Fairport Convention

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Fairport Convention_table_infobox_0

Fairport ConventionFairport Convention_header_cell_0_0_0
Background informationFairport Convention_header_cell_0_1_0
Also known asFairport Convention_header_cell_0_2_0 Fairport (1976)

Fairport Featuring Dave Swarbrick (1976) (US)Fairport Convention_cell_0_2_1

OriginFairport Convention_header_cell_0_3_0 London, EnglandFairport Convention_cell_0_3_1
GenresFairport Convention_header_cell_0_4_0 Folk, British folk rock, folk rock, Celtic rockFairport Convention_cell_0_4_1
Years activeFairport Convention_header_cell_0_5_0 1967–1979, 1985–presentFairport Convention_cell_0_5_1
LabelsFairport Convention_header_cell_0_6_0 Fairport Convention_cell_0_6_1
Associated actsFairport Convention_header_cell_0_7_0 Fairport Convention_cell_0_7_1
WebsiteFairport Convention_header_cell_0_8_0 Fairport Convention_cell_0_8_1
MembersFairport Convention_header_cell_0_10_0 Fairport Convention_cell_0_10_1
Past membersFairport Convention_header_cell_0_12_0 See: Members sectionFairport Convention_cell_0_12_1

Fairport Convention are a British folk rock band, formed in 1967 by Richard Thompson (guitar, vocals), Simon Nicol (guitar, vocals), Ashley Hutchings (bass guitar) and Shaun Frater (drums, percussion), with Frater replaced by Martin Lamble after their first gig. Fairport Convention_sentence_0

They started out heavily influenced by American folk rock and singer-songwriter material, with a setlist dominated by Bob Dylan and Joni Mitchell songs and a sound that earned them the nickname 'the British Jefferson Airplane'. Fairport Convention_sentence_1

Vocalists Judy Dyble and Iain Matthews joined them before the recording of their self-titled debut in 1968; afterwards, Dyble was replaced by Sandy Denny, with Matthews leaving during the recording of their third album. Fairport Convention_sentence_2

Denny began steering the group towards traditional British music for their next two albums, What We Did on Our Holidays and Unhalfbricking (both 1969); the latter featured Fiddler Dave "Swarb" Swarbrick, most notably on the song "A Sailor's Life", which laid the groundwork for British folk rock by being the first time a traditional British song was combined with a rock beat. Fairport Convention_sentence_3

Shortly before the album's release, a crash on the M1 motorway killed Lamble and Jeannie Franklyn,Thompson's then-girlfriend; this resulted in the group retiring most of their prior material and turning entirely towards British folk music for their seminal album Liege & Lief, released the same year. Fairport Convention_sentence_4

This style became the band's focus ever since. Fairport Convention_sentence_5

For this album Swarbrick joined full time alongside Dave Mattacks on drums. Fairport Convention_sentence_6

Both Denny and Hutchings left before the year's end; the latter replaced by Dave Pegg, who has remained the group's sole consistent member to this day; Thompson would leave after the recording of 1970's Full House. Fairport Convention_sentence_7

The 1970s saw numerous lineup changes around the core of Swarbrick and Pegg – Nicol being absent for the middle of the decade – and declining fortunes as folk music fell out of mainstream favour. Fairport Convention_sentence_8

Denny, whose partner Trevor Lucas had been a guitarist in the group since 1972, returned for the pop-oriented Rising for the Moon album in 1975 in a final bid to crack America; this effort failed, and after three more albums minus Denny and Lucas, the group disbanded in 1979. Fairport Convention_sentence_9

They played a farewell concert in the village of Cropredy, Oxfordshire, where they had held small concerts since 1976, and this marked the beginning of the Cropredy Festival (since 2005 known as Fairport's Cropredy Convention) which has become the largest folk festival in Britain, with annual attendances of 20,000. Fairport Convention_sentence_10

The band was reformed by Nicol, Pegg, and Mattacks in 1985, joined by Maartin Allcock (guitar, vocals) and Ric Sanders (fiddle, keyboards), and they have remained active since. Fairport Convention_sentence_11

