Sparks (band)

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Sparks (band)_table_infobox_0

SparksSparks (band)_header_cell_0_0_0
Background informationSparks (band)_header_cell_0_1_0
Also known asSparks (band)_header_cell_0_2_0 HalfnelsonSparks (band)_cell_0_2_1
OriginSparks (band)_header_cell_0_3_0 Pacific Palisades, California, United StatesSparks (band)_cell_0_3_1
GenresSparks (band)_header_cell_0_4_0 Sparks (band)_cell_0_4_1
Years activeSparks (band)_header_cell_0_5_0 1967–presentSparks (band)_cell_0_5_1
LabelsSparks (band)_header_cell_0_6_0 Sparks (band)_cell_0_6_1
Associated actsSparks (band)_header_cell_0_7_0 Sparks (band)_cell_0_7_1
WebsiteSparks (band)_header_cell_0_8_0 Sparks (band)_cell_0_8_1
MembersSparks (band)_header_cell_0_10_0 Sparks (band)_cell_0_10_1

Sparks is an American pop and rock duo, originally formed as a Los Angeles band called Halfnelson in 1967 by brothers Ron (keyboards) and Russell Mael (vocals). Sparks (band)_sentence_0

Known for their quirky approach to songwriting, Sparks' music is often accompanied by sophisticated and lyrics, often about women or Shakespearean literature references, and an idiosyncratic, theatrical stage presence, typified in the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Sparks (band)_sentence_1

They are also noted for Russell Mael's distinctive wide-ranging voice and Ron Mael's intricate and rhythmic keyboard playing style. Sparks (band)_sentence_2

They were much more successful in Europe compared to their native US, though they maintain a loyal cult following there. Sparks (band)_sentence_3

Early career highlights included "This Town Ain't Big Enough for Both of Us", which reached No. Sparks (band)_sentence_4

2 on the UK Singles Chart in 1974; the disco hit "The Number One Song in Heaven" in 1979, resulting from a collaboration with Giorgio Moroder and marking a stylistic shift towards new wave/synth-pop; "When I'm With You", which topped the Australian and French Singles Charts in 1980; the single "I Predict", which provided Sparks' first appearance on the Billboard Hot 100, reaching No. Sparks (band)_sentence_5

60 in May 1982; the 1983 single "Cool Places" with the Go-Go's rhythm guitarist and backing vocalist Jane Wiedlin, and "When Do I Get to Sing 'My Way'", which was the top airplay record in Germany for 1994. Sparks (band)_sentence_6

Their frequently changing styles and visual presentations have kept the band at the forefront of modern, artful pop music. Sparks (band)_sentence_7

The 2002 release of Lil' Beethoven, their "genre-defining opus", as well as Hello Young Lovers (2006, their 20th studio album), Exotic Creatures of the Deep (2008), and their fantasy radio musical The Seduction of Ingmar Bergman (2009–2010) brought Sparks renewed critical and commercial success, and saw them continue to "steer clear of pop conventions." Sparks (band)_sentence_8

In 2015, the band released an album with Scottish indie rock band Franz Ferdinand, as the supergroup FFS, titled FFS. Sparks (band)_sentence_9

In 2017, returning to a rock-group format, Sparks released Hippopotamus, which entered the UK Albums Chart at no. Sparks (band)_sentence_10

7, as did their next album, A Steady Drip, Drip, Drip, released in 2020, bringing their tally of UK Top 10 albums to four. Sparks (band)_sentence_11

Sparks are involved in two upcoming movies, their musical Annette starring Adam Driver and Marion Cotillard and a documentary about their fifty-year career directed by Edgar Wright. Sparks (band)_sentence_12

History Sparks (band)_section_0

Inception Sparks (band)_section_1

Brothers Ron and Russell Mael grew up in Pacific Palisades, in western Los Angeles County, California, during the "Golden Age" of the LA club scene, with the Doors, Love and the Standells regularly playing the Whisky a Go Go on Sunset Strip and the Beach Boys playing the afternoon event Teenage Fair. Sparks (band)_sentence_13

Both Ron and Russell Mael are seen in the audience during the Ronettes' section of the concert film The Big T.N.T. Sparks (band)_sentence_14 Show, filmed in 1966. Sparks (band)_sentence_15

Both attended UCLA, Ron studying cinema and graphic art and Russell, theatre arts and filmmaking. Sparks (band)_sentence_16

Detesting the folk music scene, which they considered "cerebral and sedate and we had no time for that", they developed a particular taste in English bands of the time such as the Who, Syd Barrett's Pink Floyd, the Kinks and the Move, which led to their description of themselves as "Anglophiles". Sparks (band)_sentence_17

Their very first recordings were made under the name of "Urban Renewal Project", on January 14, 1967 at the Fidelity Recording Studios in Hollywood. Sparks (band)_sentence_18

Four tracks were recorded with married couple Fred and Ronna Frank, who were close friends of the Maels at the time. Sparks (band)_sentence_19

The songs were pressed on two acetates and have never been released, apart from the track "Computer Girl", which was featured on a CD included with the Japanese semi-biography from 2006 and more widely released on the Past Tense greatest hits album in 2019. Sparks (band)_sentence_20

