabbath_sentence_74

The album followed in the UK in October 1970, where, pushed by the success of the "Paranoid" single, it made number one in the charts. Black Sabbath_sentence_75

The U.S. release was held off until January 1971, as the Black Sabbath album was still on the charts at the time of Paranoid's UK release. Black Sabbath_sentence_76

Black Sabbath subsequently toured the United States for the first time and played their first U.S. show at a club called Ungano's at 210 West 70th Street in New York City. Black Sabbath_sentence_77

The album reached No. Black Sabbath_sentence_78

12 in the U.S. in March 1971, and would go on to sell four million copies in the U.S., with virtually no radio airplay. Black Sabbath_sentence_79

Like Black Sabbath, the album was panned by rock critics of the era, but modern-day reviewers such as AllMusic's Steve Huey cite Paranoid as "one of the greatest and most influential heavy metal albums of all time", which "defined the sound and style of heavy metal more than any other record in rock history". Black Sabbath_sentence_80

The album was ranked at No. Black Sabbath_sentence_81

131 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time. Black Sabbath_sentence_82

Paranoid's chart success allowed the band to tour the U.S. for the first time in October 1970, which spawned the release of the album's second single "Iron Man". Black Sabbath_sentence_83

Although the single failed to reach the top 40, "Iron Man" remains one of Black Sabbath's most popular songs, as well as the band's highest charting U.S. single until 1998's "Psycho Man". Black Sabbath_sentence_84

Master of Reality and Volume 4 (1971–1973) Black Sabbath_section_3

In February 1971, after a one-off performance at the Myponga Pop Festival in Australia, Black Sabbath returned to the studio to begin work on their third album. Black Sabbath_sentence_85

Following the chart success of Paranoid, the band were afforded more studio time, along with a "briefcase full of cash" to buy drugs. Black Sabbath_sentence_86

"We were getting into coke, big time", Ward explained. Black Sabbath_sentence_87

"Uppers, downers, Quaaludes, whatever you like. Black Sabbath_sentence_88

It got to the stage where you come up with ideas and forget them, because you were just so out of it." Black Sabbath_sentence_89

Production completed in April 1971, in July the band released Master of Reality, just six months after the U.S. release of Paranoid. Black Sabbath_sentence_90

The album reached the top ten in the U.S. and the United Kingdom, and was certified gold in less than two months, eventually receiving platinum certification in the 1980s and Double Platinum in the early 21st century. Black Sabbath_sentence_91

It contained Sabbath's first acoustic songs, alongside fan favourites such as "Children of the Grave" and "Sweet Leaf". Black Sabbath_sentence_92

Critical response of the era was generally unfavourable, with Lester Bangs delivering an ambivalent review of Master of Reality in Rolling Stone, describing the closing "Children of the Grave" as "naïve, simplistic, repetitive, absolute doggerel – but in the tradition [of rock'n'roll]... Black Sabbath_sentence_93

The only criterion is excitement, and Black Sabbath's got it". Black Sabbath_sentence_94

(In 2003, Rolling Stone would place the album at number 300 on their 500 Greatest Albums of All Time list.) Black Sabbath_sentence_95

Following the Master of Reality world tour in 1972, Sabbath took its first break in three years. Black Sabbath_sentence_96

As Ward explained: "The band started to become very fatigued and very tired. Black Sabbath_sentence_97

We'd been on the road non-stop, year in and year out, constantly touring and recording. Black Sabbath_sentence_98

I think Master of Reality was kind of like the end of an era, the first three albums, and we decided to take our time with the next album." Black Sabbath_sentence_99

In June 1972, the band reconvened in Los Angeles to begin work on their next album at the Record Plant. Black Sabbath_sentence_100

With more time in the studio, the album saw the band experimenting with new textures, such as strings, piano, orchestration and multi-part songs. Black Sabbath_sentence_101

Recording was plagued with problems, many as a result of substance abuse issues. Black Sabbath_sentence_102

Struggling to record the song "Cornucopia" after "sitting in the middle of the room, just doing drugs", Ward was nearly fired. Black Sabbath_sentence_103

"I hated the song, there were some patterns that were just... horrible," the drummer said. Black Sabbath_sentence_104

"I nailed it in the end, but the reaction I got was the cold shoulder from everybody. Black Sabbath_sentence_105

It was like 'Well, just go home, you're not being of any use right now.' Black Sabbath_sentence_106

I felt like I'd blown it, I was about to get fired". Black Sabbath_sentence_107

Butler thought that the end product "was very badly produced, as far as I was concerned. Black Sabbath_sentence_108

Our then-manager insisted on producing it, so he could claim production costs." Black Sabbath_sentence_109

The album was originally titled Snowblind after the song of the same name, which deals with cocaine abuse. Black Sabbath_sentence_110

The record company changed the title at the last minute to Black Sabbath Vol. 4. Black Sabbath_sentence_111

Ward observed, "There was no Volume 1, 2 or 3, so it's a pretty stupid title really". Black Sabbath_sentence_112

Vol. 4 was released in September 1972 and, while critics were dismissive, it achieved gold status in less than a month, and was the band's fourth consecutive release to sell a million in the U.S. "Tomorrow's Dream" was released as a single – the band's first since "Paranoid" – but failed to chart. Black Sabbath_sentence_113

Following an extensive tour of the U.S., in 1973 the band travelled again to Australia, followed by a tour for the first time to New Zealand, before moving onto mainland Europe. Black Sabbath_sentence_114

"The band were definitely in their heyday," recalled Ward, "in the sense that nobody had burnt out quite yet." Black Sabbath_sentence_115

Sabbath Bloody Sabbath and Sabotage (1973–1976) Black Sabbath_section_4

Following the Volume 4 world tour, Black Sabbath returned to Los Angeles to begin work on their next release. Black Sabbath_sentence_116

Pleased with the Volume 4 album, the band sought to recreate the recording atmosphere, and returned to the Record Plant studio in Los Angeles. Black Sabbath_sentence_117

With new musical innovations of the era, the band were surprised to find that the room they had used previously at the Record Plant was replaced by a "giant synthesiser". Black Sabbath_sentence_118

The band rented a house in Bel Air and began writing in the summer of 1973, but in part because of substance issues and fatigue, they were unable to complete any songs. Black Sabbath_sentence_119

"Ideas weren't coming out the way they were on Volume 4 and we really got discontent" Iommi said. Black Sabbath_sentence_120

"Everybody was sitting there waiting for me to come up with something. Black Sabbath_sentence_121

I just couldn't think of anything. Black Sabbath_sentence_122

And if I didn't come up with anything, nobody would do anything." Black Sabbath_sentence_123

After a month in Los Angeles with no results, the band opted to return to England. Black Sabbath_sentence_124

They rented Clearwell Castle in The Forest of Dean. Black Sabbath_sentence_125

"We rehearsed in the dungeons and it was really creepy but it had some atmosphere, it conjured up things, and stuff started coming out again." Black Sabbath_sentence_126

While working in the dungeon, Iommi stumbled onto the main riff of "Sabbath Bloody Sabbath", which set the tone for the new material. Black Sabbath_sentence_127

Recorded at Morgan Studios in London by Mike Butcher and building off the stylistic changes introduced on Volume 4, new songs incorporated synthesisers, strings, and complex arrangements. Black Sabbath_sentence_128

Yes keyboardist Rick Wakeman was brought in as a session player, appearing on "Sabbra Cadabra". Black Sabbath_sentence_129

In November 1973, Black Sabbath began to receive positive reviews in the mainstream press after the release of Sabbath Bloody Sabbath, with Gordon Fletcher of Rolling Stone calling the album "an extraordinarily gripping affair", and "nothing less than a complete success." Black Sabbath_sentence_130

Later reviewers such as AllMusic's Eduardo Rivadavia cite the album as a "masterpiece, essential to any heavy metal collection", while also displaying "a newfound sense of finesse and maturity." Black Sabbath_sentence_131

The album marked the band's fifth consecutive platinum selling album in the U.S., reaching number four on the United Kingdom charts, and number eleven in the U.S. Black Sabbath_sentence_132

The band began a world tour in January 1974, which culminated at the California Jam festival in Ontario, California, on 6 April 1974. Black Sabbath_sentence_133

Attracting over 200,000 fans, Black Sabbath appeared alongside popular 1970s rock and pop bands Deep Purple, Eagles, Emerson, Lake & Palmer, Rare Earth, Seals & Crofts, Black Oak Arkansas, and Earth, Wind & Fire. Black Sabbath_sentence_134

Portions of the show were telecast on ABC Television in the U.S., exposing the band to a wider American audience. Black Sabbath_sentence_135

In the same year, the band shifted management, signing with notorious English manager Don Arden. Black Sabbath_sentence_136

The move caused a contractual dispute with Black Sabbath's former management, and while on stage in the U.S., Osbourne was handed a subpoena that led to two years of litigation. Black Sabbath_sentence_137

Black Sabbath began work on their sixth album in February 1975, again in England at Morgan Studios in Willesden, this time with a decisive vision to differ the sound from Sabbath, Bloody Sabbath. Black Sabbath_sentence_138

"We could've continued and gone on and on, getting more technical, using orchestras and everything else which we didn't particularly want to. Black Sabbath_sentence_139

We took a look at ourselves, and we wanted to do a rock album – Sabbath, Bloody Sabbath wasn't a rock album, really." Black Sabbath_sentence_140

Produced by Black Sabbath and Mike Butcher, Sabotage was released in July 1975. Black Sabbath_sentence_141

