The Empty Canvas
This article is about the 1963 film.
For empty canvases, see Emptiness (disambiguation).
|The Empty Canvas|
|Directed by||Damiano Damiani|
|Produced by||Carlo Ponti|
|Screenplay by||Damiano Damiani|
|Based on||La Noia by Alberto Moravia|
|Music by||Luis Bacalov|
|Edited by||Renzo Lucidi|
|Compagnia Cinematografica Champion
Les Films Concordia
|Distributed by||Embassy Pictures|
|Release date||4 December 1963|
|Running time||105 minutes|
Mediocre artist Dino is obsessed with young model Cecilia and distraught that she shares her sexual favors not only with him, but with actor Luciani as well.
In an effort to derail her plan to vacation in Capri with his rival, Dino proposes marriage, and when she rejects his offer, he invites Cecilia to join him at the Rome estate of his domineering mother, a wealthy American, in the hope that he can seduce her with his glamorous lifestyle.
Despairing that he will never have a monogamous relationship with her, he crashes his sportscar into a wall.
While recovering in the hospital, he realizes his feelings will never be reciprocated.
When Cecilia returns from her trip assuming their liaison will continue, Dino announces that the affair is over.
- Horst Buchholz - Dino
- Catherine Spaak - Cecilia
- Bette Davis - Dino's Mother
- Isa Miranda - Cecilia's Mother
- Lea Padovani - Balestrieri's Widow
- Daniela Rocca - Rita
- Georges Wilson - Cecilia's Father
Principal production credits
- Produced by Carlo Ponti, Joseph E. Levine
- Original music by Luis Enríquez Bacalov
- Cinematography by Roberto Gerardi
- Art direction by Carlo Egidi
The film was released in Italy as La noia (Boredom) and in France as L'ennui et sa diversion, l'érotisme (Boredom and Its Diversion, Eroticism).
A dubbed English language version of the film was released in the United States by Embassy Pictures in 1964.
In his review in the New York Times, Howard Thompson observed, "under Damiano Damiani's studied direction, the incidents move in stilted, crabwise fashion... Miss Davis... is truly a sight, looking like a Pekingese under a blonde bob and growling an atrocious Southern accent... At times, especially under-scored by Miss Davis's withering expression and lava lingo, the picture's overripe sexuality is downright funny."
Time magazine said it "is one of those "international" movie projects that appears to have been dreamed up by its principals... in a spirit of reckless unity...
It is chiefly notable for the fun of watching Davis breast the New Wave plot with bitchy authority...
Stretched too far to be believable, Canvas is the kind of overdrawn foolishness that frequently proves diverting."
- L'Ennui (1998)
Credits to the contents of this page go to the authors of the corresponding Wikipedia page: en.wikipedia.org/wiki/The Empty Canvas.