The other three tracks were entitled "The Windmill", "A Quick Thought" and "As You Like It". Sparks (band)_sentence_21

Of all four songs, "Computer Girl" was the least traditional. Sparks (band)_sentence_22

Forming Halfnelson in 1968, they soon came to the attention of producer Todd Rundgren, at whose urging Albert Grossman signed the band to his Bearsville record label. Sparks (band)_sentence_23

Their eponymous debut album – with the line-up consisting of college friend Earle Mankey on guitar, Mankey's brother James on bass, Harley Feinstein on drums and Rundgren producing – sold poorly, but after switching labels to Warner Bros. Records and renaming themselves Sparks, a play on the Marx Brothers, the re-issued debut spawned the minor regional hit "Wonder Girl". Sparks (band)_sentence_24

Their follow-up album, A Woofer in Tweeter's Clothing, led to a tour of the United Kingdom, including a residency at the Marquee Club in London, These London appearances helped them to secure a significant cult following. Sparks (band)_sentence_25

Early 1970s Sparks (band)_section_2

Relocating to England in 1973 with a new manager, John Hewlett, founder of John's Children, and a deal from Island Records, thanks in part to the exposure garnered by their BBC Two Whistle Test performance, they placed an ad in music weekly Melody Maker ("Wanted bass player for Sparks. Sparks (band)_sentence_26

Must be beard free and exciting") and through this hired Martin Gordon. Sparks (band)_sentence_27

With Adrian Fisher on guitar and Norman "Dinky" Diamond on drums, in the midst of power cuts and a threatened vinyl shortage, they recorded their breakthrough Kimono My House in 1974, scoring a No. Sparks (band)_sentence_28

2 hit with the single "This Town Ain't Big Enough for Both of Us", despite Elton John betting producer Muff Winwood that the song would not break into the charts. Sparks (band)_sentence_29

Sparks became a UK teen sensation appearing on the cover of Melody Maker, Record Mirror and countless other pop magazines in the UK and Europe. Sparks (band)_sentence_30

Hits such as "This Town Ain't Big Enough for Both of Us", "Amateur Hour" and "Never Turn Your Back on Mother Earth" led to many appearances on the BBC's flagship music show Top of the Pops. Sparks (band)_sentence_31

Russell's hyperactive movements were in sharp contrast to the keyboard-bound, soberly dressed Ron's expressionless squint and Charlie Chaplin-esque moustache. Sparks (band)_sentence_32

Gordon and Fisher were later replaced by Trevor White and Ian Hampton. Sparks (band)_sentence_33

In 1975, the revised band returned to the US to tour supporting the Kimono and Propaganda albums which had gained strong cult attention in New York City, Cleveland, Chicago, San Francisco and Los Angeles primarily from FM radio play and a national TV appearance on Don Kirshner's Rock Concert. Sparks (band)_sentence_34

Flo & Eddie were the supporting act. Sparks (band)_sentence_35

Influential 1970s progressive FM radio station powerhouse WMMS in Cleveland and its famed DJs such as Kid Leo initially championed the band in America. Sparks (band)_sentence_36

Sparks also performed on American Bandstand in 1975 with host Dick Clark mugging with Ron and on countless other TV shows in the US and abroad post 1977. Sparks (band)_sentence_37

The follow-up albums, Propaganda and Indiscreet, the latter produced by Tony Visconti, were similarly successful and produced the hit singles "Looks, Looks, Looks", "Never Turn Your Back on Mother Earth" and "Something for the Girl with Everything". Sparks (band)_sentence_38

Return home Sparks (band)_section_3

The Maels returned home to Los Angeles in 1976. Sparks (band)_sentence_39

Concerned that their music may have become stale, they adopted a more "American" sound and recorded Big Beat with Rupert Holmes and Jeffrey Lesser on production, which they followed with Introducing Sparks; both albums were mostly recorded with session musicians. Sparks (band)_sentence_40

This new "West Coast" sound yielded such songs as "Nothing to Do", "Everybody's Stupid", and "Throw Her Away (and Get a New One)". Sparks (band)_sentence_41

In 1976, Sparks made one of their first forays into the movie business, making a cameo appearance in the disaster-suspense film Rollercoaster, after Kiss turned down the roles. Sparks (band)_sentence_42

They performed the songs "Fill 'Er Up" and "Big Boy." Sparks (band)_sentence_43

By 1977 the brothers found themselves at a crossroads. Sparks (band)_sentence_44

They had grown tired of recording within a traditional rock band framework and were determined to take their music in a more electronic direction. Sparks (band)_sentence_45

In a conversation with a German journalist, they expressed their admiration for Giorgio Moroder, a pioneer of electronic disco and pop music. Sparks (band)_sentence_46

Moroder happened to be a friend of the journalist, and he was able to connect the brothers with the Italian producer, who produced their next album, No. Sparks (band)_sentence_47 1 in Heaven. Sparks (band)_sentence_48