Allcock was replaced by Chris Leslie in 1996, and Gerry Conway replaced Mattacks in 1998, with this lineup remaining unchanged since and marking the longest-lasting of the group's history. Fairport Convention_sentence_12

Their 28th studio album, 50:50@50, released to mark their 50th anniversary, was released in 2017, and they continue to headline Cropredy each year. Fairport Convention_sentence_13

Despite little mainstream success – their only top 40 single being "Si Tu Dois Partir", a French-language cover of the Dylan song "If You Gotta Go, Go Now" from Unhalfbricking – Fairport Convention remain highly influential in British folk rock and British folk in general. Fairport Convention_sentence_14

Liege & Lief was named the "Most Influential Folk Album of All Time" at the BBC Radio 2 Folk Awards in 2006, and Pegg's playing style, which incorporates jigs and reels into his basslines, has been imitated by many in the folk rock and folk punk genres. Fairport Convention_sentence_15

Additionally, many former members went on to form or join other notable groups in the genre, including Fotheringay, Steeleye Span, and the Albion Band; along with solo careers, most notably Thompson and Denny. Fairport Convention_sentence_16

Sandy Denny's career ended with her death in 1978, though she is now regarded as being amongst Britain's finest female singer-songwriters; her song "Who Knows Where the Time Goes?" Fairport Convention_sentence_17

– recorded by Fairport on Unhalfbricking – has become a signature song for herself and the band. Fairport Convention_sentence_18

History Fairport Convention_section_0

Origins Fairport Convention_section_1

Bassist Ashley Hutchings met guitarist Simon Nicol in North London in 1966 when they both played in the Ethnic Shuffle Orchestra. Fairport Convention_sentence_19

They rehearsed on the floor above Nicol's father's medical practice in a house called "Fairport" on Fortis Green in Muswell Hill – the same street on which Ray and Dave Davies of the Kinks grew up. Fairport Convention_sentence_20

The house name lent its name to the group they formed together as Fairport Convention in 1967 with Richard Thompson on guitar and Shaun Frater on drums. Fairport Convention_sentence_21

After their initial performance at St Michael's Church Hall in Golders Green on 27 May 1967, they had their first of many line-up changes as one member of the audience, drummer Martin Lamble, convinced the band that he could do a better job than Frater and replaced him. Fairport Convention_sentence_22

They soon added a female singer, Judy Dyble, which gave them a distinctive sound among the many London bands of the period. Fairport Convention_sentence_23

1967–69: The first three albums Fairport Convention_section_2

Fairport Convention were soon playing regularly at underground venues such as UFO and The Electric Garden, which later became the Middle Earth club. Fairport Convention_sentence_24

After only a few months, they caught the attention of manager Joe Boyd who secured them a contract with Polydor Records. Fairport Convention_sentence_25

Boyd suggested they augment the line-up with another male vocalist. Fairport Convention_sentence_26

Singer Iain Matthews (then known as Ian MacDonald) joined the band, and their first album, Fairport Convention, was recorded in late 1967 and released in June 1968. Fairport Convention_sentence_27

At this early stage Fairport looked to North American folk and folk rock acts such as Joni Mitchell, Bob Dylan, and The Byrds for material and inspiration. Fairport Convention_sentence_28

The name "Fairport Convention" and the use of two lead vocalists led many new listeners to believe that they were an American act, earning them the nickname 'the British Jefferson Airplane' during this period. Fairport Convention_sentence_29

Fairport Convention played alongside Jefferson Airplane at the First Isle of Wight Festival, 1968. Fairport Convention_sentence_30

After disappointing album sales they signed a new contract with Island Records. Fairport Convention_sentence_31

Before their next recording Judy Dyble left and was replaced by the band with Sandy Denny, a folk singer who had previously recorded as a soloist and with Strawbs. Fairport Convention_sentence_32

Denny's distinctive voice, described by Clive James as ‘open space, low-volume, high-intensity’, is one of the characteristics of two albums released in 1969: What We Did on Our Holidays and Unhalfbricking. Fairport Convention_sentence_33