As with its precursor, the album initially saw favourable reviews, with Rolling Stone stating "Sabotage is not only Black Sabbath's best record since Paranoid, it might be their best ever", although later reviewers such as AllMusic noted that "the magical chemistry that made such albums as Paranoid and Volume 4 so special was beginning to disintegrate". Black Sabbath_sentence_142

Sabotage reached the top 20 in both the U.S. and the United Kingdom, but was the band's first release not to achieve Platinum status in the U.S., only achieving Gold certification. Black Sabbath_sentence_143

Although the album's only single "Am I Going Insane (Radio)" failed to chart, Sabotage features fan favourites such as "Hole in the Sky", and "Symptom of the Universe". Black Sabbath_sentence_144

Black Sabbath toured in support of Sabotage with openers Kiss, but were forced to cut the tour short in November 1975, following a motorcycle accident in which Osbourne ruptured a muscle in his back. Black Sabbath_sentence_145

In December 1975, the band's record companies released a greatest hits album without input from the band, titled We Sold Our Soul for Rock 'n' Roll. Black Sabbath_sentence_146

The album charted throughout 1976, eventually selling two million copies in the U.S. Black Sabbath_sentence_147

Technical Ecstasy and Never Say Die! (1976–1979) Black Sabbath_section_5

Black Sabbath began work for their next album at Criteria Studios in Miami, Florida, in June 1976. Black Sabbath_sentence_148

To expand their sound, the band added keyboard player Gerald Woodroffe, who also had appeared to a lesser extent on Sabotage. Black Sabbath_sentence_149

During the recording of Technical Ecstasy, Osbourne admits that he began losing interest in Black Sabbath and began to consider the possibility of working with other musicians. Black Sabbath_sentence_150

Recording of Technical Ecstasy was difficult; by the time the album was completed Osbourne was admitted to Stafford County Asylum in Britain. Black Sabbath_sentence_151

It was released on 25 September 1976 to mixed reviews, and (for the first time) later music critics gave the album less favourable retrospective reviews; two decades after its release AllMusic gave the album two stars, and noted that the band was "unravelling at an alarming rate". Black Sabbath_sentence_152

The album featured less of the doomy, ominous sound of previous efforts, and incorporated more synthesisers and uptempo rock songs. Black Sabbath_sentence_153

Technical Ecstasy failed to reach the top 50 in the U.S., and was the band's second consecutive release not to achieve platinum status, although it was later certified gold in 1997. Black Sabbath_sentence_154

The album included "Dirty Women", which remains a live staple, as well as Ward's first lead vocal on the song "It's Alright". Black Sabbath_sentence_155

Touring in support of Technical Ecstasy began in November 1976, with openers Boston and Ted Nugent in the U.S., and completed in Europe with AC/DC in April 1977. Black Sabbath_sentence_156

In late 1977, while in rehearsal for their next album, and just days before the band was set to enter the studio, Osbourne abruptly quit the band. Black Sabbath_sentence_157

Iommi called vocalist Dave Walker, a longtime friend of the band, who had previously been a member of Fleetwood Mac and Savoy Brown, and informed him that Osbourne had left the band. Black Sabbath_sentence_158

Walker, who was at that time fronting a band called Mistress, flew to Birmingham from California in late 1977 to write material and rehearse with Black Sabbath. Black Sabbath_sentence_159

On 8 January 1978, Black Sabbath made their only live performance with Walker on vocals, playing an early version of the song "Junior's Eyes" on the BBC Television programme "Look! Black Sabbath_sentence_160

Hear!" Black Sabbath_sentence_161

Walker later recalled that while in Birmingham he had bumped into Osbourne in a pub and came to the conclusion that Osbourne was not fully committed to leaving Black Sabbath. Black Sabbath_sentence_162

"The last Sabbath albums were just very depressing for me", Osbourne said. Black Sabbath_sentence_163

"I was doing it for the sake of what we could get out of the record company, just to get fat on beer and put a record out." Black Sabbath_sentence_164

Walker has said that he wrote a lot of lyrics during his brief time in the band but none of them were ever used. Black Sabbath_sentence_165

If any recordings of this version of the band other than the "Look! Black Sabbath_sentence_166

Hear!" Black Sabbath_sentence_167

footage still exist, Walker says that he is not aware of them. Black Sabbath_sentence_168

Osbourne initially set out to form a solo project featuring former Dirty Tricks members John Frazer-Binnie, Terry Horbury, and Andy Bierne. Black Sabbath_sentence_169

As the new band were in rehearsals in January 1978, Osbourne had a change of heart and rejoined Black Sabbath. Black Sabbath_sentence_170

"Three days before we were due to go into the studio, Ozzy wanted to come back to the band", Iommi explained. Black Sabbath_sentence_171

"He wouldn't sing any of the stuff we'd written with the other guy (Walker), so it made it very difficult. Black Sabbath_sentence_172

We went into the studio with basically no songs. Black Sabbath_sentence_173

We'd write in the morning so we could rehearse and record at night. Black Sabbath_sentence_174

It was so difficult, like a conveyor belt, because you couldn't get time to reflect on stuff. Black Sabbath_sentence_175

'Is this right? Black Sabbath_sentence_176

Is this working properly?' Black Sabbath_sentence_177

It was very difficult for me to come up with the ideas and putting them together that quick." Black Sabbath_sentence_178

The band spent five months at Sounds Interchange Studios in Toronto, Ontario, Canada, writing and recording what would become Never Say Die!. Black Sabbath_sentence_179

"It took quite a long time", Iommi said. Black Sabbath_sentence_180

"We were getting really drugged out, doing a lot of dope. Black Sabbath_sentence_181

We'd go down to the sessions, and have to pack up because we were too stoned, we'd have to stop. Black Sabbath_sentence_182

Nobody could get anything right, we were all over the place, everybody's playing a different thing. Black Sabbath_sentence_183

We'd go back and sleep it off, and try again the next day." Black Sabbath_sentence_184

The album was released in September 1978, reaching number twelve in the United Kingdom, and number 69 in the U.S. Press response was unfavourable and did not improve over time with Eduardo Rivadavia of AllMusic stating two decades after its release that the album's "unfocused songs perfectly reflected the band's tense personnel problems and drug abuse." Black Sabbath_sentence_185

The album featured the singles "Never Say Die" and "Hard Road", both of which cracked the top 40 in the United Kingdom. Black Sabbath_sentence_186

The band also made their second appearance on the BBC's Top of the Pops, performing "Never Say Die". Black Sabbath_sentence_187

It took nearly 20 years for the album to be certified Gold in the U.S. Black Sabbath_sentence_188

Touring in support of Never Say Die! Black Sabbath_sentence_189

began in May 1978 with openers Van Halen. Black Sabbath_sentence_190

Reviewers called Black Sabbath's performance "tired and uninspired", a stark contrast to the "youthful" performance of Van Halen, who were touring the world for the first time. Black Sabbath_sentence_191

The band filmed a performance at the Hammersmith Odeon in June 1978, which was later released on DVD as Never Say Die. Black Sabbath_sentence_192

The final show of the tour, and Osbourne's last appearance with the band (until later reunions) was in Albuquerque, New Mexico on 11 December. Black Sabbath_sentence_193

Following the tour, Black Sabbath returned to Los Angeles and again rented a house in Bel Air, where they spent nearly a year working on new material for the next album. Black Sabbath_sentence_194

The entire band were abusing both alcohol and other drugs, but Iommi says Osbourne "was on a totally different level altogether". Black Sabbath_sentence_195

The band would come up with new song ideas but Osbourne showed little interest and would refuse to sing them. Black Sabbath_sentence_196

Pressure from the record label and frustrations with Osbourne's lack of input coming to a head, Iommi made the decision to fire Osbourne in 1979. Black Sabbath_sentence_197

Iommi believed the only options available were to fire Osbourne or break the band up completely. Black Sabbath_sentence_198

"At that time, Ozzy had come to an end", Iommi said. Black Sabbath_sentence_199

"We were all doing a lot of drugs, a lot of coke, a lot of everything, and Ozzy was getting drunk so much at the time. Black Sabbath_sentence_200

We were supposed to be rehearsing and nothing was happening. Black Sabbath_sentence_201

It was like 'Rehearse today? Black Sabbath_sentence_202

No, we'll do it tomorrow.' Black Sabbath_sentence_203

It really got so bad that we didn't do anything. Black Sabbath_sentence_204

It just fizzled out." Black Sabbath_sentence_205

Drummer Ward, who was close with Osbourne, was chosen by Tony to break the news to the singer on 27 April 1979. Black Sabbath_sentence_206

"I hope I was professional, I might not have been, actually. Black Sabbath_sentence_207

When I'm drunk I am horrible, I am horrid", Ward said. Black Sabbath_sentence_208

"Alcohol was definitely one of the most damaging things to Black Sabbath. Black Sabbath_sentence_209

We were destined to destroy each other. Black Sabbath_sentence_210

The band were toxic, very toxic." Black Sabbath_sentence_211

Heaven and Hell and Mob Rules (1979–1982) Black Sabbath_section_6

Sharon Arden (later Sharon Osbourne), daughter of Black Sabbath manager Don Arden, suggested former Rainbow vocalist Ronnie James Dio to replace Ozzy Osbourne in 1979. Black Sabbath_sentence_212

Don Arden was at this point still trying to convince Osbourne to rejoin the band, as he viewed the original line-up as the most profitable. Black Sabbath_sentence_213

Dio officially joined in June, and the band began writing their next album. Black Sabbath_sentence_214

With a notably different vocal style from Osbourne's, Dio's addition to the band marked a change in Black Sabbath's sound. Black Sabbath_sentence_215

"They were totally different altogether", Iommi explains. Black Sabbath_sentence_216