More synthesizer-based than their previous efforts, the album would redefine Sparks' sound and challenge the concept of what is meant by a band, and it also become a major influence on emerging electronic pop artists. Sparks (band)_sentence_49

It spawned two singles in the top-fifteen UK chart: "The Number One Song in Heaven" and "Beat The Clock". Sparks (band)_sentence_50

The follow-up album in 1980, Terminal Jive, had a hit single in France, "When I'm With You", which led to the Maels' staying in the country for a year promoting the album, Russell became conversationally fluent in French. Sparks (band)_sentence_51

The single also hit the Top 20 in Australia, reaching No. Sparks (band)_sentence_52

14. Sparks (band)_sentence_53

Finding the electronic equipment that they had adopted for their new sound too cumbersome for touring, the band returned to the more conventional band format for their next three releases, although they did not eschew synthesizers entirely: Whomp That Sucker, Angst in My Pants (two tracks from which appear later in the 1983 movie Valley Girl) and In Outer Space. Sparks (band)_sentence_54

They finally broke into the US singles chart with "Cool Places" from 1983's In Outer Space. Sparks (band)_sentence_55

The track was a collaboration with the Go-Go's rhythm guitarist and backing vocalist Jane Wiedlin (who at one time ran her own Sparks fan club), and its success was in part thanks to Los Angeles' KROQ-FM radio station, which hailed them as local heroes. Sparks (band)_sentence_56

In 1984, the Maels wrote and performed several original songs on the soundtrack for the black comedy teen film Bad Manners (aka: Growing Pains), including the film's title song, "Bad Manners". Sparks (band)_sentence_57

In 1988, they scored a hit single in France and in Europe with "Singing in the Shower", sung in duet with Rita Mitsouko: the single was produced by Tony Visconti. Sparks (band)_sentence_58

Beginning in the late 1980s, Sparks attempted to make the Japanese manga Mai, the Psychic Girl into a musical, with interest from Tim Burton and Carolco Pictures, who purchased the film rights in August 1991. Sparks (band)_sentence_59

Carolco hoped Burton would start production in 1992, but he chose to work on The Nightmare Before Christmas and Ed Wood for Touchstone Pictures. Sparks (band)_sentence_60

The option on the film rights eventually expired, and Burton dropped out. Sparks (band)_sentence_61

Francis Ford Coppola later developed the property in the late 1990s. Sparks (band)_sentence_62

In June 2000, Sony Pictures Entertainment started on a different project with Kirk Wong attached to direct. Sparks (band)_sentence_63

By February 2001, a script had been written by Lisa Addario and Joey Syracuse for Sony's Columbia Pictures. Sparks (band)_sentence_64

The release of The Seduction of Ingmar Bergman, a radio musical by Sparks, in August 2009, was informed by the six years the band spent trying to get their Mai, the Psychic Girl produced. Sparks (band)_sentence_65

The album generated new interest, and gained a "second wind", vocalist Russell Mael explained. Sparks (band)_sentence_66

"The music is all ready and we are hoping that this still might see the light of day." Sparks (band)_sentence_67

On May 18, 2010, Burton expressed renewed interest in adapting the property. Sparks (band)_sentence_68

1990s – A new beginning Sparks (band)_section_4

In 1993, Ron and Russell returned with the single "National Crime Awareness Week," their first release since the 1988 album Interior Design. Sparks (band)_sentence_69

The song was produced by the Scottish dance band Finitribe. Sparks (band)_sentence_70

In 1994, the Maels released Gratuitous Sax & Senseless Violins, providing the hit singles "When Do I Get to Sing 'My Way'" and "When I Kiss You (I Hear Charlie Parker Playing)". Sparks (band)_sentence_71

In Germany, "When Do I Get to Sing 'My Way'" was the No. Sparks (band)_sentence_72

1 airplay song for 1994 as well as being hailed critically for its poignant lyrics and touching melody. Sparks (band)_sentence_73

The band toured in support of the album with percussionist Christi Haydon playing drums. Sparks (band)_sentence_74

Haydon also appeared in the videos for "When Do I Get to Sing 'My Way'" and "When I Kiss You (I Hear Charlie Parker Playing)," which were both directed by Sophie Muller. Sparks (band)_sentence_75

1997 saw the release of Plagiarism, an album of cover versions of their own songs featuring collaborations with Faith No More, Erasure and Jimmy Somerville. Sparks (band)_sentence_76

Half of the album was recorded by Tony Visconti in London with the other half recorded by the brothers in their own purpose-built studio in LA, surrounded by busts of Elvis. Sparks (band)_sentence_77

In 1998 they recorded the soundtrack for the action film Knock Off, starring Jean-Claude Van Damme, directed by the acclaimed Hong Kong-based producer/director Tsui Hark (who had appeared on his own tribute song by the band on the album Gratuitous Sax and Senseless Violins). Sparks (band)_sentence_78

Balls, released in 2000, again put the band in a context of electronic instrumentation with some of Ron's most striking and perceptive lyrics. Sparks (band)_sentence_79

With the release of Balls the band toured the UK, Germany, Japan and Australia. Sparks (band)_sentence_80