These recordings marked the growth of much greater musicality and song-writing ability among the band. Fairport Convention_sentence_34

The first of these featured the Thompson-penned "Meet on the Ledge", which became their second single and eventually the band's unofficial anthem. Fairport Convention_sentence_35

During the recording of Unhalfbricking, Matthews left after having sung on only one song, eventually to form Matthews Southern Comfort. Fairport Convention_sentence_36

He was not replaced; the other male members covered his vocal parts. Fairport Convention_sentence_37

The album featured a guest appearance by Birmingham folk fiddler Dave Swarbrick on a recording of "A Sailor's Life", a traditional song brought to the band by Denny from her folk club days. Fairport Convention_sentence_38

The recording of this track marked an important turning point for the band, sparking an interest in traditional music in Ashley Hutchings that led him to detailed research in the English Folk Dance and Song Society Library at Cecil Sharp House; this theme would become the basis for their next, much more ambitious, recording project. Fairport Convention_sentence_39

These two albums began to gain the band wider recognition. Fairport Convention_sentence_40

Radio DJ John Peel championed their music, playing their albums on his influential BBC shows. Fairport Convention_sentence_41

Peel also recorded a number of sessions which were later released as the album Heyday (1987). Fairport Convention_sentence_42

They enjoyed some mainstream success when they entered the singles charts with "Si Tu Dois Partir", a French-language version of Bob Dylan's "If You Gotta Go, Go Now". Fairport Convention_sentence_43

The record just missed the top twenty, but secured the band a slot on Top of the Pops, Britain's most popular television pop music programme at the time. Fairport Convention_sentence_44

In 1969 four members of the band, one uncredited and three with pseudonyms, featured as backing musicians on the album Love Chronicles by Scottish folk artist Al Stewart. Fairport Convention_sentence_45

Developing British folk rock Fairport Convention_section_3

On 12 May 1969, on the way home from a gig at Birmingham venue Mothers, Fairport's van crashed on the M1 motorway. Fairport Convention_sentence_46

Martin Lamble, aged only nineteen, and Jeannie Franklyn, Richard Thompson's girlfriend, were killed. Fairport Convention_sentence_47

The rest of the band suffered injuries of varying severity. Fairport Convention_sentence_48

They nearly decided to disband. Fairport Convention_sentence_49

However, they reconvened with Dave Mattacks taking over drumming duties and Dave Swarbrick, having made contribution to Unhalfbricking, now joined as a full member. Fairport Convention_sentence_50

Boyd set the band up in a rented house in Farley Chamberlayne near Winchester in Hampshire, where they recuperated and worked on the integration of British folk music into rock and roll, which would result in the fourth album Liege & Lief. Fairport Convention_sentence_51

Usually considered the highpoint of the band's long career, Liege & Lief was a huge leap forward in concept and musicality. Fairport Convention_sentence_52

The album consisted of six traditional tracks and three original compositions in a similar style. Fairport Convention_sentence_53

The traditional tracks included two sustained epics: "Tam Lin", which was over seven minutes in length, and "Matty Groves", at over eight. Fairport Convention_sentence_54

There was a medley of four traditional tunes, arranged, and, like many of the tracks, enlivened, by Swarbrick's energetic fiddle playing. Fairport Convention_sentence_55

The first side was bracketed by original compositions "Come all ye" and "Farewell, Farewell", which, in addition to information on the inside of the gatefold cover on Hutchings’ research, explaining English folk traditions, helped give the record the feel of a concept album. Fairport Convention_sentence_56

"Farewell, Farewell" and the final track "Crazy Man Michael", also saw the full emergence of the distinctive song writing talent of Thompson that was to characterize his contributions to the band and later solo career. Fairport Convention_sentence_57

The distinctive sound of the album came from the use of electric instruments and Mattacks’ disciplined drumming with Swarbrick's fiddle accompaniment in a surprising and powerful combination of rock with the traditional. Fairport Convention_sentence_58

