|Birth name||Juan Azarías Pacheco Knipping|
|Born||(1935-03-25) March 25, 1935 (age 85)|
|Origin||Santiago, Dominican Republic|
Johnny Pacheco (born Juan Pablo Pacheco Knipping; 25 March 1935) is a Dominican musician, arranger, composer, producer, and bandleader of Salsa music (guaracha, son montuno, danzón, cha cha chá, guajira-son, pachanga).
Early life and family
Born in Santiago de los Caballeros, Dominican Republic, Pacheco inherited his passion for music from his father, Rafael Azarías Pacheco, who was the bandleader and clarinetist of the "Santa Cecilia Orchestra".
In the late 1940s, when Pacheco was 11, his family moved to New York City.
He continued polishing his musical skills, learning to play accordion, violin, flute, saxophone and clarinet.
His father, Rafael Azarías Pacheco, was the grandson of a Spanish soldier who arrived during the Spanish reannexation of Santo Domingo.
His mother, Octavia Knipping Rochet, was the granddaughter of a French colonist, and the great-granddaughter of a German merchant who was married to a Dominican woman born to Spanish colonists.
Early music career
Playing the flute, saxophone, and various percussion instruments, Pacheco performed with Charlie Palmieri's (the brother of Eddie Palmieri's) Latin orchestra for a number of years before forming his own band in 1959.
In 1960, he organized his first orchestra, Pacheco y Su Charanga.
The band signed with Alegre Records and within the first year of its release, his first album Johnny Pacheco y Su Charanga sold over 100,000 copies.
Beginning then and through the end of 1963 Pacheco introduced a new dance craze called "Pachanga".
He became an internationally renowned star and toured extensively throughout the United States, Europe, Asia, and Latin America.
Moreover, "Pacheco y Su Charanga" was the first Latin band to headline the Apollo Theater in New York City in 1962 and 1963.
Pacheco's career as a musician reached its peak in 1964, when he co-founded with Jerry Masucci Fania Records, of which Pacheco was the VP, A&R creative director, and musical producer.
At Fania Records, Pacheco launched and solidified the careers of many artists who are now part of the history of the “Fania Family.” This was the record label that set the gold standard in Latin music and gained previously unimaginable international celebrity for many of its recording artists.Listen to Salsa Music from Johnny Pacheco over Spotify, Apple Music and all streaming music platforms.
In 1964, the label released his next endeavor entitled Cañonazo (Cannon Shot).
This was the first of many recordings with the "compadres" (literally, "godfathers"), and the beginning of a long friendship and working relationship between Pacheco and Rodriguez.
Together, they recorded Los Compadres (1970), Perfecta Combinación (Perfect Combination) (1971), Tres de Café y Dos de Azúcar (Three Parts Coffee and Two Parts Sugar) (1973) and many other successful albums.
In 1967, he gathered many of the musicians from the Fania label and showcased them together in concert.
This marked the birth of the legendary Fania All-Stars.
Also in 1966, Pacheco worked with the nasal-voiced singer Monguito "El Único" from the band Orquesta Broadway and vocalist Chivirico Dávila to record the seminal "Viva África" LP.
This album nods to Pacheco's increasing popularity at the time in West Africa.
Pacheco would later make a pilgrimage to Africa partly based upon that notoriety and his Afro-Caribbean ancestry.
Original Fania band
The early Fania All-Stars band was made up of Johnny Pacheco, musical director and flute; Larry Harlow on piano; Bobby Valentín (later replaced by Salvador "Sal" Cuevas) on bass guitar; Ray Barretto on conga (replaced later on by others, including Mongo Santamaría, Johnny "Dandy" Rodríguez and Eddie Montalvo); Roberto Roena on bongos; and Orestes Vilató on timbales (later replaced by Nicky Marrero due to a conflict with Ray Barretto, whose singer, Adalberto Santiago, formed La Típica 73 with Vilató, angering Barretto and forcing Pacheco to replace Vilató to prevent internal conflicts); Willie Colón, Barry Rodgers (subsequently replaced), and Renaldo Jorge (replaced by several others) on trombones; Larry Spencer (also to be replaced), Roberto Rodríguez (replaced by Víctor Paz, and subsequently by Juan "Juancito" Torres) and Héctor "Bomberito" Zarzuela on trumpets; and Yomo Toro on the cuatro (a small Puerto Rican guitar with 5 pairs of double strings).
The lead singers included vocalists from the Colón, Pacheco, Barretto and Harlow bands.
Héctor Lavoe, Pete "El Conde" Rodríguez, Adalberto Santiago, and Ismael Miranda were joined by Santitos Colón (from the Tito Puente band), José Cheo Feliciano (from the Joe Cuba band) and Ismael Quintana (from the Eddie Palmieri orchestra).
The 1970s lineup included Rubén Blades, Celia Cruz, Papo Lucca, Luigi Texidor, Jorge Santana (Carlos's brother), drummer Billy Cobham, and the Cameroonian sax player Manu Dibango who appeared as a guest in concerts and live recordings in Puerto Rico and New York.
Singer Andy Montañez would later join the band in the mid 1990s.
Pacheco has recorded and composed over 150 songs.
Among them are "Mi Gente", "La Dicha Mia", "Quítate Tú" (Pa’ Ponerme Yo), "Acuyuye," "El Rey de la Puntualidad," Tito Puente‘s "El Número Cien," and Celia Cruz's "Celia y Tito."
His nine Grammy nominations, ten Gold records and numerous awards acknowledge his creative talent as composer, arranger, bandleader and producer.
Pacheco has also been an inspiration to the younger generations.
For example, rap artist Mangu asked him to write arrangements, sing chorus, and play the flute in his album entitled Calle Luna y Calle Sol.
