For the U.S. Navy sailor and Medal of Honor recipient, see Oscar V. Peterson.
For the American carver of fish decoys, see Oscar W. Peterson.
|Oscar PetersonCC CQ OOnt|
|Birth name||Oscar Emmanuel Peterson|
|Born||(1925-08-15)August 15, 1925|
|Died||December 23, 2007(2007-12-23) (aged 82)|
|Labels||RCA Victor, Mercury, MPS, Pablo, Telarc, Verve|
|Associated acts||Louis Armstrong, Count Basie, Ray Brown, Clark Terry, Roy Eldridge, Herb Ellis, Ella Fitzgerald, Dizzy Gillespie, Norman Granz, Benny Green, Coleman Hawkins, Barney Kessel, Milt Jackson, Niels-Henning Ørsted Pedersen, Joe Pass, Ben Webster, Ulf Wakenius Martin Drew|
by his friends, and informally in the jazz community as "the King of inside swing".
He released over 200 recordings, won eight Grammy Awards, and received numerous other awards and honours.
He is considered one of the greatest jazz pianists, and played thousands of concerts worldwide in a career lasting more than 60 years.
It was in this predominantly black neighborhood that he encountered the jazz culture.
At the age of five, Peterson began honing his skills on trumpet and piano, but a bout of tuberculosis when he was seven prevented him from playing the trumpet again, so he directed all his attention to the piano.
His father, Daniel Peterson, an amateur trumpeter and pianist, was one of his first music teachers, and his sister Daisy taught him classical piano.
Peterson was persistent at practising scales and classical études.
As a child, Peterson studied with Hungarian-born pianist Paul de Marky, a student of István Thomán, who was himself a pupil of Franz Liszt, so his early training was predominantly based on classical piano.
He was called "the Brown Bomber of the Boogie-Woogie".
At the age of nine Peterson played piano with a degree of control that impressed professional musicians.
For many years his piano studies included four to six hours of daily practice.
Only in his later years did he decrease his practice to one or two hours daily.
In 1940, at fourteen years of age, he won the national music competition organized by the Canadian Broadcasting Corporation.
He became a professional pianist, starring in a weekly radio show and playing at hotels and music halls.
In his teens he was a member of the Johnny Holmes Orchestra.
From 1945 to 1949 he worked in a trio and recorded for Victor Records.
By the time he was in his 20s, he had developed a reputation as a technically brilliant and melodically inventive pianist.
Duos, trios, and quartets
He was so impressed that he told the driver to take him to the club so he could meet the pianist.
In 1949 he introduced Peterson in New York City at a Jazz at the Philharmonic concert at Carnegie Hall.
He remained Peterson's manager for most of his career.
This was more than a managerial relationship; Peterson praised Granz for standing up for him and other black jazz musicians in the segregationist south of the 1950s and 1960s.
In the documentary video Music in the Key of Oscar, Peterson tells how Granz stood up to a gun-toting southern policeman who wanted to stop the trio from using "whites-only" taxis.
In 1950 Peterson worked in a duo with double bassist Ray Brown.
Two years later they added guitarist Barney Kessel.
Then Herb Ellis stepped in after Kessel grew weary of touring.
The trio remained together from 1953 to 1958, often touring with Jazz at the Philharmonic.
He considered the trio with Brown and Ellis "the most stimulating" and productive setting for public performances and studio recordings.
In the early 1950s, he began performing with Brown and drummer Charlie Smith as the Oscar Peterson Trio.
Shortly afterward Smith was replaced by guitarist Irving Ashby, who had been a member of the Nat King Cole Trio.
Ashby, who was a swing guitarist, was soon replaced by Kessel.
Their last recording, On the Town with the Oscar Peterson Trio, recorded live at the Town Tavern in Toronto, captured a remarkable degree of emotional as well as musical understanding between three players.
When Ellis departed in 1958, they hired drummer Ed Thigpen because they felt no guitarist could compare to Ellis.
The trio performed together until 1970.
In the fall of 1970, Peterson's trio released the album Tristeza on Piano.
Jones and Durham left in 1970.
In the 1970s Peterson formed a trio with guitarist Joe Pass and bassist Niels-Henning Ørsted Pedersen.
This trio emulated the success of the 1950s trio with Brown and Ellis and gave acclaimed performances at festivals.
Their album The Trio won the 1974 Grammy Award for Best Jazz Performance by a Group.
In 1974 he added British drummer Martin Drew.
This quartet toured and recorded extensively worldwide.
Pass said in a 1976 interview, "The only guys I've heard who come close to total mastery of their instruments are Art Tatum and Peterson".
In 1961, the Peterson trio with Jackson recorded the album Very Tall.
In the 1980s he played in a duo with pianist Herbie Hancock.
In the late 1980s and 1990s, after a stroke, he made performances and recordings with his protégé Benny Green.
In the 1990s and 2000s he recorded several albums accompanied by a combo for Telarc.
Ill health and later years
Peterson had arthritis since his youth, and in later years he had trouble buttoning his shirt.
Never slender, his weight increased to 125 kg (276 lb), hindering his mobility.
He had hip replacement surgery in the early 1990s.
Although the surgery was successful, his mobility was still inhibited.
In 1993 a stroke weakened his left side and removed him from work for two years.
According to Chrétien, Peterson declined the job due to ill health related to the stroke.
Although he recovered some dexterity in his left hand, his piano playing was diminished, and his style had relied principally on his right hand.
In 1995 he returned to occasional public performances and recorded for Telarc.
In 1997 he received the Grammy Lifetime Achievement Award and an International Jazz Hall of Fame Award.
His friend, Canadian politician and amateur pianist Bob Rae, said, "a one-handed Oscar was better than just about anyone with two hands."
