For other uses, see Hacienda (disambiguation).
|Address||Whitworth Street West|
|Opened||21 May 1982|
|Closed||28 June 1997|
|Architect||Ben Kelly (interior)|
Content with Indy status, Factory Records, sponsored much of the rave scene, to the extent that its subculture (viz. MDMA) was noted by the Chief Constables of Merseyside & Greater Manchester as reducing football hooliganism.
Before it was turned into a club, The Haçienda was a yacht builder's shop and warehouse.
It was on the corner of Whitworth Street West and Albion Street, close to Castlefield, in the centre of the city.
FAC 51 was its official designation in the Factory catalogue.
New Order and Tony Wilson were directors of the club.
From 1995 onwards, the lower cellar areas of the venue were converted to create the 5th Man, a smaller music venue.
The Sound & Lighting design & installation for the Hacienda was done by Eddie Akka from Akwil Ltd.
A hacienda is a large homestead in a ranch or estate usually in places where Colonial Spanish culture has had architectural influence.
The Haçienda was opened on 21 May 1982, when the comedian Bernard Manning remarked to the audience, "I've played some shit-holes during my time, but this is really something."
His jokes did not go down well with the crowd and he returned his fee.
A wide range of musical acts appeared at the club.
The Smiths performed there three times in 1983.
It served as a venue for Madonna on her first performance in the United Kingdom, on 27 January 1984.
At one time, the venue also included a hairdressing salon.
As well as club nights there were regular concerts, including one in which Einstürzende Neubauten drilled into the walls that surrounded the stage.
In 1986, it became one of the first British clubs to start playing house music, with DJs Hewan Clarke, Greg Wilson and later Mike Pickering (of Quando Quango and M People) and Little Martin (later with Graeme Park) hosting the visionary "Nude" night on Fridays.
This night quickly became legendary, and helped to turn around the reputation and fortunes of The Haçienda, which went from making a consistent loss to being full every night of the week by early 1987.
Acid house and rave
The growth of the 'Madchester' scene had little to do with the healthy house music scene in Manchester at the time but it was boosted by the success of The Haçienda's pioneering Ibiza night, "Hot", an acid house night hosted by Pickering and Jon DaSilva in July 1988.
However, drug use became a problem.
On 14 July 1989, the UK's first ecstasy-related death occurred at the club; 16-year-old Clare Leighton collapsed and died after her boyfriend gave her an ecstasy tablet.
The police clampdown that followed was opposed by Manchester City Council, which argued that the club contributed to an "active use of the city centre core" in line with the government's policy of regenerating urban areas.
The resulting problems caused the club to close for a short period in early 1991, before reopening with increased security later the same year.
Between 1994 and 1997 Hacienda FM was a weekly show on Manchester dance station Kiss 102.
Security was frequently a problem, particularly in the club's latter years.
There were several shootings inside and outside the club, and relations with the police and licensing authorities became troubled.
When local magistrates and police visited the club in 1997, they witnessed a near-fatal assault on a man in the streets outside when 18-year-old Andrew Delahunty was hit over the head from behind with what looked like a metal bar before being pushed into the path of an on-coming car.
Although security failures at the club were one of the contributing factors to the club eventually closing, the most likely cause was its finances.
The club simply did not make enough money from the sale of alcohol, and this was mainly because many patrons instead turned to drug use.
As a result, the club rarely broke even as alcohol sales are the main source of income for nightclubs.
Ultimately, the club's long-term future was crippled and, with spiralling debts, The Haçienda eventually closed definitively in the summer of 1997.
Peter Hook stated in 2009 that The Haçienda lost up to £18 million in its latter years.
The Haçienda lost its entertainments licence in June 1997.
The club remained open for a short period as an art gallery before finally going bankrupt and closing for good.
After The Haçienda officially closed, it was used as a venue for two free parties organised by the Manchester free party scene.
One of the parties ended in a police siege of the building while the party continued inside.
These parties resulted in considerable damage and the application of graffiti to the Ben Kelly-designed interior.
Following a number of years standing empty, the Whitworth Street West site was purchased from the receivers by Crosby Homes.
They chose to demolish the nightclub, and reuse the site for the construction of domestic flats.
The old name was kept for the new development, with The Haçienda name licensed from Peter Hook, who owns the name and trademark.
The nightclub was demolished in 2002—Crosby Homes had acquired the property some time before that and, on Saturday 25 November 2000, held a charity auction of the various fixtures and fittings from the nightclub.
Clubgoers and enthusiasts from across the country attended to buy memorabilia ranging from the DJ booth box and radiators to emergency exit lights.
The DJ booth was bought by Bobby Langley, ex-Haçienda DJ and Head of Merchandise for Sony Music London for an undisclosed fee.
Crosby Homes were widely criticised for using The Haçienda brand name—and featuring the strapline "Now the party's over...you can come home" in the promotional material.
Another controversial feature of the branding campaign was the appropriation of many of the themes which ran through the original building.
One of these was the yellow and black hazard stripe motif which was a powerful element in the club's original design, featuring as it did on the club's dominant supporting pillars and later in much of the club's literature and flyers.
The film was shot in 2001, and required reconstructing The Haçienda as a temporary set in a Manchester factory, which was then opened to ticket holders for a night, acting as a full-scale nightclub (except with free bar) as the film shooting took place.
The Manchester exhibition centre Urbis hosted an exhibition celebrating the 25th anniversary of the club's opening, which ran from mid-July 2007 until mid-February 2008.
Peter Hook and many other of those originally involved contributed or loaned material.
The Manchester Museum of Science and Industry now holds a variety of Haçienda and Factory records artefacts, including the main loading bay doors from the club, and a wide array of posters, fliers and props.
Rob Gretton bequeathed his collection of Haçienda memorabilia to the museum.
In October 2009, Peter Hook published his book on his time as co-owner of The Haçienda, How Not to Run a Club.
In 2010, Peter Hook had six bass guitars made using wood from The Haçienda's dancefloor.
The fret boards have been made from dancefloor planks, so they have "stiletto marks and cigarette burns".
Credits to the contents of this page go to the authors of the corresponding Wikipedia page: en.wikipedia.org/wiki/The Haçienda.