The entire band had reached new levels of musicality, with the fluid guitar playing of Thompson and the ‘ethereal’ vocal of Denny particularly characteristic of the sound of the album. Fairport Convention_sentence_59

As the reviewer from AllMusic put it, the album was characterised by the ‘fusing [of] time-worn folk with electric instruments while honoring both’. Fairport Convention_sentence_60

A few British bands had earlier experimented with playing traditional English songs on electric instruments, (including Strawbs and Pentangle), but Fairport Convention was the first English band to do this in a concerted and focused way. Fairport Convention_sentence_61

Fairport Convention's achievement was not to invent folk rock, but to create a distinctly English branch of the genre, which would develop alongside, and interact with, American inspired music, but which can also be seen as a distinctively national reaction in opposition to it. Fairport Convention_sentence_62

Liege & Lief was launched with a sell-out concert in London's Royal Festival Hall late in 1969. Fairport Convention_sentence_63

It reached number 17 in the UK album chart, where it spent fifteen weeks. Fairport Convention_sentence_64

1970s: A time of change Fairport Convention_section_4

Disagreements arose about the direction of the band in the wake of this success. Fairport Convention_sentence_65

Ashley Hutchings wanted to explore more traditional material and left to form two groups that would rival Fairport for significance in English folk rock: Steeleye Span and the Albion Band. Fairport Convention_sentence_66

Sandy Denny also left to found her own group Fotheringay. Fairport Convention_sentence_67

Dave Pegg took over on bass guitar and has been the group's one constant ever since, in an unbroken membership of over four decades. Fairport Convention_sentence_68

The band made no serious attempt to replace Denny, and, although she would briefly return, the sound of the band would now be characterized by male vocals. Fairport Convention_sentence_69

Despite these changes the band produced another album, Full House (1970), which was remarkably successful as a project. Fairport Convention_sentence_70

Like its predecessor, it combined traditional songs, including a powerful rendition of "Sir Patrick Spens", with original compositions. Fairport Convention_sentence_71

The latter benefited from the writing partnership of Thompson and Swarbrick, most obviously on ‘Walk Awhile’ which would become a concert favourite. Fairport Convention_sentence_72

Despite the loss of Denny the band still possessed four vocalists, including the emerging voices of Nicol and Swarbrick, whose tones would dominate the sound of this period. Fairport Convention_sentence_73

It was favourably reviewed in Britain and America, drawing comparisons with the Band from Rolling Stone magazine who declared that ‘Fairport Convention is better than ever’. Fairport Convention_sentence_74

The album reached number 13 in the UK Chart and stayed in the chart for eleven weeks. Fairport Convention_sentence_75

The same year the band released a single 'Now Be Thankful' and made its American debut, touring with Traffic and Crosby, Stills, Nash & Young. Fairport Convention_sentence_76

In the recurring pattern, soon after the album's release Thompson left the band to pursue other projects and eventually his solo career. Fairport Convention_sentence_77

This left Simon Nicol as the only original member and Dave Swarbrick emerged as the leading force in the band. Fairport Convention_sentence_78

In 1970 the members and their families had moved into The Angel, a former pub in Hertfordshire and this inspired the next album Angel Delight (1971) the band's first to chart in the US, peaking at number 200 on the Billboard 200 and their only top ten album in the UK. Fairport Convention_sentence_79

The next project was an ambitious folk-rock opera developed by Swarbrick, based on the life of John 'Babbacombe' Lee, ‘the man they couldn't hang’ and released with the title Babbacombe Lee (1971). Fairport Convention_sentence_80

The concept format, originally without clear tracks, excited considerable press interest and it received good air play in the United States where it reached number 195. Fairport Convention_sentence_81

A version was produced by the BBC for TV in 1975 with narration by Melvyn Bragg. Fairport Convention_sentence_82

These two albums were also notable as the first time that Fairport had recorded consecutively with the same line-up, but inevitably stability did not last: Simon Nicol left early in late 1971 to join Ashley Hutchings' Albion Band and he was soon followed by Mattacks. Fairport Convention_sentence_83