He continued to tour the U.S. and Europe, though at most one month a year, with rest between concerts.
In 2007 his health declined.
He canceled his plans to perform at the Toronto Jazz Festival and a Carnegie Hall all-star concert that was to be given in his honour.
Peterson died on December 23, 2007 of kidney failure at his home in Mississauga, Ontario.
Peterson was married four times.
He smoked cigarettes and a pipe and often tried to break the habit, but every time he stopped he gained weight.
He loved to cook and remained large throughout his life.
Composer and teacher
Peterson taught piano and improvisation in Canada, mainly in Toronto.
With associates, he started and headed the Advanced School of Contemporary Music in Toronto for five years during the 1960s, but it closed because touring called him and his associates away, and it did not have government funding.
Later, he mentored the York University jazz program and was the Chancellor of the university for several years in the early 1990s.
He published jazz piano etudes for practice.
He asked his students to study the music of Johann Sebastian Bach, especially The Well-Tempered Clavier, the Goldberg Variations, and The Art of Fugue, considering these piano pieces essential for every serious pianist.
Peterson and Tatum
After his father played a record of Tatum's "Tiger Rag", he was intimidated and disillusioned, quitting the piano for several weeks.
"Tatum scared me to death," he said, and was "never cocky again" about his ability at the piano.
Tatum was a model for Peterson's musicianship during the 1940s and 1950s.
Tatum and Peterson became good friends, although Peterson was always shy about being compared with Tatum and rarely played the piano in Tatum's presence.
Peterson also credited his sister—a piano teacher in Montreal who also taught several other Canadian jazz musicians—with being an important teacher and influence on his career.
Under his sister's tutelage, Peterson expanded into classical piano training and broadened his range while mastering the core classical pianism from scales to preludes and fugues by Johann Sebastian Bach.
Building on Tatum's pianism and aesthetics, Peterson also absorbed Tatum's musical influences, notably from piano concertos by Sergei Rachmaninoff.
Rachmaninoff's harmonizations, as well as direct quotations from his 2nd Piano Concerto, are scattered throughout many recordings by Peterson, including his work with the most familiar formulation of the Oscar Peterson Trio, with bassist Ray Brown and guitarist Herb Ellis.
During the 1960s and 1970s Peterson made numerous trio recordings highlighting his piano performances; they reveal more of his eclectic style, absorbing influences from various genres of jazz, popular, and classical music.
Awards and honours
- 1975 Best Jazz Performance by a Group The Trio
- 1977 Best Jazz Performance by a Soloist The Giants
- 1978 Best Jazz Instrumental Performance, Soloist Oscar Peterson Jam – Montreux '77
- 1979 Best Jazz Instrumental Performance, Soloist Oscar Peterson and The Trumpet Kings – Jousts
- 1990 Best Jazz Instrumental Performance, Group Live at the Blue Note
- 1990 Best Jazz Instrumental Performance, Soloist The Legendary Oscar Peterson Trio Live at the Blue Note
- 1991 Best Jazz Instrumental Performance, Group Saturday Night at the Blue Note
- 1997 Lifetime Achievement Award Instrumental Soloist Lifetime Achievement
- Pianist of the year, DownBeat magazine, 1950, and won again for the next 12 years
- Order of Canada, Officer, 1972; Companion, 1984
- Canadian Music Hall of Fame, 1978
- Martin Luther King Jr. Achievement Award, Black Theatre Workshop, 1986
- Roy Thomson Award, 1987
- Toronto Arts Award for lifetime achievement, 1991
- Governor General's Performing Arts Award, 1992
- Order of Ontario, member 1992
- Glenn Gould Prize, 1993
- International Society for Performing Artists award, 1995
- Loyola Medal of Concordia University, 1997
- Praemium Imperiale World Art Award, 1999
- Oscar Peterson Concert Hall named at Concordia University, 1999
- UNESCO Music Prize, 2000
- Toronto Musicians' Association Musician of the Year, 2001
- SOCAN Special Achievement Award, 2008
- Canada's Walk of Fame, 2013
- Canadian Jazz and Blues Hall of Fame
- Juno Award Hall of Fame
- BBC Radio Lifetime Achievement Award
- National Order of Quebec, Chevalier
- Ordre des Arts et des Lettres, France
- Civic Award of Merit, City of Mississauga, 2003
- Oscar Peterson Theatre, Canadian Embassy, Tokyo, Japan, 2007
- Oscar Peterson Hall, University of Toronto Mississauga, 2008
- Oscar Peterson Public School, Stouffville, 2009
- Statue of Oscar Peterson unveiled in Ottawa by Queen Elizabeth II, 2010
- Honorary degrees from Berklee College of Music, Carleton University, Queen's University, Concordia University, Université Laval, McMaster University, Mount Allison University, Niagara, Northwestern, University of Toronto, University of the West Indies, University of Western Ontario, University of Victoria, and York University
- Bösendorfer pianos - 1990s and 2000s, some performances from the 70s onward.
- Yamaha - Acoustic and Disklavier- 1998-2006 in Canada (Touring and Recording)
- Steinway & Sons Model A (which currently resides at Village Studios in Los Angeles) - most performances from the 1940s through the 1980s, some recordings.
- Baldwin pianos - some performances in the US, some recordings.
- C. Bechstein Pianofortefabrik pianos - some performances and recordings in Europe.
- Petrof pianos - some performances in Europe.
- Clavichord - on album Porgy and Bess with Joe Pass
- Fender Rhodes electric piano - several recordings.
- Synthesizer - several recordings.
- Hammond organ - some live performances and several recordings.
- Vocals - some live performances and several recordings.
Further information: Oscar Peterson discography
Credits to the contents of this page go to the authors of the corresponding Wikipedia page: en.wikipedia.org/wiki/Oscar Peterson.