"Not only voice-wise, but attitude-wise. Black Sabbath_sentence_217

Ozzy was a great showman, but when Dio came in, it was a different attitude, a different voice and a different musical approach, as far as vocals. Black Sabbath_sentence_218

Dio would sing across the riff, whereas Ozzy would follow the riff, like in "Iron Man". Black Sabbath_sentence_219

Ronnie came in and gave us another angle on writing." Black Sabbath_sentence_220

Geezer Butler temporarily left the band in September 1979 for personal reasons. Black Sabbath_sentence_221

According to Dio, the band initially hired Craig Gruber (with whom Dio had previously played while in Elf) on bass to assist with writing the new album. Black Sabbath_sentence_222

Gruber was soon replaced by Geoff Nicholls of Quartz. Black Sabbath_sentence_223

The new line-up returned to Criteria Studios in November to begin recording work, with Butler returning to the band in January 1980, and Nicholls moving to keyboards. Black Sabbath_sentence_224

Produced by Martin Birch, Heaven and Hell was released on 25 April 1980, to critical acclaim. Black Sabbath_sentence_225

Over a decade after its release AllMusic said the album was "one of Sabbath's finest records, the band sounds reborn and re-energised throughout". Black Sabbath_sentence_226

Heaven and Hell peaked at number 9 in the United Kingdom, and number 28 in the U.S., the band's highest charting album since Sabotage. Black Sabbath_sentence_227

The album eventually sold a million copies in the U.S., and the band embarked on an extensive world tour, making their first live appearance with Dio in Germany on 17 April 1980. Black Sabbath_sentence_228

Black Sabbath toured the U.S. throughout 1980 with Blue Öyster Cult on the "Black and Blue" tour, with a show at Nassau Coliseum in Uniondale, New York filmed and released theatrically in 1981 as Black and Blue. Black Sabbath_sentence_229

On 26 July 1980, the band played to 75,000 fans at a sold-out Los Angeles Memorial Coliseum with Journey, Cheap Trick, and Molly Hatchet. Black Sabbath_sentence_230

The next day, the band appeared at the 1980 Day on the Green at Oakland Coliseum. Black Sabbath_sentence_231

While on tour, Black Sabbath's former label in England issued a live album culled from a seven-year-old performance, titled Live at Last without any input from the band. Black Sabbath_sentence_232

The album reached number five on the British charts, and saw the re-release of "Paranoid" as a single, which reached the top 20. Black Sabbath_sentence_233

On 18 August 1980, after a show in Minneapolis, Ward quit the band. Black Sabbath_sentence_234

"It was intolerable for me to get on the stage without Ozzy. Black Sabbath_sentence_235

And I drank 24 hours a day, my alcoholism accelerated". Black Sabbath_sentence_236

Geezer Butler stated that after Ward's final show, the drummer came in drunk, stating that "He might as well be a Martian". Black Sabbath_sentence_237

Ward then got angry, packed his things and got on a bus to leave. Black Sabbath_sentence_238

Following Ward's sudden departure, the group hired drummer Vinny Appice. Black Sabbath_sentence_239

Further trouble for the band came during their 9 October 1980 concert at the Milwaukee Arena, which degenerated into a riot causing $10,000 in damages to the arena and resulted in 160 arrests. Black Sabbath_sentence_240

According to the Associated Press, "the crowd of mostly adolescent males first became rowdy in a performance by the Blue Oyster Cult" and then grew restless while waiting an hour for Black Sabbath to begin playing. Black Sabbath_sentence_241

A member of the audience threw a beer bottle that struck bassist Butler and effectively ended the show. Black Sabbath_sentence_242

"The band then abruptly halted its performance and began leaving" as the crowd rioted. Black Sabbath_sentence_243

The band completed the Heaven and Hell world tour in February 1981, and returned to the studio to begin work on their next album. Black Sabbath_sentence_244

Black Sabbath's second studio album produced by Martin Birch and featuring Ronnie James Dio as vocalist Mob Rules was released in October 1981, to be well received by fans, but less so by the critics. Black Sabbath_sentence_245

Rolling Stone reviewer J. D. Considine gave the album one star, claiming "Mob Rules finds the band as dull-witted and flatulent as ever". Black Sabbath_sentence_246

Like most of the band's earlier work, time helped to improve the opinions of the music press, a decade after its release, AllMusic's Eduardo Rivadavia called Mob Rules "a magnificent record". Black Sabbath_sentence_247

The album was certified gold, and reached the top 20 on the UK charts. Black Sabbath_sentence_248

The album's title track "The Mob Rules", which was recorded at John Lennon's old house in England, also featured in the 1981 animated film Heavy Metal, although the film version is an alternate take, and differs from the album version. Black Sabbath_sentence_249

Unhappy with the quality of 1980's Live at Last, the band recorded another live album—titled Live Evil—during the Mob Rules world tour, across the United States in Dallas, San Antonio, and Seattle, in 1982. Black Sabbath_sentence_250

During the mixing process for the album, Iommi and Butler had a falling out with Dio. Black Sabbath_sentence_251

Misinformed by their then-current mixing engineer, Iommi and Butler accused Dio of sneaking into the studio at night to raise the volume of his vocals. Black Sabbath_sentence_252

In addition, Dio was not satisfied with the pictures of him in the artwork. Black Sabbath_sentence_253

Butler also accused Dio and Appice of working on a solo album during the album's mixing without telling the other members of Black Sabbath. Black Sabbath_sentence_254

"Ronnie wanted more say in things," Iommi said. Black Sabbath_sentence_255

"And Geezer would get upset with him and that is where the rot set in. Black Sabbath_sentence_256

Live Evil is when it all fell apart. Black Sabbath_sentence_257

Ronnie wanted to do more of his own thing, and the engineer we were using at the time in the studio didn't know what to do, because Ronnie was telling him one thing and we were telling him another. Black Sabbath_sentence_258

At the end of the day, we just said, 'That's it, the band is over'". Black Sabbath_sentence_259

"When it comes time for the vocal, nobody tells me what to do. Black Sabbath_sentence_260

Nobody! Black Sabbath_sentence_261

Because they're not as good as me, so I do what I want to do," Dio later said. Black Sabbath_sentence_262

"I refuse to listen to Live Evil, because there are too many problems. Black Sabbath_sentence_263

If you look at the credits, the vocals and drums are listed off to the side. Black Sabbath_sentence_264

Open up the album and see how many pictures there are of Tony, and how many there are of me and Vinny". Black Sabbath_sentence_265

Ronnie James Dio left Black Sabbath in November 1982 to start his own band, and took drummer Vinny Appice with him. Black Sabbath_sentence_266

Live Evil was released in January 1983, but was overshadowed by Ozzy Osbourne's platinum selling album Speak of the Devil. Black Sabbath_sentence_267

Born Again (1983–1984) Black Sabbath_section_7

The remaining original members, Iommi and Butler, began auditioning singers for the band's next release. Black Sabbath_sentence_268

Deep Purple and Whitesnake's David Coverdale, Samson's Nicky Moore and Lone Star's John Sloman were all considered and Iommi states in his autobiography that Michael Bolton auditioned. Black Sabbath_sentence_269

The band settled on former Deep Purple vocalist Ian Gillan to replace Dio in December 1982. Black Sabbath_sentence_270

The project was initially not to be called Black Sabbath, but pressure from the record label forced the group to retain the name. Black Sabbath_sentence_271

The band entered The Manor Studios in Shipton-on-Cherwell, Oxfordshire, in June 1983 with a returned and newly sober Bill Ward on drums. Black Sabbath_sentence_272

"That was the very first album that I ever did clean and sober," Ward recalled. Black Sabbath_sentence_273

"I only got drunk after I finished all my work on the album – which wasn't a very good idea... Sixty to seventy per cent of my energy was taken up on learning how to get through the day without taking a drink and learning how to do things without drinking, and thirty per cent of me was involved in the album." Black Sabbath_sentence_274

Born Again (7 August 1983) was panned on release by critics. Black Sabbath_sentence_275

Despite this negative reception, it reached number four in the UK, and number 39 in the U.S. Black Sabbath_sentence_276

Even three decades after its release, AllMusic's Eduardo Rivadavia called the album "dreadful", noting that "Gillan's bluesy style and humorous lyrics were completely incompatible with the lords of doom and gloom". Black Sabbath_sentence_277

Unable to tour because of the pressures of the road, Ward quit the band. Black Sabbath_sentence_278

"I fell apart with the idea of touring," he later explained. Black Sabbath_sentence_279

"I got so much fear behind touring, I didn't talk about the fear, I drank behind the fear instead and that was a big mistake." Black Sabbath_sentence_280

He was replaced by former Electric Light Orchestra drummer Bev Bevan for the Born Again '83–'84 world tour, (often unofficially referred to as the 'Feighn Death Sabbath '83–'84' World Tour) which began in Europe with Diamond Head, and later in the U.S. with Quiet Riot and Night Ranger. Black Sabbath_sentence_281

The band headlined the 1983 Reading Festival in England, adding Deep Purple's "Smoke on the Water" to their encore. Black Sabbath_sentence_282

The tour in support of Born Again included a giant set of the Stonehenge monument. Black Sabbath_sentence_283

In a move later parodied in the mockumentary This Is Spinal Tap, the band made a mistake in ordering the set piece. Black Sabbath_sentence_284

Butler explained: Black Sabbath_sentence_285

Hiatus and Seventh Star (1984–1986) Black Sabbath_section_8

Following the completion of the Born Again tour in March 1984, vocalist Ian Gillan left Black Sabbath to re-join Deep Purple, which was reforming after a long hiatus. Black Sabbath_sentence_286