Only Pegg and Swarbrick remained and the following few years have been dubbed 'Fairport confusion' as a bewildering sequence of band members came and went, but by 1973 Mattacks had returned and two former members of Sandy Denny's Fotheringay had joined the band, Denny's Australian husband Trevor Lucas on vocals and guitar and American Jerry Donahue on lead guitar. Fairport Convention_sentence_84

From these line-ups the band produced two studio albums: Rosie, notable for the Swarbrick penned title track (1973) and Nine (1974), the ninth studio album by the band. Fairport Convention_sentence_85

The last of these contained writing contributions by Lucas to five of the nine tracks, which together with Donahue's country influences and outstanding guitar pyrotechnics gave the album a very distinctive feel. Fairport Convention_sentence_86

Denny rejoined the band in 1974 and there were considerable expectations, both artistic and commercial, placed on this line-up. Fairport Convention_sentence_87

Denny was featured on the album Rising for the Moon (1975), which became the band's highest US chart album when it reached number 143 on the Billboard 200 and the first album to reach the top one-hundred in the UK since Angel Delight, reaching no 52. Fairport Convention_sentence_88

During the Rising sessions, Mattacks fell out with producer Glyn Johns and was replaced by former Grease Band drummer Bruce Rowland. Fairport Convention_sentence_89

Poor UK sales for Rising did not aid morale and, despite the relative success of the line-up, Lucas and Donahue left the band, as did Denny in 1976. Fairport Convention_sentence_90

She died aged 31, in 1978, of a cerebral haemorrhage after falling down a flight of stairs. Fairport Convention_sentence_91

Rowland, Pegg, and Swarbrick fulfilled their remaining contractual obligations to Island Records by turning what had originally been a Swarbrick solo effort into the album Gottle O'Geer (1976) under the name 'Fairport' (as opposed to Fairport Convention) in the UK, and as 'Fairport featuring Dave Swarbrick' in the US, and with various session players and production by Simon Nicol, who subsequently rejoined the band. Fairport Convention_sentence_92

They then signed with Vertigo, but record sales continued to decline and after producing two of four contracted albums, The Bonny Bunch of Roses (1977) and Tipplers Tales (1978), Vertigo bought them out of their contract. Fairport Convention_sentence_93

It is claimed by members of the band that this was the only recording money they had seen up to that point. Fairport Convention_sentence_94

1979–1985: The Cropredy era Fairport Convention_section_5

By 1979 the mainstream market for folk rock had largely disappeared, the band had no record deal, and Dave Swarbrick had been diagnosed with tinnitus, which made loud electric gigs increasingly difficult. Fairport Convention_sentence_95

Fairport decided to disband. Fairport Convention_sentence_96

They played a farewell tour and a final outdoor concert on 4 August in Cropredy, the Oxfordshire village where Dave and Christine Pegg lived. Fairport Convention_sentence_97

The finality of this occasion was mitigated by the announcement that the band would meet for a reunion. Fairport Convention_sentence_98

No record company wanted to release the live recordings of the tour and concert, so the Peggs founded Woodworm Records, which would be the major outlet for the band in the future. Fairport Convention_sentence_99

Members continued to take part in occasional gigs, particularly in festivals in continental Europe, and after a year they staged a reunion concert in Cropredy which became the annual Cropredy Festival. Fairport Convention_sentence_100

Over the next few years, it grew rapidly and emerged as the major mechanism for sustaining the band. Fairport Convention_sentence_101

In August 1981, the band held their annual reunion concert at Broughton Castle, rather than the usual Cropredy location. Fairport Convention_sentence_102

The concert was recorded, and released on the 1982 album Moat on the Ledge. Fairport Convention_sentence_103

The Peggs continued to record and release the Cropredy concerts as 'official bootlegs'. Fairport Convention_sentence_104

These were supplemented by New Year's gigs in minor locations including the Half Moon at Putney and the Gloucester Leisure Centre. Fairport Convention_sentence_105

In 1983 the magazine Fairport Fanatics (later Dirty Linen), was created: a testament to the continued existence of a dedicated fan base. Fairport Convention_sentence_106