Pacheco also produced music for feature films; he was the musical director of the film, Our Latin Thing, the first film about salsa and its influence on New York Latinos; he worked on a second film entitled Salsa released in 1974.
He demonstrated his solidarity with the victims of Hurricane Georges (Zhorzh) by collaborating with the Hispanic Federation Relief Fund during "Hurricane Georges Relief Fund 1998".
This event was transmitted live across the northeastern United States by the NBC television network.
He also participated at an event at Hostos Community College for the same purpose.
Awards and recognition
Pacheco's contributions to Latin Music have been recognized throughout his illustrious career.
The following are among the awards that have been bestowed upon him:
In 1996, the then President of the Dominican Republic, Joaquín Balaguer, bestowed him with the prestigious Presidential Medal of Honor.
A year later, Pacheco was the recipient of the Bobby Capó Lifetime Achievement Award, awarded by New York Governor George Pataki.
In addition, Pacheco was presented with the First International Dominican Artist Award from the distinguished Casandra Awards.
In June 1996, Johnny Pacheco was the first Latin music producer to receive the National Academy of Recording Arts & Sciences, (NARAS) Governor's Award in New York City.
In 1998, Pacheco was inducted to [International Latin Music Hall of Fame] (ILMHF) during the first Induction and Award of the ILMHF.
The ILMHF awarded him The Lifetime Achievement Award, in 2002.
In 2004, Pacheco was awarded the American Society of Composers, Authors and Publishers, ASCAP Silver Pen Award.
In 2005 The Latin Academy of Recording Arts & Sciences awarded Johnny Pacheco with its Lifetime Achievement Award at that years Latin Grammy's.
On March 24, 2009, Pacheco was awarded "El Soberano", the highest distinction given by the Association of Art Columnists of the Dominican Republic.
In August of 2020, Johnny Pacheco's composition "Celia y Tito' by Tito Puente and Celia Cruz was featured in the 4th season finale of the NBC TV network program "World of Dance' which is produced and judged by international film and recording star Jennifer Lopez.
Among his many songs utilized in Film and Television.
- Pacheco y Su Charanga, Vol. 1 1960 (Alegre Records)
- Pacheco y su Charanga, Vol. 2 1961 (Alegre Records)
- Que Suene la Flauta, Vol. 3 1962 (Alegre Records)
- Suavito, Vol. 4 1962 (Alegre Records)
- Spotlight on Pacheco, Vol. 5 1963 (Alegre Records)
- The Alegre All-Stars, Vol. 1 (Alegre Records)
- Once Upon A Time 1964 (Alegre Records)
- Las Charangas 1963 (Alegre Records)
- Cañonazo 1964 (1st recording for Fania Records)
- Pacheco at the N.Y. World's Fair 1964
- Pacheco, His Flute and Latin Jam 1965
- By Popular Demand 1966
- Viva África 1966
- Pacheco Te Invita a Bailar 1967
- Sabor Típico 1967
- Pacheco presents Monguito 1968
- 1968 Volando Bajito
- Los Dinámicos 1970
- La Perfecta Combinación 1971
- Los Compadres 1972
- Tres de Café y Dos de Azúcar 1973
- 10 Great Years 1974
- Celia & Johnny 1974
- Tremendo Caché 1975
- El Maestro 1976
- Recordando el Ayer 1977
- The Artist 1977
- El Zorro de Plata y El Flaco de Oro 1981
- De Nuevo con Celia Cruz
- Jícamo 1985
- ¡Sima! 1993
- Salsobita 1987
- Celebración 1989
- Llegó Melón 1977
- Eternos con Celia Cruz
- Introducing Johnny Pacheco
- Champ 1980
- Los Amigos 1980
- Flying High
- Los Dos Mosqueteros
- La Crema
- Los Distinguidos
- De Película (Rolando Laserie)
- Las Tres Flautas
- Pacheco y Fajardo
- De Nuevo Los Compadres 1983
- Celia, Johnny y Pete
- Entre Amigos
- Había Una Vez (Once Upon a Time) (1970)
- 10 Great Years (1973)
- Lo Mejor de Pacheco (The Best of Pacheco) (1974)
- Introducing... (1989)
- Pacheco's Party (1994)
- Johnny Pacheco (2000)
- The Best of Johnny Pacheco (2001)
- Lo Mejor (2004)
- Reserva Musical (2008)
- Brand New Key (Neighborhood,1971)
With George Benson
- Tell It Like It Is (A&M/CTI, 1969)
With Kenny Burrell
With Johnny Lytle
- A Man and a Woman (Solid State, 1967)
With Les McCann
- Les McCann Plays the Hits (Limelight, 1966)
With McCoy Tyner
- McCoy Tyner Plays Ellington (Impulse!, 1964)
With Eydie Gorme
- Blame It On The Bossa Nova (Columbia Records,1963)
With Kai Winding
- Dance to the City Beat (Columbia, 1959)
Fania All-Stars (musical director)
- Live at the Red Garter Vol 1
- Live at the Red Garter Vol 2
- Live at the Cheetah Vol 1
- Live at the Cheetah Vol 2
- Live at Yankee Stadium Vol 1
- Live at Yankee Stadium Vol 2
- Live in Africa
- Live in San Juan - 1973
- A Tribute to Tito Rodríguez
- Live in Japan - 1976
- Delicate and Jumpy
- Spanish Fever
- Rhythm Machine
- Viva La Charanga
- Latin Connection
- Lo Que Pide La Gente
- California Jam
- Havana Jam
- Social Change
- The Perfect Blend
- Viva Colombia - The Cali Concert
- Live in Puerto Rico - 1993
Credits to the contents of this page go to the authors of the corresponding Wikipedia page: en.wikipedia.org/wiki/Johnny Pacheco.