Bevan left at the same time, and Gillan remarked that he and Bevan were made to feel like "hired help" by Iommi. Black Sabbath_sentence_287

The band then recruited an unknown Los Angeles vocalist named David Donato and Ward once again rejoined the band. Black Sabbath_sentence_288

The new line-up wrote and rehearsed throughout 1984, and eventually recorded a demo with producer Bob Ezrin in October. Black Sabbath_sentence_289

Unhappy with the results, the band parted ways with Donato shortly after. Black Sabbath_sentence_290

Disillusioned with the band's revolving line-up, Ward left shortly after stating "This isn't Black Sabbath". Black Sabbath_sentence_291

Butler would quit Sabbath next in November 1984 to form a solo band. Black Sabbath_sentence_292

"When Ian Gillan took over that was the end of it for me," he said. Black Sabbath_sentence_293

"I thought it was just a joke and I just totally left. Black Sabbath_sentence_294

When we got together with Gillan it was not supposed to be a Black Sabbath album. Black Sabbath_sentence_295

After we had done the album we gave it to Warner Bros. and they said they were going to put it out as a Black Sabbath album and we didn't have a leg to stand on. Black Sabbath_sentence_296

I got really disillusioned with it and Gillan was really pissed off about it. Black Sabbath_sentence_297

That lasted one album and one tour and then that was it." Black Sabbath_sentence_298

Following both Ward's and Butler's exits, sole remaining original member Iommi put Sabbath on hiatus, and began work on a solo album with long-time Sabbath keyboardist Geoff Nicholls. Black Sabbath_sentence_299

While working on new material, the original Sabbath line-up agreed to a spot at Bob Geldof's Live Aid, performing at the Philadelphia show on 13 July 1985. Black Sabbath_sentence_300

This event – which also featured reunions of The Who and Led Zeppelin – marked the first time the original line-up had appeared on stage since 1978. Black Sabbath_sentence_301

"We were all drunk when we did Live Aid," recalled Geezer Butler, "but we'd all got drunk separately." Black Sabbath_sentence_302

Returning to his solo work, Iommi enlisted bassist Dave Spitz (ex-Great White), drummer Eric Singer and initially intended to use multiple singers, including Rob Halford of Judas Priest, former Deep Purple and Trapeze vocalist Glenn Hughes, and former Sabbath vocalist Ronnie James Dio. Black Sabbath_sentence_303

This plan didn't work as he forecasted. Black Sabbath_sentence_304

"We were going to use different vocalists on the album, guest vocalists, but it was so difficult getting it together and getting releases from their record companies. Black Sabbath_sentence_305

Glenn Hughes came along to sing on one track and we decided to use him on the whole album." Black Sabbath_sentence_306

The band spent the remainder of the year in the studio, recording what would become Seventh Star (1986). Black Sabbath_sentence_307

Warner Bros. refused to release the album as a Tony Iommi solo release, instead insisting on using the name Black Sabbath. Black Sabbath_sentence_308

Pressured by the band's manager, Don Arden, the two compromised and released the album as "Black Sabbath featuring Tony Iommi" in January 1986. Black Sabbath_sentence_309

"It opened up a whole can of worms," Iommi explained. Black Sabbath_sentence_310

"If we could have done it as a solo album, it would have been accepted a lot more." Black Sabbath_sentence_311

Seventh Star sounded little like a Sabbath album, incorporating instead elements popularised by the 1980s Sunset Strip hard rock scene. Black Sabbath_sentence_312

It was panned by the critics of the era, although later reviewers such as AllMusic gave album verdicts, calling the album "often misunderstood and underrated". Black Sabbath_sentence_313

The new line-up rehearsed for six weeks preparing for a full world tour, although the band were eventually forced to use the Sabbath name. Black Sabbath_sentence_314

"I was into the 'Tony Iommi project', but I wasn't into the Black Sabbath moniker," Hughes said. Black Sabbath_sentence_315

"The idea of being in Black Sabbath didn't appeal to me whatsoever. Black Sabbath_sentence_316

Glenn Hughes singing in Black Sabbath is like James Brown singing in Metallica. Black Sabbath_sentence_317

It wasn't gonna work." Black Sabbath_sentence_318

Just four days before the start of the tour, Hughes got into a bar fight with the band's production manager John Downing which splintered the singer's orbital bone. Black Sabbath_sentence_319

The injury interfered with Hughes' ability to sing, and the band brought in vocalist Ray Gillen to continue the tour with W.A.S.P. Black Sabbath_sentence_320

and Anthrax, although nearly half of the U.S. dates would be cancelled because of poor ticket sales. Black Sabbath_sentence_321

One vocalist whose status is disputed, both inside and outside Sabbath, is Christian evangelist and former Joshua frontman Jeff Fenholt. Black Sabbath_sentence_322

Fenholt insists he was a singer in Sabbath between January and May 1985. Black Sabbath_sentence_323

Iommi has never confirmed this. Black Sabbath_sentence_324

Fenholt gives a detailed account in Garry Sharpe-Young's book Sabbath Bloody Sabbath: The Battle for Black Sabbath. Black Sabbath_sentence_325

The Eternal Idol, Headless Cross and Tyr (1986–1990) Black Sabbath_section_9

Black Sabbath began work on new material in October 1986 at Air Studios in Montserrat with producer Jeff Glixman. Black Sabbath_sentence_326

The recording was fraught with problems from the beginning, as Glixman left after the initial sessions to be replaced by producer Vic Coppersmith-Heaven. Black Sabbath_sentence_327

Bassist Dave Spitz quit over "personal issues", and former Rainbow and Ozzy Osbourne bassist Bob Daisley was brought in. Black Sabbath_sentence_328

Daisley re-recorded all of the bass tracks, and wrote the album's lyrics, but before the album was complete, he left to join Gary Moore's backing band, taking drummer Eric Singer with him. Black Sabbath_sentence_329

After problems with second producer Coppersmith-Heaven, the band returned to Morgan Studios in England in January 1987 to work with new producer Chris Tsangarides. Black Sabbath_sentence_330

While working in the United Kingdom, new vocalist Ray Gillen abruptly left Black Sabbath to form Blue Murder with guitarist John Sykes (ex-Tygers of Pan Tang, Thin Lizzy, Whitesnake). Black Sabbath_sentence_331

The band enlisted heavy metal vocalist Tony Martin to re-record Gillen's tracks, and former Electric Light Orchestra drummer Bev Bevan to complete a few percussion overdubs. Black Sabbath_sentence_332

Before the release of the new album Black Sabbath accepted an offer to play six shows at Sun City, South Africa during the apartheid era. Black Sabbath_sentence_333

The band drew criticism from activists and artists involved with Artists United Against Apartheid, who had been boycotting South Africa since 1985. Black Sabbath_sentence_334

Drummer Bev Bevan refused to play the shows, and was replaced by Terry Chimes, formerly of the Clash. Black Sabbath_sentence_335

After nearly a year in production, The Eternal Idol was released on 8 December 1987 and ignored by contemporary reviewers. Black Sabbath_sentence_336

On-line internet era reviews were mixed. Black Sabbath_sentence_337

AllMusic said that "Martin's powerful voice added new fire" to the band, and the album contained "some of Iommi's heaviest riffs in years." Black Sabbath_sentence_338

Blender gave the album two stars, claiming the album was "Black Sabbath in name only". Black Sabbath_sentence_339

The album would stall at No. Black Sabbath_sentence_340

66 in the United Kingdom, while peaking at 168 in the U.S. Black Sabbath_sentence_341

The band toured in support of Eternal Idol in Germany, Italy and for the first time, Greece. Black Sabbath_sentence_342

In part due to a backlash from promoters over the South Africa incident, other European shows were cancelled. Black Sabbath_sentence_343

Bassist Dave Spitz left the band shortly before the tour, and was replaced by Jo Burt, formerly of Virginia Wolf. Black Sabbath_sentence_344

Following the poor commercial performance of The Eternal Idol, Black Sabbath were dropped by both Vertigo Records and Warner Bros. Records, and signed with I.R.S. Black Sabbath_sentence_345 Records. Black Sabbath_sentence_346

The band took time off in 1988, returning in August to begin work on their next album. Black Sabbath_sentence_347

As a result of the recording troubles with Eternal Idol, Tony Iommi opted to produce the band's next album himself. Black Sabbath_sentence_348

"It was a completely new start", Iommi said. Black Sabbath_sentence_349

"I had to rethink the whole thing, and decided that we needed to build up some credibility again". Black Sabbath_sentence_350

Iommi enlisted former Rainbow drummer Cozy Powell, long-time keyboardist Nicholls and session bassist Laurence Cottle, and rented a "very cheap studio in England". Black Sabbath_sentence_351

Black Sabbath released Headless Cross in April 1989, and it was also ignored by contemporary reviewers, although AllMusic contributor Eduardo Rivadavia gave the album four stars and called it "the finest non-Ozzy or Dio Black Sabbath album". Black Sabbath_sentence_352

Anchored by the number 62 charting single "Headless Cross", the album reached number 31 on the UK charts, and number 115 in the U.S. Queen guitarist Brian May, a good friend of Iommi's, played a guest solo on the song "When Death Calls". Black Sabbath_sentence_353

Following the album's release the band added touring bassist Neil Murray, formerly of Colosseum II, National Health, Whitesnake, Gary Moore's backing band, and Vow Wow. Black Sabbath_sentence_354

The unsuccessful Headless Cross U.S. tour began in May 1989 with openers Kingdom Come and Silent Rage, but because of poor ticket sales, the tour was cancelled after just eight shows. Black Sabbath_sentence_355