The remaining members pursued their own lives and careers outside of the band. Fairport Convention_sentence_107

Nicol, Pegg, and Mattacks had recorded and toured with Richard and Linda Thompson at times in the 1970s, and did so again during this period, culminating in their appearance on the Shoot Out the Lights album and tour in 1982. Fairport Convention_sentence_108

Bruce Rowlands gave up the music business and moved to Denmark and as a result Dave Mattacks returned as drummer for Fairport's occasional gigs. Fairport Convention_sentence_109

Dave Pegg was the first of several Fairporters to join Jethro Tull which gave him well-paying steady employment. Fairport Convention_sentence_110

Simon Nicol had teamed up with Dave Swarbrick in a highly regarded acoustic duo, but this partnership was made difficult by Swarbrick's sudden decision to move to Scotland, where, from 1984 he began to focus on his new project Whippersnapper. Fairport Convention_sentence_111

In 1985, Pegg, Nicol and Mattacks found that they all had some free time and an available studio belonging to Pegg. Fairport Convention_sentence_112

They decided that they needed some new material to add to the catalogue that had been suspended in 1978. Fairport Convention_sentence_113

As Swarbrick was unavailable, the selection of traditional tunes was more difficult than for past albums and there was a need for a replacement fiddle player and some vocals. Fairport Convention_sentence_114

Pegg and Nicol took over arranging duties on an instrumental medley and the band turned to sometime Albion Band members: jazz and folk violinist Ric Sanders and singer-songwriter Cathy Lesurf. Fairport Convention_sentence_115

They also had the help of ex-member Richard Thompson. Fairport Convention_sentence_116

Thompson and Lesurf contributed songs and took part in the recordings. Fairport Convention_sentence_117

Also important to the album was Ralph McTell who contributed one song and co-wrote one track each with Nicol and Mattacks; the former of these, ‘The Hiring Fair’, would become a stage fixture of the future Fairport. Fairport Convention_sentence_118

The resulting album Gladys' Leap (1985) was generally well received in the music and national press, but caused some tension with Swarbrick who refused to play any of the new material at the 1985 Cropredy Festival. Fairport Convention_sentence_119

Nevertheless, the decision to reform the band, without Swarbrick, was taken by the other three remaining members. Fairport Convention_sentence_120

Ric Sanders was invited to join, along with guitarist, composer, arranger and multi-instrumentalist Maartin Allcock. Fairport Convention_sentence_121

Nicol, with his developing baritone voice, took over the main share of the vocal duties. Fairport Convention_sentence_122

This line-up was to last eleven years, the longest period of membership stability in the band's history so far. Fairport Convention_sentence_123

1986–1997: Stability Fairport Convention_section_6

The new band began a hectic schedule of performing in Britain and the World and prepared material for a new album. Fairport Convention_sentence_124

The result was the all-instrumental Expletive Delighted! Fairport Convention_sentence_125

(1986). Fairport Convention_sentence_126

This showcased the virtuosity of Sanders and Allcock, but perhaps inevitably was not popular with all fans. Fairport Convention_sentence_127

This was followed by the recording In Real Time: Live '87 which managed to capture the energy and power of the new Fairport on stage, despite the fact that it was recorded in the studio with audience reactions dubbed on. Fairport Convention_sentence_128

In this period the band were playing to larger and larger audiences, both on tour and at Cropredy, and it was very productive in terms of recording. Fairport Convention_sentence_129

Fairport had the considerable composing and arranging skills of Allcock and, to fill the gap created by a lack of a songwriter in the band, they turned to some of the most talented available in the contemporary folk scene. Fairport Convention_sentence_130

The results were Red & Gold (1989) The Five Seasons (1990) and Jewel in the Crown (1995), the last of which was judged ‘their bestselling and undoubtedly finest album in years.’ Fairport Convention_sentence_131

At this point, with Mattacks busy with other projects, the band shifted to an acoustic format for touring and released the unplugged Old New Borrowed Blue as ‘Fairport Acoustic Convention’ in 1996. Fairport Convention_sentence_132