2000s Sparks (band)_section_5

After Balls, the band resurfaced in 2002 with the release of an album described as their "genre-defining opus" – Lil' Beethoven, featuring quasi-classical arrangements of strings and choirs. Sparks (band)_sentence_81

Lil' Beethoven led to renewed interest in the band. Sparks (band)_sentence_82

Record Collector magazine named the album as one of its "Best New Albums of 2002", describing it as "... possibly the most exciting and interesting release ever from such a long established act" and later in 2003 saying "... it really does feel like one of the best albums ever made." Sparks (band)_sentence_83

A UK and European tour had the band playing the entire album each night in the first half of the show, with fan favourites making up the second. Sparks (band)_sentence_84

The line-up now included former Faith No More guitarist Dean Menta in addition to Tammy Glover on drums. Sparks (band)_sentence_85

Long-time fan Morrissey invited Sparks to perform at the 2004 Meltdown Festival, of which he was curator. Sparks (band)_sentence_86

They performed their breakthrough Kimono My House album, followed by Lil Beethoven, both in their entirety. Sparks (band)_sentence_87

Also in this period, the duo appeared in the music video for the Darkness' Justin Hawkins's cover of "This Town Ain't Big Enough for Both of Us", in which Ron and Russell play the referee and MC at a darts match between Hawkins and darts champion Phil Taylor. Sparks (band)_sentence_88

This version of "This Town" reached No. Sparks (band)_sentence_89

6 in the UK charts. Sparks (band)_sentence_90

Sparks would later release Lil' Beethoven's closing track Suburban Homeboy as a single. Sparks (band)_sentence_91

February 2006 saw the release of Hello Young Lovers, their twentieth studio album. Sparks (band)_sentence_92

The album is regarded as carrying on where Lil' Beethoven left off, being described as "... cynical, intelligent and very, very funny", it has met with considerable acclaim. Sparks (band)_sentence_93

Sparks lead off the album with the striking tune that the BBC deemed too provocative in its title to play, "Dick Around." Sparks (band)_sentence_94

The song is a multi-section, multi-mood, highly layered track that many felt should have been a UK smash hit had the BBC not misinterpreted the title of the song as being other than it was. Sparks (band)_sentence_95

The brothers tend to be dismissive of the latest trends in popular music, seeing most current bands as lacking musical ambition and experimental drive. Sparks (band)_sentence_96

Indeed, the predictable trends in much of modern rock, as they see it, served as inspiration for their latest album. Sparks (band)_sentence_97

However, they have expressed admiration for Eminem and Morrissey. Sparks (band)_sentence_98

The pair appeared in the season 6 finale of the US TV show Gilmore Girls, performing "Perfume" from the album Hello Young Lovers. Sparks (band)_sentence_99

They released a live DVD of a September 2006 show at The Forum as well as a long-awaited CD release of their previously unavailable 1977 album Introducing Sparks. Sparks (band)_sentence_100

The track "Perfume" was featured in a Dolce & Gabbana TV commercial in 2009. Sparks (band)_sentence_101

On May 12, 2008, Sparks released the single "Good Morning", taken from the album Exotic Creatures of the Deep. Sparks (band)_sentence_102

May and June 2008 saw the 21-night "Sparks Spectacular" in London, where they played each of their albums in chronological order during the first twenty nights, and premiered their new album on the twenty-first concert on June 13, 2008. Sparks (band)_sentence_103

Each night, they performed an album in its entirety followed by a rare track – many of the songs had never been performed live before. Sparks (band)_sentence_104

The band asked their fans to visit their website and vote for the track that they'd most like to hear the band perform during the second half of the 21st concert after the premiere of Exotic Creatures of the Deep, though Russell admitted that he and Ron would probably influence the poll a little. Sparks (band)_sentence_105

Fans who bought a "Golden Ticket" (which allowed entry into all 21 gigs) also received a poster signed by the band and a CD single entitled "Islington N1", a reference to the postal address of the venue for the first 20 gigs. Sparks (band)_sentence_106

The song "Islington N1" was later made available in the box set edition of their "New Music For Amnesiacs" career spanning box set. Sparks (band)_sentence_107

In 2009 the band played two consecutive nights at The Forum on 20 and 21 March. Sparks (band)_sentence_108

They played Exotic Creatures of the Deep in its entirety at both gigs, followed by Kimono My House in its entirety on the first night and No. Sparks (band)_sentence_109

1 in Heaven in its entirety on the second night. Sparks (band)_sentence_110

Valentine's Day evening 2009 saw Sparks perform the same show featuring their Exotic Creatures of the Deep and Kimono My House albums played in their entirety before a sold-out hometown crowd at Royce Hall at the Mael Bros. alma mater in Los Angeles, UCLA. Sparks (band)_sentence_111

Ron and Russell appeared as interview subjects in the 2009 documentary The Magnificent Tati, discussing their involvement during the early 1980s in Confusion, a proposed Jacques Tati movie for which a screenplay was written but never shot (due to Tati's death). Sparks (band)_sentence_112