The European leg of the tour began in September, where the band were enjoying chart success. Black Sabbath_sentence_356

After a string of Japanese shows the band embarked on a 23 date Russian tour with Girlschool. Black Sabbath_sentence_357

Black Sabbath was one of the first bands to tour Russia, after Mikhail Gorbachev opened the country to western acts for the first time in 1989. Black Sabbath_sentence_358

The band returned to the studio in February 1990 to record Tyr, the follow-up to Headless Cross. Black Sabbath_sentence_359

While not technically a concept album, some of the album's lyrical themes are loosely based on Norse mythology. Black Sabbath_sentence_360

Tyr was released on 6 August 1990, reaching number 24 on the UK albums chart, but was the first Black Sabbath release not to break the Billboard 200 in the U.S. Black Sabbath_sentence_361

The album would receive mixed internet-era reviews, with AllMusic noting that the band "mix myth with metal in a crushing display of musical synthesis", while Blender gave the album just one star, claiming that "Iommi continues to besmirch the Sabbath name with this unremarkable collection". Black Sabbath_sentence_362

The band toured in support of Tyr with Circus of Power in Europe, but the final seven United Kingdom dates were cancelled because of poor ticket sales. Black Sabbath_sentence_363

For the first time in their career, the band's touring cycle did not include U.S. dates. Black Sabbath_sentence_364

Dehumanizer (1990–1992) Black Sabbath_section_10

While on his Lock Up the Wolves U.S. tour in August 1990, former Sabbath vocalist Ronnie James Dio was joined onstage at the Roy Wilkins Auditorium by Geezer Butler to perform "Neon Knights". Black Sabbath_sentence_365

Following the show, the two expressed interest in rejoining Sabbath. Black Sabbath_sentence_366

Butler convinced Iommi, who in turn broke up the current lineup, dismissing vocalist Tony Martin and bassist Neil Murray. Black Sabbath_sentence_367

"I do regret that in a lot of ways," Iommi said. Black Sabbath_sentence_368

"We were at a good point then. Black Sabbath_sentence_369

We decided to [reunite with Dio] and I don't even know why, really. Black Sabbath_sentence_370

There's the financial aspect, but that wasn't it. Black Sabbath_sentence_371

I seemed to think maybe we could recapture something we had." Black Sabbath_sentence_372

Dio and Butler joined Iommi and Cozy Powell in autumn 1990 to begin the next Sabbath release. Black Sabbath_sentence_373

While rehearsing in November, Powell suffered a broken hip when his horse died and fell on the drummer's legs. Black Sabbath_sentence_374

Unable to complete the album, Powell was replaced by former drummer Vinny Appice, reuniting the Mob Rules lineup, and the band entered the studio with producer Reinhold Mack. Black Sabbath_sentence_375

The year-long recording was plagued with problems, primarily stemming from writing tension between Iommi and Dio. Black Sabbath_sentence_376

Songs were rewritten multiple times. Black Sabbath_sentence_377

"It was just hard work," Iommi said. Black Sabbath_sentence_378

"We took too long on it, that album cost us a million dollars, which is bloody ridiculous." Black Sabbath_sentence_379

Dio recalled the album as difficult, but worth the effort: "It was something we had to really wring out of ourselves, but I think that's why it works. Black Sabbath_sentence_380

Sometimes you need that kind of tension, or else you end up making the Christmas album". Black Sabbath_sentence_381

The resulting Dehumanizer was released on 22 June 1992. Black Sabbath_sentence_382

In the U.S., the album was released on 30 June 1992 by Reprise Records, as Dio and his namesake band were still under contract to the label at the time. Black Sabbath_sentence_383

While the album received mixed reviews,, it was the band's biggest commercial success in a decade. Black Sabbath_sentence_384

Anchored by the top 40 rock radio single "TV Crimes", the album peaked at number 44 on the Billboard 200. Black Sabbath_sentence_385

The album also featured "Time Machine", a version of which had been recorded for the 1992 film Wayne's World. Black Sabbath_sentence_386

Additionally, the perception among fans of a return of some semblance of the "real" Sabbath provided the band with much needed momentum. Black Sabbath_sentence_387

Sabbath began touring in support of Dehumanizer in July 1992 with Testament, Danzig, Prong, and Exodus. Black Sabbath_sentence_388

While on tour, former vocalist Ozzy Osbourne announced his first retirement, and invited Sabbath to open for his solo band at the final two shows of his No More Tours tour in Costa Mesa, California. Black Sabbath_sentence_389

The band agreed, aside from Dio, who told Iommi, "I'm not doing that. Black Sabbath_sentence_390

I'm not supporting a clown." Black Sabbath_sentence_391

Dio spoke of the situation years later: Black Sabbath_sentence_392

Dio quit Sabbath following a show in Oakland, California on 13 November 1992, one night before the band were set to appear at Osbourne's retirement show. Black Sabbath_sentence_393

Judas Priest vocalist Rob Halford stepped in at the last minute, performing two nights with the band. Black Sabbath_sentence_394

Iommi and Butler joined Osbourne and former drummer Ward on stage for the first time since 1985's Live Aid concert, performing a brief set of Sabbath songs. Black Sabbath_sentence_395

This set the stage for a longer-term reunion of the original lineup, though that plan proved short-lived. Black Sabbath_sentence_396

"Ozzy, Geezer, Tony and Bill announced the reunion of Black Sabbath – again," remarked Dio. Black Sabbath_sentence_397

"And I thought that it was a great idea. Black Sabbath_sentence_398

But I guess Ozzy didn't think it was such a great idea… I'm never surprised when it comes to whatever happens with them. Black Sabbath_sentence_399

Never at all. Black Sabbath_sentence_400

They are very predictable. Black Sabbath_sentence_401

They don't talk." Black Sabbath_sentence_402

Cross Purposes and Forbidden (1993–1996) Black Sabbath_section_11

Drummer Vinny Appice left the band following the reunion show to rejoin Ronnie James Dio's solo band, later appearing on Dio's Strange Highways and Angry Machines. Black Sabbath_sentence_403

Iommi and Butler enlisted former Rainbow drummer Bobby Rondinelli, and reinstated former vocalist Tony Martin. Black Sabbath_sentence_404

The band returned to the studio to work on new material, although the project was not originally intended to be released under the Black Sabbath name. Black Sabbath_sentence_405

As Geezer Butler explains: Black Sabbath_sentence_406

Under pressure from their record label, the band released their seventeenth studio album, Cross Purposes, on 8 February 1994, under the Black Sabbath name. Black Sabbath_sentence_407

The album received mixed reviews, with Blender giving the album two stars, calling Soundgarden's 1994 album Superunknown "a far better Sabbath album than this by-the-numbers potboiler". Black Sabbath_sentence_408

AllMusic's Bradley Torreano called Cross Purposes "the first album since Born Again that actually sounds like a real Sabbath record". Black Sabbath_sentence_409

The album just missed the Top 40 in the UK reaching number 41, and also reached 122 on the Billboard 200 in the U.S. Cross Purposes contained the song "Evil Eye", which was co-written by Van Halen guitarist Eddie Van Halen, although uncredited because of record label restrictions. Black Sabbath_sentence_410

Touring in support of Cross Purposes began in February with Morbid Angel and Motörhead in the U.S. Black Sabbath_sentence_411

The band filmed a live performance at the Hammersmith Apollo on 13 April 1994, which was released on VHS accompanied by a CD, titled Cross Purposes Live. Black Sabbath_sentence_412

After the European tour with Cathedral and Godspeed in June 1994, drummer Bobby Rondinelli quit the band and was replaced by original Black Sabbath drummer Ward for five shows in South America. Black Sabbath_sentence_413

Following the touring cycle for Cross Purposes, bassist Geezer Butler quit the band for the second time. Black Sabbath_sentence_414

"I finally got totally disillusioned with the last Sabbath album, and I much preferred the stuff I was writing to the stuff Sabbath were doing". Black Sabbath_sentence_415

Butler formed a solo project called GZR, and released Plastic Planet in 1995. Black Sabbath_sentence_416

The album contained the song "Giving Up the Ghost", which was critical of Tony Iommi for carrying on with the Black Sabbath name, with the lyrics: You plagiarised and parodied / the magic of our meaning / a legend in your own mind / left all your friends behind / you can't admit that you're wrong / the spirit is dead and gone ("I heard it's something about me..." said Iommi. Black Sabbath_sentence_417

"I had the album given to me a while back. Black Sabbath_sentence_418

I played it once, then somebody else had it, so I haven't really paid any attention to the lyrics... Black Sabbath_sentence_419

It's nice to see him doing his own thing – getting things off his chest. Black Sabbath_sentence_420

I don't want to get into a rift with Geezer. Black Sabbath_sentence_421

He's still a friend." Black Sabbath_sentence_422

Following Butler's departure, newly returned drummer Ward once again left the band. Black Sabbath_sentence_423

Iommi reinstated former members Neil Murray on bass and Cozy Powell on drums, effectively reuniting the 1990 Tyr line-up. Black Sabbath_sentence_424

The band enlisted Body Count guitarist Ernie C to produce the new album, which was recorded in London in autumn of 1994. Black Sabbath_sentence_425

The album featured a guest vocal on "Illusion of Power" by Body Count vocalist Ice-T. Black Sabbath_sentence_426

The resulting Forbidden was released on 8 June 1995, but failed to chart in the U.S. Black Sabbath_sentence_427

The album was widely panned by critics; AllMusic's Bradley Torreano said "with boring songs, awful production, and uninspired performances, this is easily avoidable for all but the most enthusiastic fan"; while Blender magazine called Forbidden "an embarrassment... the band's worst album". Black Sabbath_sentence_428