For a while the four-piece acoustic line-up ran in parallel with the electric format. Fairport Convention_sentence_133

When Allcock left the band, he was replaced by Chris Leslie on vocals, mandolin and fiddle, who formerly worked with Swarbrick in Whippersnapper, and had a one-off stint with the band replacing Ric Sanders for 1992 Cropredy Festival. Fairport Convention_sentence_134

This meant that for the first time since reforming, the band had a recognized songwriter who contributed significantly to the band's output on the next album Who Knows Where the Time Goes? Fairport Convention_sentence_135

(1997), particularly the rousing ‘John Gaudie’. Fairport Convention_sentence_136

By the time of the 1997 thirty-year anniversary Festival at Cropredy, the new Fairport had been in existence for over a decade and contributed a significant chapter to the history of the band. Fairport Convention_sentence_137

1998–present Fairport Convention_section_7

Dave Mattacks moved to the US in 1998, and Gerry Conway took over on drums and percussion. Fairport Convention_sentence_138

Fairport produced two more studio albums for Woodworm Records: The Wood and the Wire (2000) and XXXV (2002). Fairport Convention_sentence_139

Then, for Over the Next Hill (2004) they established a new label: Matty Grooves Records. Fairport Convention_sentence_140

In this period the band toured extensively in the UK, Europe, Australasia, Europe, the US and Canada, and staged a major fund raiser for Dave Swarbrick at the Birmingham Symphony Hall. Fairport Convention_sentence_141

In 1998, members of the band began their association with the Breton musician Alan Simon. Fairport Convention_sentence_142

Working in collaboration with numerous others, members of Fairport (predominantly Nicol and Leslie) have performed in and participated in the recordings of all Simon's rock operas, including the Excalibur trilogy (1998, 2007, 2010) and Anne de Bretagne (2008). Fairport Convention_sentence_143

2007 was their fortieth anniversary year and they celebrated by releasing a new album, Sense of Occasion. Fairport Convention_sentence_144

They performed the whole of the Liege & Lief album live at Cropredy, since 2004 renamed Fairport's Cropredy Convention, featuring the 1969 line-up of Dave Swarbrick, Ashley Hutchings, Dave Mattacks, Simon Nicol and Richard Thompson, with singer-songwriter Chris While taking the place of Sandy Denny. Fairport Convention_sentence_145

Footage of the festival, although not the Liege and Lief performance, was released as part of a celebratory DVD. Fairport Convention_sentence_146

The band's first official YouTube video appeared in April 2008. Fairport Convention_sentence_147

Edited from footage shot for the DVD, the nine-minute mini-documentary includes interviews with Lulu, Jools Holland, Seth Lakeman, Mike Harding, Geoff Hughes and Frank Skinner. Fairport Convention_sentence_148

In 2011, the band released a new studio album Festival Bell, the first new album in four years. Fairport Convention_sentence_149

This was followed in 2012 by Babbacombe Lee Live Again recorded live during the 2011 tour revisiting the Babbacombe Lee album first issued in 1971. Fairport Convention_sentence_150

In 2012, the band also released By Popular Request, a reworking in the studio of a number of the most popular songs in the band's repertoire (as determined by a mysterious consultation and voting process conducted by the band with its fans). Fairport Convention_sentence_151

As of 2020 the band still continue to write and record music, regularly producing new studio albums, the most recent releases being 2015's Myths and Heroes, 2017's 50:50@50 and 2020's Shuffle and Go. Fairport Convention_sentence_152

Public recognition Fairport Convention_section_8

The mainstream media has increasingly recognized Fairport Convention's historical importance. Fairport Convention_sentence_153

They received a "Lifetime Achievement Award" at the 2002 BBC Radio 2 Folk Awards. Fairport Convention_sentence_154

In the same year Free Reed Records, an independent label, released Fairport Unconventional, a four-CD boxed set of rare and unreleased recordings from the band's 35-year career. Fairport Convention_sentence_155

At the 2006 BBC Radio 2 Folk Awards they received an award when their seminal album Liege & Lief was voted 'Most Influential Folk Album of All Time' by Radio 2 listeners. Fairport Convention_sentence_156