The Seduction of Ingmar Bergman (2009) Sparks (band)_section_6

Main article: The Seduction of Ingmar Bergman Sparks (band)_sentence_113

On August 14, 2009, the band premiered the radio musical The Seduction of Ingmar Bergman, commissioned by the Swedish public radio (SR) and featuring the Mael brothers themselves and Swedish actors Elin Klinga and Jonas Malmsjö, both of whom worked with Bergman in his lifetime. Sparks (band)_sentence_114

The musical, partly in English, partly in Swedish, tells the story of Bergman's relocation to Hollywood after his breakthrough with Smiles of a Summer Night (1956), and the surreal and discomforting encounter with the movie capital. Sparks (band)_sentence_115

On October 28, 2009, the UK's BBC Radio 6 Music held a similar event in London whereby the musical was played in its entirety before a live audience at the BBC Broadcasting House in London and later to be broadcast with a Q&A with the Maels. Sparks (band)_sentence_116

In interviews for Swedish newspapers, the band said they hoped to be able to theatrically stage the musical as well as turn the musical into a feature film. Sparks (band)_sentence_117

Amongst the filmmakers cited as undertaking The Seduction of Ingmar Bergman with the Mael Brothers is Canadian avant-garde director Guy Maddin. Sparks (band)_sentence_118

On June 25, 2011 as part of the Los Angeles Film Festival, Sparks presented the World Premiere live performance of The Seduction of Ingmar Bergman. Sparks (band)_sentence_119

Canadian film director Guy Maddin provided directions based on the screenplay, with Ron and Russell reprising their recorded roles on stage. Sparks (band)_sentence_120

The role of Ingmar Bergman was performed by Finnish movie actor Peter Franzén and American actress Ann Magnuson portrayed the role of Greta Garbo. Sparks (band)_sentence_121

The show was held at the John Anson Ford Amphitheatre in Hollywood. Sparks (band)_sentence_122

The group showcased at the film festival in their quest for funding for the feature film version. Sparks (band)_sentence_123

The performance garnered glowing reviews from journals such as The Huffington Post, the LA Times, the LA Weekly, and LA Record. Sparks (band)_sentence_124

Since 2011, the band have been pursuing the idea of turning The Seduction of Ingmar Bergman into a feature film. Sparks (band)_sentence_125

Originally envisaged as a live-action film, in 2017, the Mael Brothers announced they were taking a new direction and developing Bergman as an animated feature film with director Joseph Wallace, who created the music video for their track "Edith Piaf (Said It Better Than Me)". Sparks (band)_sentence_126

2010s Sparks (band)_section_7

In 2010, Sparks remixed Yoko Ono's song "Give Me Something". Sparks (band)_sentence_127

In July they contributed a remix of sorts to singer Katie Melua's single, A Happy Place, calling it Sparks VS. Melua. Sparks (band)_sentence_128

September 2 marked the debut of the new theme songs that Ron and Russell have composed and recorded for NPR radio's Bookworm show, broadcast in Los Angeles on station KCRW. Sparks (band)_sentence_129

The two songs mark the first time in 21 years that the Bookworm show has used a new theme song, these being commissioned by show host and Sparks fan Michael Silverblatt. Sparks (band)_sentence_130

The compositions were entitled "Where Would We Be Without Books?" Sparks (band)_sentence_131

and "I Am A Bookworm". Sparks (band)_sentence_132

For the encore of what may have been the final live date ever in America for Faith No More on December 1 at the Hollywood Palladium in Los Angeles, Ron and Russell Mael were invited by Mike Patton and Co. to perform the Sparks' classic hit "This Town Ain't Big Enough for Both of Us." Sparks (band)_sentence_133

They reprised the song that also appears as a collaboration with Faith No More on Sparks' 1997 album Plagiarism and had also been released as a single. Sparks (band)_sentence_134

In 2012 Ron and Russell collaborated with singer Gemma Ray who released a limited 12-inch single titled "Gemma Ray Sings Sparks (with Sparks)," which included Ray's covers of Sparks' "How Do I Get To Carnegie Hall" and "Eaten by the Monster of Love". Sparks (band)_sentence_135

Though the songs were covers sung by Ray, they were arranged and produced by the Maels. Sparks (band)_sentence_136

In October, Ron and Russell performed for the first time ever as a duo, with no band. Sparks (band)_sentence_137

The 18-city European tour titled "Two Hands One Mouth" began in Lithuania and followed in Latvia, Finland, Norway, Sweden, Germany, Belgium, the UK and Ireland. Sparks (band)_sentence_138

The final UK concert of the tour was at the sold-out Barbican Centre in London. Sparks (band)_sentence_139

The tour then took the group to Japan with concerts in Tokyo and Osaka in January 2013. Sparks (band)_sentence_140

In April 2013, the show was presented for the first time in the US with two performances at the Coachella Festival. Sparks (band)_sentence_141

A short US tour with shows in New York City, San Francisco, Los Angeles, Portland, Seattle, and Philadelphia followed. Sparks (band)_sentence_142

In May 2013 Ron and Russell played the show in Paris, France, which coincided with their visit to the Cannes Film Festival. Sparks (band)_sentence_143