Black Sabbath embarked on a world tour in July 1995 with openers Motörhead and Tiamat, but two months into the tour, drummer Cozy Powell left the band, citing health issues, and was replaced by former drummer Bobby Rondinelli. Black Sabbath_sentence_429

"The members I had in the last lineup – Bobby Rondinelli, Neil Murray – they're great, great characters..." Iommi told Sabbath fanzine Southern Cross. Black Sabbath_sentence_430

"That, for me, was an ideal lineup. Black Sabbath_sentence_431

I wasn't sure vocally what we should do, but Neil Murray and Bobby Rondinelli I really got on well with." Black Sabbath_sentence_432

After completing Asian dates in December 1995, Tony Iommi put the band on hiatus, and began work on a solo album with former Black Sabbath vocalist Glenn Hughes, and former Judas Priest drummer Dave Holland. Black Sabbath_sentence_433

The album was not officially released following its completion, although a widely traded bootleg called Eighth Star surfaced soon after. Black Sabbath_sentence_434

The album was officially released in 2004 as The 1996 DEP Sessions, with Holland's drums re-recorded by session drummer Jimmy Copley. Black Sabbath_sentence_435

In 1997, Tony Iommi disbanded the current line-up to officially reunite with Ozzy Osbourne and the original Black Sabbath line-up. Black Sabbath_sentence_436

Vocalist Tony Martin claimed that an original line-up reunion had been in the works since the band's brief reunion at Ozzy Osbourne's 1992 Costa Mesa show, and that the band released subsequent albums to fulfill their record contract with I.R.S. Black Sabbath_sentence_437

Records. Black Sabbath_sentence_438

Martin later recalled Forbidden (1995) as a "filler album that got the band out of the label deal, rid of the singer, and into the reunion. Black Sabbath_sentence_439

However I wasn't privy to that information at the time". Black Sabbath_sentence_440

I.R.S. Black Sabbath_sentence_441 Records released a compilation album in 1996 to fulfill the band's contract, titled The Sabbath Stones, which featured songs from Born Again (1983) to Forbidden (1995). Black Sabbath_sentence_442

Reunion (1997–2006) Black Sabbath_section_12

In the summer of 1997, Iommi, Butler and Osbourne reunited to coheadline the Ozzfest tour alongside Osbourne's solo band. Black Sabbath_sentence_443

The line-up featured Osbourne's drummer Mike Bordin filling in for Ward. Black Sabbath_sentence_444

"It started off with me going off to join Ozzy for a couple of numbers," explained Iommi, "and then it got into Sabbath doing a short set, involving Geezer. Black Sabbath_sentence_445

And then it grew as it went on… We were concerned in case Bill couldn't make it – couldn't do it – because it was a lot of dates, and important dates… The only rehearsal that we had to do was for the drummer. Black Sabbath_sentence_446

But I think if Bill had come in, it would have took a lot more time. Black Sabbath_sentence_447

We would have had to focus a lot more on him." Black Sabbath_sentence_448

In December 1997, the group was joined by Ward, marking the first reunion of the original quartet since Osbourne's 1992 "retirement show". Black Sabbath_sentence_449

This lineup recorded two shows at the Birmingham NEC, released as the double album Reunion on 20 October 1998. Black Sabbath_sentence_450

The album reached number eleven on the Billboard 200, went platinum in the U.S. and spawned the single "Iron Man", which won Sabbath their first Grammy Award in 2000 for Best Metal Performance, 30 years after the song was originally released. Black Sabbath_sentence_451

Reunion featured two new studio tracks, "Psycho Man" and "Selling My Soul", both of which cracked the top 20 of the Billboard Mainstream Rock Tracks chart. Black Sabbath_sentence_452

Shortly before a European tour in the summer of 1998, Ward suffered a heart attack and was temporarily replaced by former drummer Vinny Appice. Black Sabbath_sentence_453

Ward returned for a U.S. tour with openers Pantera, which began in January 1999 and continued through the summer, headlining the annual Ozzfest tour. Black Sabbath_sentence_454

Following these appearances, the band was put on hiatus while members worked on solo material. Black Sabbath_sentence_455

Iommi released his first official solo album, Iommi, in 2000, while Osbourne continued work on Down to Earth (2001). Black Sabbath_sentence_456

Sabbath returned to the studio to work on new material with all four original members and producer Rick Rubin in the spring of 2001, but the sessions were halted when Osbourne was called away to finish tracks for his solo album in the summer. Black Sabbath_sentence_457

"It just came to an end…" Iommi said. Black Sabbath_sentence_458

"It's a shame because [the songs] were really good". Black Sabbath_sentence_459

Iommi commented on the difficulty getting all the members together to work: Black Sabbath_sentence_460

In March 2002, Osbourne's Emmy-winning reality show The Osbournes debuted on MTV, and quickly became a worldwide hit. Black Sabbath_sentence_461

The show introduced Osbourne to a broader audience and to capitalise, the band's back catalogue label, Sanctuary Records released a double live album Past Lives (2002), which featured concert material recorded in the 1970s, including the Live at Last (1980) album. Black Sabbath_sentence_462

The band remained on hiatus until the summer of 2004 when they returned to headline Ozzfest 2004 and 2005. Black Sabbath_sentence_463

In November 2005, Black Sabbath were inducted into the UK Music Hall of Fame, and in March 2006, after eleven years of eligibility—Osbourne famously refused the Hall's "meaningless" initial nomination in 1999—the band were inducted into the U.S. Rock and Roll Hall of Fame. Black Sabbath_sentence_464

At the awards ceremony Metallica played two Sabbath songs, "Hole in the Sky" and "Iron Man" in tribute. Black Sabbath_sentence_465

The Dio Years and Heaven & Hell (2006–2010) Black Sabbath_section_13

Main article: Heaven & Hell (band) Black Sabbath_sentence_466

While Ozzy Osbourne was working on new solo album material in 2006, Rhino Records released Black Sabbath: The Dio Years, a compilation of songs culled from the four Black Sabbath releases featuring Ronnie James Dio. Black Sabbath_sentence_467

For the release, Iommi, Butler, Dio, and Appice reunited to write and record three new songs as Black Sabbath. Black Sabbath_sentence_468

The Dio Years was released on 3 April 2007, reaching number 54 on the Billboard 200, while the single "The Devil Cried" reached number 37 on the Mainstream Rock Tracks chart. Black Sabbath_sentence_469

Pleased with the results, Iommi and Dio decided to reunite the Dio era line-up for a world tour. Black Sabbath_sentence_470

While the line-up of Osbourne, Butler, Iommi, and Ward was still officially called Black Sabbath, the new line-up opted to call themselves Heaven & Hell, after the album of the same title, to avoid confusion. Black Sabbath_sentence_471

When asked about the name of the group, Iommi stated "it really is Black Sabbath, whatever we do... so everyone knows what they're getting [and] so people won't expect to hear 'Iron Man' and all those songs. Black Sabbath_sentence_472

We've done them for so many years, it's nice to do just all the stuff we did with Ronnie again." Black Sabbath_sentence_473

Ward was initially set to participate, but dropped out before the tour began due to musical differences with "a couple of the band members". Black Sabbath_sentence_474

He was replaced by former drummer Vinny Appice, effectively reuniting the line-up that had featured on the Mob Rules (1981) and Dehumanizer (1992) albums. Black Sabbath_sentence_475

Heaven & Hell toured the U.S. with openers Megadeth and Machine Head, and recorded a live album and DVD in New York on 30 March 2007, titled Live from Radio City Music Hall. Black Sabbath_sentence_476

In November 2007, Dio confirmed that the band had plans to record a new studio album, which was recorded in the following year. Black Sabbath_sentence_477

In April 2008 the band announced the upcoming release of a new box set and their participation in the Metal Masters Tour, alongside Judas Priest, Motörhead and Testament. Black Sabbath_sentence_478

The box set, The Rules of Hell, featuring remastered versions of all the Dio fronted Black Sabbath albums, was supported by the Metal Masters Tour. Black Sabbath_sentence_479

In 2009, the band announced the title of their debut studio album, The Devil You Know, released on 28 April. Black Sabbath_sentence_480

On 26 May 2009, Osbourne filed suit in a federal court in New York against Iommi alleging that he illegally claimed the band name. Black Sabbath_sentence_481

Iommi noted that he has been the only constant band member for its full 41-year career and that his bandmates relinquished their rights to the name in the 1980s, therefore claiming more rights to the name of the band. Black Sabbath_sentence_482

Although in the suit, Osbourne was seeking 50% ownership of the trademark, he said that he hoped the proceedings would lead to equal ownership among the four original members. Black Sabbath_sentence_483

In March 2010, Black Sabbath announced that along with Metallica they would be releasing a limited edition single together to celebrate Record Store Day. Black Sabbath_sentence_484

It was released on 17 April 2010. Black Sabbath_sentence_485

Ronnie James Dio died on 16 May 2010 from stomach cancer. Black Sabbath_sentence_486

In June 2010, the legal battle between Ozzy Osbourne and Tony Iommi over the trademarking of the Black Sabbath name ended, but the terms of the settlement have not been disclosed. Black Sabbath_sentence_487

Reunion and 13 (2010–2014) Black Sabbath_section_14

In a January 2010 interview while promoting his biography I Am Ozzy, Osbourne stated that although he would not rule it out, he was doubtful there would be a reunion with all four original members of the band. Black Sabbath_sentence_488

Osbourne stated: "I'm not gonna say I've written it out forever, but right now I don't think there's any chance. Black Sabbath_sentence_489

