|Parent company||Universal Music Group|
|Founded||2 April 1913; 107 years ago (1913-04-02)|
|Country of origin||Germany|
It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States.
In turn, Polydor distributes Interscope releases in the United Kingdom.
Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon GmbH.
It was renamed Polydor Ltd. in 1972.
Its artists have included ABBA, Cream, The Moody Blues, The Who, Samantha Mumba, Cher Lloyd, Years & Years, Siouxsie and the Banshees, Slade, Bee Gees, The Jam, Cheryl, Girls Aloud, The Saturdays, Gary Barlow, Take That, James Brown, Fickle Friends, The Fauves, Ellie Goulding, Duffy, James Blake, Snow Patrol, Elbow, Status Quo, Eric Clapton, Marie Osmond, Waldo de los Ríos, Ruti Olajugbagbe, Lana Del Rey, Soraya, Haim, Keith O'Conner Murphy, LANY, Azealia Banks and Alyssa Reid.
Polydor Records was founded on 2 April 1913 by German Polyphon-Musikwerke AG in Leipzig and registered on 25 July 1914 (Nr.
The label was founded as Firma Brachhausen & Riesener in 1887 by Gustav Adolf Brachhausen and Ernst Paul Riessner, for manufacturing their new mechanical disc-playing music box Polyphon, invented in 1870.
The German state had taken over British-held Grammophon as enemy property during World War I.
It was used as an export label from 1924.
After the British and German branches of the Gramophone Company were separated during World War I, Deutsche Grammophon claimed the rights to the Nipper-dog and gramophone trademark for Germany, where HMV recordings were to be released under the Electrola trademark replacing the company lost during the war.
In turn, Deutsche Grammophon records exported from Germany were released on the Polyphon Musik and Polydor labels.
New foreign branches were founded, for example in Austria, Denmark, Sweden and France.
In 1941, Deutsche Grammophon (including Polydor) was purchased by Siemens & Halske.
The previously used label, Grammophon, was disbanded.
(In Germany, it was impossible to sell the trademark without selling the company.)
Polydor remained Deutsche Grammophon's export label, including classical music, in France and the Spanish-speaking world for the remainder of the long-playing era, as a result of language and cultural concerns.
DGG established a subsidiary in London called Polydor Records Ltd. in 1954.
Popular International entertainers such as James Last, Bert Kaempfert, Kurt Edelhagen, Caterina Valente and the Kessler Twins appeared on the Polydor label, as well as many French, Spanish and Latin-American figures.
Siemens entered into a joint venture with Philips in 1962 creating the Grammophon-Philips Group, of which Polydor became a subsidiary label.
Polydor opened a US branch in 1969 (in years prior, they licensed their catalogue to Atlantic Records), but did not become a real presence in the US record industry until its purchase of the recording contract and back catalogue of R&B performer James Brown in 1971, and the absorption of the MGM Records label by its parent company PolyGram in 1972.
In 1972, The Grammophon-Philips Group (GPG) reorganized to create PolyGram.
The Polydor label continued to run as a subsidiary label under the new company.
The name PolyGram is a portmanteau of Polydor and PhonoGram.
Into the 1980s, Polydor continued to do respectable business, in spite of becoming increasingly overshadowed by its PolyGram sister label Mercury Records.
Polydor took over management of British Decca's pop catalogue.
By the early 1990s, Polydor had begun to underperform.
PolyGram subsequently trimmed most of Polydor's staff and roster, and shifted it to operate under the umbrella of PolyGram Label Group (PLG), a newly constructed "super label" specifically designed to oversee the operations of PolyGram's lesser performing imprints, which included Island Records, London Records, Atlas Records and Verve Records at the time.
In 1994, as Island Records recovered from its sales slump, PolyGram dissolved most of PLG into it.
Meanwhile, Polydor Records and Atlas Records merged, briefly called "Polydor/Atlas", and began operating through A&M Records, another PolyGram subsidiary.
In 1995, Polydor/Atlas became simply Polydor Records again.
Twilight years in the United States
Over the next few years, Polydor tried to keep itself afloat with new artist signings, new releases, and reissues, while still becoming more and more dormant.
During the consolidation of these two music giants, Polydor's United States operations were folded into Interscope-Geffen-A&M and Universal Records, while its overseas branch remained intact, with its records continuing to be distributed domestically through Interscope and A&M.
Today, in North America, the Polydor Records name and logo is mostly used on reissues of older material from its 1960s and 1970s heyday.
Island Records handles the US distribution of most pre-1998 Polydor releases, including the reissues from the British Decca pop/rock collections.
Among the acts signed to Polydor Nashville were Shane Sutton, Tasha Harris, 4 Runner, the Moffatts, Chely Wright, Mark Luna, Clinton Gregory, Amie Comeaux, along with Toby Keith and Davis Daniel, who transferred from Mercury Nashville in 1994.
The Nashville division was renamed A&M Nashville in March 1996 and closed in September of the same year, as PolyGram consolidated all its Nashville operations under the Mercury name.
In 1972 the British Polydor Records Ltd. was renamed to Polydor Ltd.
At the time, between the 1970s and 1980s, the Polydor/PolyGram Senior VP (who was originally the first head of their new [at the time] rock department) was Jerry Jaffe, who also signed acts such as Motörhead, Dexy's Midnight Runners, and the Jam.
He also interacted with many famous and successful artists while in that position, including Nick Lowe and John Lennon, as well as going on to work with groups such as the Jesus and Mary Chain and Saint Etienne the late 1980s and 1990s.
Although Polydor's American branch is nearly inactive, in the United Kingdom Polydor remains one of the most prominent labels in the country—with artists such as Take That, Cheryl, Duffy, the Saturdays, Kaiser Chiefs, Ellie Goulding and Lawson.
Polydor also has a strong indie roster through the Fiction imprint with acts such as Ian Brown, Bright Eyes, Elbow, White Lies, the Maccabees, Kate Nash, Snow Patrol, Filthy Dukes, and Crystal Castles.
It also acts as the UK label for American-based acts under Interscope-Geffen-A&M like Madonna, Eminem, the All-American Rejects, the Black Eyed Peas, Gwen Stefani, Dr. , DreLana Del Rey, Lady Gaga, Selena Gomez, Kendrick Lamar, Maroon 5, M.I.A. , No Doubt, Sting and JoJo.
In 2006, Polydor launched Fascination Records, a music label dedicated to pop music.
In 2008, A&M Records UK was founded as an imprint of Polydor UK.
The same year Polydor obtained distribution of the Rolling Stones' back catalogue as well as new releases.
With the establishment of A&M Records UK, A&M Records' Canadian division became a separate entity for the first time since the formation of Universal Music Group.
Polydor, meanwhile, continued to distribute Interscope, Geffen and selected Lost Highway releases in Canada through Universal Music Canada, as it does to this day.
Credits to the contents of this page go to the authors of the corresponding Wikipedia page: en.wikipedia.org/wiki/Polydor Records.