In Paris they were joined on stage by Catherine Ringer from Les Rita Mitsouko to sing on their 1989 collaboration "Singing in The Shower". Sparks (band)_sentence_144

Sparks first live album, Two Hands, One Mouth: Live in Europe was released in 2013. Sparks (band)_sentence_145

It contains concert recordings gathered from various cities during the October 2012 European tour. Sparks (band)_sentence_146

In Fall Ron and Russell continued touring in the duo format for a second round. Sparks (band)_sentence_147

The tour was titled "The Revenge of Two Hands One Mouth." Sparks (band)_sentence_148

The two-and-a-half-month tour started with shows in the US and Canada. Sparks (band)_sentence_149

Sparks played in Los Angeles (The Fonda Theatre), New York City (Webster Hall), Fun Fun Fun Fest in Austin, Mountain Oasis Electronic Summit in Asheville, Atlanta, Boston, Washington D.C. (9:30 Club), Toronto, Montreal, Chicago, and Pontiac. Sparks (band)_sentence_150

The tour then continued to Europe, where they played three nights at Union Chapel in London (where Thurston Moore (ex-Sonic Youth joined them to play guitar on "This Town Ain't Big Enough for Both of Us" on one of the nights), as well as additional shows in the UK, Switzerland, France, Spain, and Sweden. Sparks (band)_sentence_151

Both "Two Hands One Mouth" and "The Revenge of Two Hands One Mouth" tours were critically well received. Sparks (band)_sentence_152

In 2013 they contributed a song and brief voice part to the Guy Maddin movie The Forbidden Room. Sparks (band)_sentence_153

In February 2014 it was announced the Sparks (Ron and Russell) are working on material with Franz Ferdinand. Sparks (band)_sentence_154

2014 marked the 40th Anniversary of Sparks' most popular and most influential album, Kimono My House. Sparks (band)_sentence_155

They performed the album in its entirety at the Barbican Centre in London on 19 and 20 December. Sparks (band)_sentence_156

The album was performed with the 35-piece Heritage Orchestra. Sparks (band)_sentence_157

The show included a second half consisting of songs from Sparks' entire career, that were also orchestrated for the show. Sparks (band)_sentence_158

The first night sold out within the first few hours. Sparks (band)_sentence_159

On the second night, they announced that they had completed the recording of their new album. Sparks (band)_sentence_160

Ron and Russell took the Kimono My House celebrations to Los Angeles as they performed the album on two consecutive nights with a 38-piece orchestra at the United Artists Theatre at Ace Hotel Los Angeles on Valentine's Day 14 February and on 15 February 2015. Sparks (band)_sentence_161

The orchestra was conducted by Suzie Katayama. Sparks (band)_sentence_162

Both shows sold out and they received glowing reviews. Sparks (band)_sentence_163

Alex Kapranos of Franz Ferdinand joined them on stage for duet with Russell on the song "When Do I Get to Sing 'My Way'" on both nights and it was then announced that Sparks and FF had joined forces to form a new, then yet-to-be-revealed band and to record an album. Sparks (band)_sentence_164

In the fall of 2015 the title track from Angst in My Pants was used in a commercial for men's underwear by retailer Tommy John. Sparks (band)_sentence_165

The ad was titled "The Big Adjustment" and depicted men, from various walks of life, attempting to secretly adjust their ill-fitting underwear to humorous effect. Sparks (band)_sentence_166

FFS (2015) Sparks (band)_section_8

Main article: FFS (band) Sparks (band)_sentence_167

On March 9, 2015, it was announced that the band had formed a supergroup with Franz Ferdinand under the name FFS. Sparks (band)_sentence_168

A short teaser of the FFS song, "The Power Couple", was released on the group's YouTube channel. Sparks (band)_sentence_169

The alternative meaning behind the band's name "Franz Ferdinand / Sparks" was confirmed with a clip of the musicians playing "Chinese Whispers." Sparks (band)_sentence_170

It was also confirmed that the band would be releasing a studio album in 2015 with producer John Congleton and that the band would be touring in the summer. Sparks (band)_sentence_171

On April 1, it was announced that the group's new album would be titled FFS and that it would be released on June 8 in the UK and on June 9 in the US. Sparks (band)_sentence_172

They are featured on the Beck album Song Reader doing an ethereal rendition of his song "Why Did You Make Me Care." Sparks (band)_sentence_173

Recently, they performed at the Glastonbury Festival John Peel Stage on 28 June 2015. Sparks (band)_sentence_174

Hippopotamus (2017) Sparks (band)_section_9

On March 24, 2017, Sparks performed at the BBC Radio 6 Music Festival in Glasgow, Scotland, prior to the release of a new studio album, Hippopotamus due out in September. Sparks (band)_sentence_175

The band, consisting of the Mael brothers with 5 other musicians, kicked off their 2017 tour in Copenhagen on August 7. Sparks (band)_sentence_176

Hippopotamus was both a critical and commercial success, peaking at number 7 in the UK Albums Chart. Sparks (band)_sentence_177

