Slint

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Slint_table_infobox_0

SlintSlint_header_cell_0_0_0
Background informationSlint_header_cell_0_1_0
OriginSlint_header_cell_0_2_0 Louisville, Kentucky, United StatesSlint_cell_0_2_1
GenresSlint_header_cell_0_3_0 Slint_cell_0_3_1
Years activeSlint_header_cell_0_4_0 1986–1990, 1992-1994, 2005-2007, 2013–2014Slint_cell_0_4_1
LabelsSlint_header_cell_0_5_0 Touch and GoSlint_cell_0_5_1
Associated actsSlint_header_cell_0_6_0 Slint_cell_0_6_1
Past membersSlint_header_cell_0_8_0 Brian McMahan

David Pajo Britt Walford Ethan Buckler Todd BrashearSlint_cell_0_8_1

Slint was an American rock band consisting of Brian McMahan (guitar and vocals), David Pajo (guitar), Britt Walford (drums and vocals), Todd Brashear (bass on Spiderland), and Ethan Buckler (bass on Tweez). Slint_sentence_0

They formed in Louisville, Kentucky, United States, in 1986. Slint_sentence_1

Slint's first album Tweez was recorded by engineer Steve Albini in 1987 and released in obscurity on the Jennifer Hartman Records label in 1989. Slint_sentence_2

It was followed two years later by the critically acclaimed Spiderland, released on the independent label Touch and Go Records. Slint_sentence_3

They have reunited sporadically since 1990. Slint_sentence_4

History Slint_section_0

Pre-Slint Slint_section_1

Walford and McMahan met in their pre-teens and attended the Brown School, a Louisville public school founded on a pedagogy of self-directed learning. Slint_sentence_5

They began performing music together at an early age, forming the Languid and Flaccid with Ned Oldham (later of The Anomoanoan) while still in middle school. Slint_sentence_6

In their teens Walford and McMahan played together in the seminal Louisville punk band Squirrel Bait. Slint_sentence_7

Walford left the band following their first recording session while McMahan went on to tour and record Squirrel Bait's two albums before the band's dissolution in 1987. Slint_sentence_8

Pajo and Walford (and, briefly, McMahan) were in the punk/prog-metal band Maurice with future members of Kinghorse. Slint_sentence_9

After being influenced by the music of the Minutemen, Pajo and Walford's musical direction became too obtuse for the other members of Maurice, who parted ways. Slint_sentence_10

Maurice's later material would form the basis of some of Slint's early compositions. Slint_sentence_11

1986: Founding Slint_section_2

Slint formed in the summer of 1986. Slint_sentence_12

Walford and Pajo were joined by the slightly older Buckler (age 18 at the time) for a show for a Unitarian Universalist congregation on November 2; performing under the name Small Tight Dirty Tufts of Hair, most of the congregation left during the band's first two songs. Slint_sentence_13

They were soon joined by McMahan and named themselves Slint after one of Walford's pet fish. Slint_sentence_14

1987–1989: Tweez, singles, and Ethan Buckler's departure Slint_section_3

Slint's first album Tweez was recorded in the fall of 1987 by Steve Albini, whom the band had chosen because they were fans of Albini's recently defunct group Big Black. Slint_sentence_15

Though Slint's members had composed the album's music during rehearsals in Walford's parents' basement, most of the lyrics were created in-studio, and included between-song sound effects and ad-libbed conversations with Albini. Slint_sentence_16

During mixdown, Walford requested that Albini "make the bass drum sound like a ham being slapped by a catcher's mitt," and then spilled a cup of tea on Albini's mixing board. Slint_sentence_17

Without formal song titles, eight of the album's tracks were named for the band members' parents, and a ninth for Walford's dog, Rhoda. Slint_sentence_18

Once completed, Buckler was dissatisfied with the recordings and left Slint to form the group King Kong, initially made up of all of Slint's members taking up different instruments. Slint_sentence_19

All of Slint's original members recorded the single "Movie Star" as King Kong in Steve Albini's studio while he was away on a trip in 1989. Slint_sentence_20

Buckler was soon replaced by bass player Todd Brashear. Slint_sentence_21

Slint had hoped that Touch and Go Records would release Tweez, but the band did not hear back from the label. Slint_sentence_22

A friend of the group, Jennifer Hartman, paid for the album's release for a tiny run on the imprint Jennifer Hartman Records in 1989. Slint_sentence_23