But who knows what the future holds for me? Black Sabbath_sentence_490

If it's my destiny, fine." Black Sabbath_sentence_491

In July, Butler said that there would be no reunion in 2011, as Osbourne was already committed to touring with his solo band. Black Sabbath_sentence_492

However, by that August they had already met up to rehearse together, and continued to do so through the autumn. Black Sabbath_sentence_493

On 11 November 2011, Iommi, Butler, Osbourne, and Ward announced that they were reuniting to record a new album with a full tour in support beginning in 2012. Black Sabbath_sentence_494

Guitarist Iommi was diagnosed with lymphoma on 9 January 2012, which forced the band to cancel all but two shows (Download Festival, and Lollapalooza Festival) of a previously booked European tour. Black Sabbath_sentence_495

It was later announced that an intimate show would be played in their hometown Birmingham. Black Sabbath_sentence_496

It was the first concert since the reunion and the only indoors concerts that year. Black Sabbath_sentence_497

In February 2012, drummer Ward announced that he would not participate further in the band's reunion until he was offered a "signable contract". Black Sabbath_sentence_498

On 21 May 2012, at the O2 Academy in Birmingham, Black Sabbath played their first concert since 2005, with Tommy Clufetos playing the drums. Black Sabbath_sentence_499

In June, they performed at Download Festival at Donington Park in Leicestershire, England, followed by the last concert of the short tour at Lollapalooza Festival in Chicago. Black Sabbath_sentence_500

Later that month, the band started recording an album. Black Sabbath_sentence_501

On 13 January 2013, the band announced that the album would be released in June under the title 13. Black Sabbath_sentence_502

Brad Wilk of Rage Against the Machine was chosen as the drummer, and Rick Rubin was chosen as the producer. Black Sabbath_sentence_503

Mixing of the album commenced in February. Black Sabbath_sentence_504

On 12 April 2013, the band released the album's track listing. Black Sabbath_sentence_505

The standard version of the album features eight new tracks, and the deluxe version features three bonus tracks. Black Sabbath_sentence_506

The band's first single from 13, "God Is Dead? Black Sabbath_sentence_507 ", was released on 19 April 2013. Black Sabbath_sentence_508

On 20 April 2013, Black Sabbath commenced their first Australia/New Zealand tour in 40 years followed by a North American Tour in Summer 2013. Black Sabbath_sentence_509

The second single of the album, "End of the Beginning", debuted on 15 May in a CSI: Crime Scene Investigation episode, where all three members appeared. Black Sabbath_sentence_510

In June 2013, 13 topped both the UK Albums Chart and the U.S. Billboard 200, becoming their first album to reach number one on the latter chart. Black Sabbath_sentence_511

In 2014, Black Sabbath received their first Grammy Award since 2000 with "God Is Dead?" Black Sabbath_sentence_512

winning Best Metal Performance. Black Sabbath_sentence_513

In July 2013, Black Sabbath embarked on a North American Tour (for the first time since July 2001), followed by a Latin American tour in October 2013. Black Sabbath_sentence_514

In November 2013, the band started their European tour which lasted until December 2013. Black Sabbath_sentence_515

In March and April 2014, they made 12 stops in North America (mostly in Canada) as the second leg of their North American Tour before embarking in June 2014 on the second leg of their European tour, which ended with a concert at London's Hyde Park. Black Sabbath_sentence_516

Cancelled twentieth album, The End and disbandment (2014–2017) Black Sabbath_section_15

On 29 September 2014, Osbourne told Metal Hammer that Black Sabbath would begin work on their twentieth studio album in early 2015 with producer Rick Rubin, followed by a final tour in 2016. Black Sabbath_sentence_517

In an April 2015 interview, however, Osbourne said that these plans "could change", and added, "We all live in different countries and some of them want to work and some of them don't want to, I believe. Black Sabbath_sentence_518

But we are going to do another tour together." Black Sabbath_sentence_519

On 3 September 2015, it was announced that Black Sabbath would embark on their final tour, titled The End, from January 2016 to February 2017. Black Sabbath_sentence_520

Numerous dates and locations across the U.S., Canada, Europe, Australia and New Zealand were announced. Black Sabbath_sentence_521

The final shows of The End tour took place at the Genting Arena in their home city of Birmingham, England on 2 and 4 February 2017. Black Sabbath_sentence_522

On 26 October 2015, it was announced the band consisting of Osbourne, Iommi and Butler would be returning to the Download Festival on 11 June 2016. Black Sabbath_sentence_523

Despite earlier reports that they would enter the studio before their farewell tour, Osbourne stated that there would not be another Black Sabbath studio album. Black Sabbath_sentence_524

However, an 8-track CD entitled The End was sold at dates on the tour. Black Sabbath_sentence_525

Along with some live recordings, the CD includes four unused tracks from the 13 sessions. Black Sabbath_sentence_526

On 4 March 2016, Iommi discussed future re-releases of the Tony Martin-era catalogue. Black Sabbath_sentence_527

He explained: "We've held back on the reissues of those albums because of the current Sabbath thing with Ozzy Osbourne, but they will certainly be happening... Black Sabbath_sentence_528

I'd like to do a couple of new tracks for those releases with Tony Martin... Black Sabbath_sentence_529

I'll also be looking at working on Cross Purposes and Forbidden." Black Sabbath_sentence_530

Martin had suggested that this could coincide with the 30th anniversary of The Eternal Idol, in 2017. Black Sabbath_sentence_531

In an interview that August, Martin added "[Iommi] still has his cancer issues of course and that may well stop it all from happening but if he wants to do something I am ready." Black Sabbath_sentence_532

On 10 August 2016, Iommi revealed that his cancer was in remission. Black Sabbath_sentence_533

Asked in November 2016 about his plans after Black Sabbath's final tour, Iommi replied, "I'll be doing some writing. Black Sabbath_sentence_534

Maybe I'll be doing something with the guys, maybe in the studio, but no touring." Black Sabbath_sentence_535

The band played their final concert on 4 February 2017 in Birmingham. Black Sabbath_sentence_536

The final song was streamed live on the band's Facebook page and fireworks went off as the band took their final bow. Black Sabbath_sentence_537

The band's final tour was not an easy one, as longstanding tensions between Osbourne and Iommi returned to the surface. Black Sabbath_sentence_538

Iommi stated that he would not rule out the possibility of one-off shows, "I wouldn't write that off, if one day that came about. Black Sabbath_sentence_539

That's possible. Black Sabbath_sentence_540

Or even doing an album, 'cause then, again, you're in one place. Black Sabbath_sentence_541

But I don't know if that would happen." Black Sabbath_sentence_542

In an April 2017 interview, Butler revealed that Black Sabbath considered making a blues album as the follow-up to 13, but added that, "the tour got in the way." Black Sabbath_sentence_543

On 7 March 2017, Black Sabbath announced their disbandment through posts made on their official social media accounts. Black Sabbath_sentence_544

Post-Black Sabbath activities (2018–present) Black Sabbath_section_16

In a June 2018 interview with ITV News, Osbourne expressed interest in reuniting with Black Sabbath for a performance at the 2022 Commonwealth Games which is due to be held in their home city Birmingham. Black Sabbath_sentence_545

Iommi said that performing at the event as Black Sabbath would be "a great thing to do to help represent Birmingham. Black Sabbath_sentence_546

I'm up for it. Black Sabbath_sentence_547

Let's see what happens." Black Sabbath_sentence_548

He also did not rule out the possibility for the band to reform only for a one-off performance rather than a full-length tour. Black Sabbath_sentence_549

In September 2020, Osbourne stated in an interview that he was no longer interested in a reunion: "Not for me. Black Sabbath_sentence_550

It's done. Black Sabbath_sentence_551

The only thing I do regret is not doing the last farewell show in Birmingham with Bill Ward. Black Sabbath_sentence_552

I felt really bad about that. Black Sabbath_sentence_553

It would have been so nice. Black Sabbath_sentence_554

I don't know what the circumstances behind it were, but it would have been nice. Black Sabbath_sentence_555

I've talked to Tony a few times, but I don't have any of the slightest interest in doing another gig. Black Sabbath_sentence_556

Maybe Tony's getting bored now." Black Sabbath_sentence_557

Butler also ruled out the possibility of any future Black Sabbath performances in an interview with Eonmusic on 10 November 2020, stating that the band is over: "There will definitely be no more Sabbath. Black Sabbath_sentence_558

It's done." Black Sabbath_sentence_559

On 30 September 2020, Black Sabbath announced a new Dr. Black Sabbath_sentence_560 Martens shoe collection. Black Sabbath_sentence_561

The partnership with the British footwear company celebrates the 50th anniversaries of the band's Black Sabbath and Paranoid albums, with the boots depicting artwork from Black Sabbath's eponymous debut album. Black Sabbath_sentence_562

Musical style Black Sabbath_section_17

Black Sabbath were a heavy metal band, whose music has also been described as psychedelic rock, and acid rock. Black Sabbath_sentence_563

The band have also been cited as a key influence on genres including stoner rock, grunge, doom metal, and sludge metal. Black Sabbath_sentence_564

Early on, Black Sabbath were influenced by Cream, the Beatles, Fleetwood Mac, Jimi Hendrix, John Mayall & the Bluesbreakers, Led Zeppelin, and Jethro Tull. Black Sabbath_sentence_565

Although Black Sabbath went through many line-ups and stylistic changes, their core sound focuses on ominous lyrics and doomy music, often making use of the musical tritone, also called the "devil's interval". Black Sabbath_sentence_566