In 2019, Sparks collaborated with and were featured on French artist Sebastian's album, Thirst on the track, "Handcuffed to a Parking Meter". Sparks (band)_sentence_178

In July, the band Sparks announced that they were working on a new album. Sparks (band)_sentence_179

"Please Don't Fuck Up My World", the first single, was released in December. Sparks (band)_sentence_180

2020s Sparks (band)_section_10

A Steady Drip, Drip, Drip (2020) Sparks (band)_section_11

In January 2020, Sparks announced the upcoming release of their new album, A Steady Drip, Drip, Drip, comprising 14 songs. Sparks (band)_sentence_181

A UK and European tour was scheduled for October. Sparks (band)_sentence_182

The single "Self-Effacing", was released in February followed by "I'm Toast" in March. Sparks (band)_sentence_183

The album had its digital release on May 15, 2020, with the physical release pushed back to July 3, 2020, due to the COVID-19 pandemic; like its predecessor, Hippopotamus, it entered the UK Albums Chart at number 7 and garnered universal critical acclaim. Sparks (band)_sentence_184

Coinciding with the physical release of the album, an official music video for the song "The Existential Threat" premiered on YouTube, the animation created by English freelance animator and composer Cyriak Harris. Sparks (band)_sentence_185

Annette musical, Edgar Wright documentary Sparks (band)_section_12

Sparks is involved in two upcoming film releases, as screenwriters and composers for the musical Annette, directed by Leos Carax and starring Adam Driver and Marion Cotillard, and in a documentary about their career directed by Edgar Wright. Sparks (band)_sentence_186

Annette had been scheduled to premiere at the 2020 Cannes Film Festival, which was however cancelled as a result of the pandemic. Sparks (band)_sentence_187

Style Sparks (band)_section_13

Sparks is generally regarded as an art pop band. Sparks (band)_sentence_188

Their musical style has varied dramatically with Russell Mael's distinctive wide-ranging voice (in particular his far reaching falsetto) and Ron Mael's intricate and rhythmic keyboard playing style being the common thread throughout their fifty-year career. Sparks (band)_sentence_189

In the beginning they attempted to emulate the sound of their English idols, such as the Who, Syd Barrett-era Pink Floyd and the Kinks, sometimes even pretending to be an English band while on the LA club circuit. Sparks (band)_sentence_190

They relocated to England during the glam rock era where, despite cutting an odd figure on this scene, they found success with their polished brand of intricate pop tunes and convoluted lyrics. Sparks (band)_sentence_191

Early albums such as Kimono My House combined glam rock with elements of bubblegum pop and baroque music. Sparks (band)_sentence_192

By the second half of the decade, they were concerned that the sound they had developed while based in England was in danger of becoming stale; they returned to LA, determined to adopt a more "West Coast" sound. Sparks (band)_sentence_193

This they achieved with producer Rupert Holmes on Big Beat and (sans Holmes) on Introducing Sparks. Sparks (band)_sentence_194

The band were not satisfied with the results, which they felt lacked personality, perhaps because of the reliance on session musicians. Sparks (band)_sentence_195

This led to the most dramatic change of style the band would attempt, when they teamed up with Giorgio Moroder, dropped the rock-group format altogether and produced the disco record No. Sparks (band)_sentence_196

1 in Heaven which relied on synthesizers. Sparks (band)_sentence_197

This album is regarded as a landmark in the development of electronic music and greatly influenced bands which would emerge in the following years. Sparks (band)_sentence_198

They soon returned to a more traditional line-up, which remained until 1988's Interior Design. Sparks (band)_sentence_199

There then followed a long hiatus until 1994's Gratuitous Sax & Senseless Violins, which was a foray into the techno dance world, which they had helped to spawn back in the late 1970s. Sparks (band)_sentence_200

In 2002, the band switched to a classically influenced art pop style with the release of their album Lil' Beethoven, replacing the beat-driven synth-pop of their previous albums with complex orchestral arrangements. Sparks (band)_sentence_201

The band acknowledged this change in style on the album's opening track "The Rhythm Thief". Sparks (band)_sentence_202

Lyrically, the band's style has been described as coming from "the school of Cole Porter, favouring caustic wit over trivial personal problems, ... achingly clever lyrics seesaw between superficial gloss, profound sentiment and the incomprehensibly bizarre." Sparks (band)_sentence_203

Repeated lyrical motifs have become a distinct feature on recent albums. Sparks (band)_sentence_204

On "My Baby's Taking Me Home" of Lil' Beethoven (2002), the song title is repeated 104 times, with no other words being used, other than a spoken interlude. Sparks (band)_sentence_205

Similarly, on the same album, "Your Call Is Very Important To Us", uses a corporation style call-hold message: "Your call is very important to us. Sparks (band)_sentence_206

Please hold" which is then sung with some additional words: "At first she said your call is very important to us, then she said please, please hold." Sparks (band)_sentence_207

The only other lyrics in the song are "Red light", "Green light", "I'm Getting Mixed Signals" and "Sorry, I'm Going To Have To Put You Back On Hold". Sparks (band)_sentence_208