At the 2007 BBC Radio 2 Folk Awards Fairport Convention received an award recognising the late Sandy Denny and the band for ‘Favourite Folk Track Of All Time’ for Who Knows Where the Time Goes? Fairport Convention_sentence_157 . Fairport Convention_sentence_158

Personnel Fairport Convention_section_9

Members Fairport Convention_section_10

Fairport Convention_description_list_0

Fairport Convention_unordered_list_1

  • Simon Nicol – guitar, vocal (1967–1971, 1976–1979, 1985–present)Fairport Convention_item_1_0
  • Dave Pegg – bass guitar, mandolin, backing vocal (1969–1979, 1985–present)Fairport Convention_item_1_1
  • Ric Sanders – fiddles, occasional keyboards (1985–present)Fairport Convention_item_1_2
  • Chris Leslie – fiddle, mandolin, bouzouki, vocal (1996–present)Fairport Convention_item_1_3
  • Gerry Conway – drums, percussion (1998–present)Fairport Convention_item_1_4

Fairport Convention_description_list_2

Fairport Convention_unordered_list_3

  • Richard Thompson – guitar, vocal (1967–1971)Fairport Convention_item_3_5
  • Ashley Hutchings – bass guitar (1967–1969)Fairport Convention_item_3_6
  • Shaun Frater – drums (1967)Fairport Convention_item_3_7
  • Martin Lamble – drums (1967–1969; died 1969)Fairport Convention_item_3_8
  • Judy Dyble – vocal, autoharp, piano, recorder (1967–1968; died 2020)Fairport Convention_item_3_9
  • Iain Matthews – vocal (1967–1969)Fairport Convention_item_3_10
  • Sandy Denny – vocal, guitar, piano (1968–1969, 1974–1975; died 1978)Fairport Convention_item_3_11
  • Dave Swarbrick – fiddle, mandolin, vocal (1969–1979; died 2016)Fairport Convention_item_3_12
  • Dave Mattacks – drums, keyboards, bass guitar (1969–1972, 1973–1975, 1985–1997)Fairport Convention_item_3_13
  • Roger Hill – guitar, vocal (1971–1972; died 2011)Fairport Convention_item_3_14
  • Tom Farnell – drums (1972)Fairport Convention_item_3_15
  • David Rea – guitar (1972; died 2011)Fairport Convention_item_3_16
  • Trevor Lucas – guitar, vocal (1972–1975; died 1989)Fairport Convention_item_3_17
  • Jerry Donahue – guitar (1972–1975)Fairport Convention_item_3_18
  • Paul Warren – drums (1975)Fairport Convention_item_3_19
  • Bruce Rowland – drums (1975–1979; died 2015)Fairport Convention_item_3_20
  • Dan Ar Braz – guitar (1976)Fairport Convention_item_3_21
  • Bob Brady – piano (1976)Fairport Convention_item_3_22
  • Roger Burridge – mandolin, fiddle (1976; died 2020)Fairport Convention_item_3_23
  • Maartin Allcock – guitar, mandolin, keyboard, vocal (1985–1996; died 2018)Fairport Convention_item_3_24

Lineups Fairport Convention_section_11

Timeline Fairport Convention_section_12

Discography Fairport Convention_section_13

Main article: Fairport Convention discography Fairport Convention_sentence_159

Filmography Fairport Convention_section_14

Fairport Convention_unordered_list_4

  • Tony Palmer's Film Of Fairport Convention and Matthews Southern Comfort, directed by Tony Palmer, featuring Fairport's appearance at the Maidstone Fiesta in 1970.Fairport Convention_item_4_25

Originally released as a VHS video by MusicFolk/Weintraub, re-released on DVD by Voiceprint Records in 2007, soundtrack CD issued by Voiceprint as ‘Live in Maidstone 1970’ in 2009. Fairport Convention_sentence_160

Credits to the contents of this page go to the authors of the corresponding Wikipedia page: en.wikipedia.org/wiki/Fairport Convention.