By then the group had returned to the studio with Albini to record two instrumental tracks. Slint_sentence_24

Original copies of Tweez included a flyer advertising a 12" single of these songs to be released on Jennifer Hartman. Slint_sentence_25

But by now the band had succeeded in catching the ear of Touch & Go Records's founder Corey Rusk who agreed to release the group's next album. Slint_sentence_26

The master tapes to the proposed 12" were then shelved, making Tweez the sole release on the Jennifer Hartman label. Slint_sentence_27

1988–1991: Spiderland, Todd Brashear joins, and dissolution Slint_section_4

By the time Tweez was released, most of the group had gone off to college and would return to Louisville during breaks to write and practice new material. Slint_sentence_28

Returning to the Walfords' basement, the group would spend hours repeating the same guitar riff and then adding in layers of nuance on top of it. Slint_sentence_29

After rehearsals, McMahan took practice tapes home and worked on vocals with the use of a 4-track tape recorder. Slint_sentence_30

Sitting in his parents' car made it possible to record softly spoken vocals over the band's loud music. Slint_sentence_31

After developing these new songs, Slint's members wanted a cleaner sound than that of their first LP, and approached Minneapolis producer Brian Paulson who had recorded two albums with McMahan's former bandmates' group Bastro. Slint_sentence_32

On a trip to visit Bastro and Paulson during the recording sessions for their final studio album, Sing the Troubled Beast, McMahan was in a near-fatal car accident. Slint_sentence_33

While in the ambulance, a paramedic called in "Code 138" and the immobilized McMahan regained consciousness singing the Misfits song "We are 138." Slint_sentence_34

McMahan's brush with death left the young musician feeling depressed, a condition that would affect the recording and aftermath of Slint's next album. Slint_sentence_35

Paulson and Slint met over a weekend to record Spiderland in Chicago. Slint_sentence_36

All of the music was recorded live, with vocals overdubbed afterward in no more than two takes and with little to no rehearsal on the part of McMahan. Slint_sentence_37

The group used two different microphones to record vocals: one for softer, spoken voices, and one for louder, sung voices. Slint_sentence_38

During mixdown, Paulson and the group would try adding different effects, but all these were rejected, resulting in a very pared-down production sound. Slint_sentence_39

The day after Spiderland's recording session ended, McMahan checked himself into a mental hospital where he was diagnosed with depression, and subsequently left the band. Slint_sentence_40

Longtime friend of the band Will Oldham took numerous photos of the group as potential album covers. Slint_sentence_41

Some of these were taken in a nearby quarry and one was chosen with Slint's four members' heads bobbing above the surface of the water. Slint_sentence_42

Touch and Go released Spiderland in 1991. Slint_sentence_43

The album was unlike anything else that the label had released to date. Slint_sentence_44

Slint was to have gone on a European tour after its release, but with the band no longer together, there were no tours, interviews, photo or video shoots to promote the album. Slint_sentence_45

Despite this, the album's repute grew and it continued to sell several thousand copies annually in the years following its release, a considerable feat for an indie record by a defunct group and a mystique around the record, and the artists who made it, began to grow. Slint_sentence_46

Spiderland is considered a seminal work, characterized by dark, syncopated rhythms, sparse guitar lines and haunting subject matter. Slint_sentence_47

The record's impact was such that many fans and critics consider it a foundational post-rock album, helping to usher in a new wave of bands seeking a move away from the unfettered aggression of hardcore punk but not its underlying ethic. Slint_sentence_48

1992–present: Post-Slint Slint_section_5

The band briefly reformed in 1992, and again in 1994. Slint_sentence_49

During this time, Touch and Go Records reissued Tweez in 1993, and in 1994 an untitled 10" EP of the two songs from the shelved tapes recorded between their two albums—one a reinterpretation of "Rhoda" from Tweez, and the other a track called "Glenn". Slint_sentence_50

Members of Slint have since appeared in a number of bands. Slint_sentence_51

In 2009, former guitarist David Pajo performed with Yeah Yeah Yeahs as a live back-up musician. Slint_sentence_52

He briefly played in Stereolab, took up bass in Interpol, and performs under the moniker PAJO and occasionally with his band Papa M, also known as Ariel M, or just M. Pajo has also been a member of Dead Child, Tortoise, Palace, The For Carnation, Household Gods and the short-lived Billy Corgan-fronted rock band Zwan. Slint_sentence_53