These elements are layered with a simple piano line to create a highly textured effect. Sparks (band)_sentence_209

The vocal sound on the single "This Town Ain't Big Enough for Both of Us" was criticised as being "stylised". Sparks (band)_sentence_210

This may be because the song was written without any regard for the vocal style of Russell Mael. Sparks (band)_sentence_211

Ron Mael has explained: Sparks (band)_sentence_212

Russell Mael has claimed in reply: Sparks (band)_sentence_213

Legacy Sparks (band)_section_14

Sparks have influenced many later genres including synth-pop, new wave, post-punk, and alternative music, influencing a wide range of singers and bands including New Order, Depeche Mode, The Smiths, Siouxsie and the Banshees, They Might Be Giants, Sonic Youth, “Weird Al” Yankovic, Nirvana and Björk. Sparks (band)_sentence_214

Peter Hook of New Order cited Giorgio Moroder's production on "The Number One Song in Heaven" as a major influence when his band changed of musical style to produce electro/dance rock songs like "Temptation" in 1982. Sparks (band)_sentence_215

New Order also delivered an extended live version of "When I'm With You" that same year in Milano. Sparks (band)_sentence_216

When they started playing music, singer Dave Gahan and composer Martin Gore of Depeche Mode cited them as one of their favorite bands. Sparks (band)_sentence_217

Gore also later covered "Never Turn Your Back on Mother Earth" on his Counterfeit e.p. Sparks (band)_sentence_218

in 1989. Sparks (band)_sentence_219

Other early electronic acts like the Human League, and Erasure, also mentioned the group. Sparks (band)_sentence_220

Nick Rhodes of Duran Duran stated about "This Town ain't ...": "There was something about them that was very different. Sparks (band)_sentence_221

I was immediately fascinated with that song." Sparks (band)_sentence_222

Sparks were also namechecked by indie pop band the Smiths. Sparks (band)_sentence_223

Their singer Morrissey named Kimono My House as one of "his favourite LPs of all time". Sparks (band)_sentence_224

Smiths' guitarist and composer Johnny Marr said : "There’s nothing better than commerciality crossed with an interesting mind" and named "This Town Ain’t Big Enough for the Both of Us" as an instance, qualifying it as one of these "Trojan singles". Sparks (band)_sentence_225

Siouxsie and the Banshees recorded a version of the first Sparks' success as the opening song of their covers album Through the Looking Glass. Sparks (band)_sentence_226

Thurston Moore of Sonic Youth also included the Sparks' song "Equator" in his list of all-time favorite songs. Sparks (band)_sentence_227

Joey Ramone also mentioned his liking for their records, as did later the group They Might Be Giants. Sparks (band)_sentence_228

According to Kurt Cobain's biographer Christopher Sandford, the Nirvana singer gave "specific references" when recording their first album Bleach: "the guitar part in 'Love Buzz' was lifted from Sparks' Kimono My House". Sparks (band)_sentence_229

Björk talked about Kimono my House as one of the records that changed her life. Sparks (band)_sentence_230

"[Sparks] were exotic [...], [they] were the most refreshing thing in my life" when she was eight. Sparks (band)_sentence_231

"I loved the way Russell Mael sung like a geisha, and that they were into wearing geisha clothes, as I was really into Japanese people". Sparks (band)_sentence_232

Faith No More also mentioned the group and their performances. Sparks (band)_sentence_233

Their keyboard player Roddy Bottum said: "I saw Sparks play on American Bandstand in 1975. Sparks (band)_sentence_234

My sister and I went out and immediately bought Indiscreet. Sparks (band)_sentence_235

In 2004, Franz Ferdinand singer Alex Kapranos published an article in the NME titled, "why I love the Sparks". Sparks (band)_sentence_236

He said about their music: "It's only after a few listens you really can get into it [...] Then you really fall in love and bands change your life. Sparks (band)_sentence_237

Now I can't imagine life without them"." Sparks (band)_sentence_238

Sparks were also namechecked by the likes of Def Leppard, Ween, Will Sheff of Okkervil River, Mark Burgess of the Chameleons, Cait Brennan, and Justice. Sparks (band)_sentence_239

In 1980, Paul McCartney also gave a nod to the band in the music video for "Coming Up" in which he appeared mimicking Ron Mael on keyboards. Sparks (band)_sentence_240

In 2012, British synth-pop duo Spray released the song "Sparks Called and They Want Their Ideas Back". Sparks (band)_sentence_241

In June 2018, Edgar Wright announced he is making a documentary on Sparks. Sparks (band)_sentence_242

He had covered the band's concert in London in May at 02 Forum Kentish Town. Sparks (band)_sentence_243

This concert will also be a part of the documentary. Sparks (band)_sentence_244

Discography Sparks (band)_section_15

Main article: Sparks discography Sparks (band)_sentence_245

Studio albums Sparks (band)_section_16

Live album Sparks (band)_section_17

Sparks (band)_unordered_list_0

Collaborative albums Sparks (band)_section_18

Sparks (band)_unordered_list_1

Credits to the contents of this page go to the authors of the corresponding Wikipedia page: (band).