While their Ozzy-era albums such as Sabbath Bloody Sabbath (1973) had slight compositional similarities to the progressive rock genre that was growing in popularity at the time, standing in stark contrast to popular music of the early 1970s Black Sabbath's dark sound was dismissed by rock critics of the era. Black Sabbath_sentence_567

Much like many of their early heavy metal contemporaries, the band received virtually no airplay on rock radio. Black Sabbath_sentence_568

As the band's primary songwriter, Tony Iommi wrote the majority of Black Sabbath's music, while Osbourne would write vocal melodies, and bassist Geezer Butler would write lyrics. Black Sabbath_sentence_569

The process was sometimes frustrating for Iommi, who often felt pressured to come up with new material: "If I didn't come up with anything, nobody would do anything." Black Sabbath_sentence_570

On Iommi's influence, Osbourne later said: Black Sabbath_sentence_571

Beginning with their third album, Master of Reality (1971), Black Sabbath began to feature tuned-down guitars. Black Sabbath_sentence_572

In 1965, before forming Black Sabbath, guitarist Tony Iommi suffered an accident while working in a sheet metal factory, losing the tips of two fingers on his right hand. Black Sabbath_sentence_573

Iommi almost gave up music, but was urged by the factory manager to listen to Django Reinhardt, a jazz guitarist who lost the use of two fingers in a fire. Black Sabbath_sentence_574

Inspired by Reinhardt, Iommi created two thimbles made of plastic and leather to cap off his missing fingertips. Black Sabbath_sentence_575

The guitarist began using lighter strings, and detuning his guitar, to better grip the strings with his prosthesis. Black Sabbath_sentence_576

Early in the band's history Iommi experimented with different dropped tunings, including C♯ tuning, or 3 semitones down, before settling on E♭/D♯ tuning, or a half-step down from standard tuning. Black Sabbath_sentence_577

Legacy Black Sabbath_section_18

Black Sabbath has sold over 70 million records worldwide, including a RIAA-certified 15 million in the U.S. Black Sabbath_sentence_578

They are one of the most influential heavy metal bands of all time. Black Sabbath_sentence_579

The band helped to create the genre with ground-breaking releases such as Paranoid (1970), an album that Rolling Stone magazine said "changed music forever", and called the band "the Beatles of heavy metal". Black Sabbath_sentence_580

Time magazine called Paranoid "the birthplace of heavy metal", placing it in their Top 100 Albums of All Time. Black Sabbath_sentence_581

MTV placed Black Sabbath at number one on their Top Ten Heavy Metal Bands and VH1 placed them at number two on their list of the 100 Greatest Artists of Hard Rock. Black Sabbath_sentence_582

VH1 ranked Black Sabbath's "Iron Man" the number one song on their 40 Greatest Metal Songs countdown. Black Sabbath_sentence_583

Rolling Stone magazine ranked the band number 85 in their list of the "100 Greatest Artists of All Time". Black Sabbath_sentence_584

AllMusic's William Ruhlmann said: Black Sabbath_sentence_585

According to Rolling Stone's Holly George-Warren, "Black Sabbath was the heavy metal king of the 1970s." Black Sabbath_sentence_586

Although initially "despised by rock critics and ignored by radio programmers", the group sold more than 8 million albums by the end of that decade. Black Sabbath_sentence_587

"The heavy metal band…" marvelled Ronnie James Dio. Black Sabbath_sentence_588

"A band that didn't apologise for coming to town; it just stepped on buildings when it came to town." Black Sabbath_sentence_589

Influence and innovation Black Sabbath_section_19

Black Sabbath have influenced many acts including Judas Priest, Iron Maiden, Slayer, Metallica, Nirvana, Korn, Mayhem, Venom, Guns N' Roses, Soundgarden, Body Count, Alice in Chains, Anthrax, Disturbed, Death, Opeth, Pantera, Megadeth, the Smashing Pumpkins, Slipknot, Foo Fighters, Fear Factory, Candlemass, Godsmack, and Van Halen. Black Sabbath_sentence_590

Two gold selling tribute albums have been released, Nativity in Black Volume 1 & 2, including covers by Sepultura, White Zombie, Type O Negative, Faith No More, Machine Head, Primus, System of a Down, and Monster Magnet. Black Sabbath_sentence_591

Metallica's Lars Ulrich, who, along with bandmate James Hetfield inducted Black Sabbath into the Rock and Roll Hall of Fame in 2006, said "Black Sabbath is and always will be synonymous with heavy metal", while Hetfield said "Sabbath got me started on all that evil-sounding shit, and it's stuck with me. Black Sabbath_sentence_592

Tony Iommi is the king of the heavy riff." Black Sabbath_sentence_593

Guns N' Roses guitarist Slash said of the Paranoid album: "There's just something about that whole record that, when you're a kid and you're turned onto it, it's like a whole different world. Black Sabbath_sentence_594

It just opens up your mind to another dimension...Paranoid is the whole Sabbath experience; very indicative of what Sabbath meant at the time. Black Sabbath_sentence_595

Tony's playing style—doesn't matter whether it's off Paranoid or if it's off Heaven and Hell—it's very distinctive." Black Sabbath_sentence_596

Anthrax guitarist Scott Ian said "I always get the question in every interview I do, 'What are your top five metal albums?' Black Sabbath_sentence_597

I make it easy for myself and always say the first five Sabbath albums." Black Sabbath_sentence_598

Lamb of God's Chris Adler said: "If anybody who plays heavy metal says that they weren't influenced by Black Sabbath's music, then I think that they're lying to you. Black Sabbath_sentence_599

I think all heavy metal music was, in some way, influenced by what Black Sabbath did." Black Sabbath_sentence_600

Judas Priest vocalist Rob Halford commented: "They were and still are a groundbreaking can put on the first Black Sabbath album and it still sounds as fresh today as it did 30-odd years ago. Black Sabbath_sentence_601

And that's because great music has a timeless ability: To me, Sabbath are in the same league as the Beatles or Mozart. Black Sabbath_sentence_602

They're on the leading edge of something extraordinary." Black Sabbath_sentence_603

On Black Sabbath's standing, Rage Against the Machine guitarist Tom Morello states: "The heaviest, scariest, coolest riffs and the apocalyptic Ozzy wail are without peer. Black Sabbath_sentence_604

You can hear the despair and menace of the working-class Birmingham streets they came from in every kick-ass, evil groove. Black Sabbath_sentence_605

Their arrival ground hippy, flower-power psychedelia to a pulp and set the standard for all heavy bands to come." Black Sabbath_sentence_606

Phil Anselmo of Pantera and Down stated that "Only a fool would leave out what Black Sabbath brought to the heavy metal genre". Black Sabbath_sentence_607

According to Tracii Guns of L.A. Black Sabbath_sentence_608 Guns and former member of Guns N' Roses, the main riff of "Paradise City" by Guns N' Roses, from Appetite for Destruction (1987), was influenced by the song "Zero the Hero" from the Born Again album. Black Sabbath_sentence_609

King Diamond guitarist Andy LaRocque affirmed that the clean guitar part of "Sleepless Nights" from Conspiracy (1989) is inspired by Tony Iommi's playing on Never Say Die! Black Sabbath_sentence_610 . Black Sabbath_sentence_611

In addition to being pioneers of heavy metal, they also have been credited for laying the foundations for heavy metal subgenres stoner rock, sludge metal, thrash metal, black metal and doom metal as well as for alternative rock subgenre grunge. Black Sabbath_sentence_612

According to the critic Bob Gulla, the band's sound "shows up in virtually all of grunge's most popular bands, including Nirvana, Soundgarden, and Alice in Chains". Black Sabbath_sentence_613

Tony Iommi has been credited as the pioneer of lighter gauge guitar strings. Black Sabbath_sentence_614

The tips of his fingers were severed in a steel factory, and while using thimbles (artificial finger tips) he found that standard guitar strings were too difficult to bend and play. Black Sabbath_sentence_615

He found that there was only one size of strings available, so after years with Sabbath he had strings custom made. Black Sabbath_sentence_616

Culturally, Black Sabbath have exerted a huge influence in both television and literature and have in many cases become synonymous with heavy metal. Black Sabbath_sentence_617

In the film Almost Famous, Lester Bangs gives the protagonist an assignment to cover the band (plot point one) with the immortal line: 'Give me 500 words on Black Sabbath'. Black Sabbath_sentence_618

Contemporary music and arts publication Trebuchet Magazine has put this to practice by asking all new writers to write a short piece (500 words) on Black Sabbath as a means of proving their creativity and voice on a well documented subject. Black Sabbath_sentence_619

Personnel Black Sabbath_section_20

Main article: List of Black Sabbath and Heaven & Hell members Black Sabbath_sentence_620

Original and classic line-up Black Sabbath_sentence_621

Black Sabbath_unordered_list_0

  • Tony Iommi – guitars (1968–2006, 2011–2017)Black Sabbath_item_0_0
  • Bill Ward – drums (1968–1980, 1983, 1984, 1994, 1997–2006, 2011–2012)Black Sabbath_item_0_1
  • Geezer Butler – bass (1968–1979, 1980–1985, 1987, 1990–1994, 1997–2006, 2011–2017)Black Sabbath_item_0_2
  • Ozzy Osbourne – vocals, harmonica (1968–1977, 1978–1979, 1985, 1997–2006, 2011–2017)Black Sabbath_item_0_3

Discography Black Sabbath_section_21

Main article: Black Sabbath discography Black Sabbath_sentence_622

Tours Black Sabbath_section_22

See also Black Sabbath_section_23

Black Sabbath_unordered_list_1

Credits to the contents of this page go to the authors of the corresponding Wikipedia page: Sabbath.