Guitarist Brian McMahan formed The For Carnation in 1994 and also played with Will Oldham in Palace. Slint_sentence_54

Britt Walford played drums in Evergreen, and for The Breeders under the pseudonym Shannon Doughton on the album Pod, and as Mike Hunt on the Safari EP. Slint_sentence_55

Ethan Buckler has released several albums with his group King Kong featuring an ever-shifting cast of members who have occasionally included David Pajo. Slint_sentence_56

Reunions Slint_section_6

Nearly fifteen years after originally disbanding, three members of Slint—Brian McMahan, David Pajo, and Britt Walford—reunited to curate the 2005 All Tomorrow's Parties (ATP) music festival in Camber Sands, England. Slint_sentence_57

Also in 2005, Slint played a number of shows in the U.S. and in Europe. Slint_sentence_58

Though they insisted the reunion was short-term, the band regrouped once again in 2007 to perform Spiderland in its entirety in Barcelona as part of the Primavera Sound Festival, in London as part of the ATP Don't Look Back series of shows, as well as at a handful of dates in Europe, the U.S. (at Chicago's Pitchfork Music Festival, the Showbox in Seattle, and the Henry Fonda Theatre in Hollywood), and Canada. Slint_sentence_59

In addition to performing the album and the EP Slint, they also debuted a new composition called "King's Approach", which remains unrecorded. Slint_sentence_60

In a September 2012 interview conducted with Northern Irish music publication AU Magazine, David Pajo hinted at more activity from the band in the coming months: "We still communicate regularly and we've got some surprises for next year that fans will be excited about. Slint_sentence_61

I know I am." Slint_sentence_62

The band reunited in December 2013 to play as one of the headliners of the final All Tomorrow's Parties holiday camp festival in Camber Sands, England. Slint_sentence_63

In an August 2013 interview with Vish Khanna, former producer Steve Albini revealed that the band was working on remastering their second album Spiderland with producer Bob Weston. Slint_sentence_64

The deluxe Spiderland boxset was announced in January 2014. Slint_sentence_65

In 2014 Touch and Go released several live, demo, and practice sessions of songs recorded by the band between 1989 and 1990. Slint_sentence_66

These appeared as the LP Bonus Tracks, as well as in box set editions of Spiderland alongside the DVD Breadcrumb Trail, filmmaker Lance Bangs' 90-minute documentary about the band shot over the course of 12 years. Slint_sentence_67

In 2014, the band also performed at the Primavera Sound music festival in Spain and Portugal and Green Man Festival in Wales. Slint_sentence_68

The group has no plans to record new material and have since disbanded after their most recent reunions in 2013 and 2014. Slint_sentence_69

Musical style Slint_section_7

The band was noted for having syncopated guitar riffs, drastically altering dynamics, and complex song structures and time signatures. Slint_sentence_70

McMahan's and Walford's vocals ranged from hushed spoken words, singing, and strained screaming. Slint_sentence_71

Members Slint_section_8

Core members Slint_section_9

Slint_unordered_list_0

  • Brian McMahan – guitar, vocals (1986–1990, 1992, 1994, reunions)Slint_item_0_0
  • David Pajo – guitar (1986–1990, 1992, 1994, reunions)Slint_item_0_1
  • Britt Walford – drums, guitar, vocals (1986–1990, 1992, 1994, reunions)Slint_item_0_2
  • Ethan Buckler – bass (1986–1987)Slint_item_0_3
  • Todd Brashear – bass (1988–1990, 1992)Slint_item_0_4

Former Touring Members Slint_section_10

Slint_unordered_list_1

  • Michael McMahan – guitar (2005, 2007, 2013–2014)Slint_item_1_5
  • Todd Cook – bass (2005, 2007)Slint_item_1_6
  • Matt Jencik – bass (2007, 2013–2014)Slint_item_1_7

Session Musicians Slint_section_11

Slint_unordered_list_2

  • Tim Ruth – bass (1994)Slint_item_2_8

Discography Slint_section_12

Main article: Slint discography Slint_sentence_72

Studio albums Slint_section_13

Slint_unordered_list_3


Credits to the contents of this page go to the authors of the corresponding Wikipedia page: en.wikipedia.org/wiki/Slint.