The Mars Volta
|The Mars Volta|
|Origin||El Paso, Texas, U.S.|
|Past members||The Mars Volta Group|
The band's final live lineup consisted of Omar Rodríguez-López (guitar, producer, direction), Cedric Bixler-Zavala (vocals, lyrics), Juan Alderete (bass), Marcel Rodríguez-López (keyboards, percussion), and Deantoni Parks (drums).
The band formed following the break-up of Rodríguez-López and Bixler-Zavala's previous band, At the Drive-In.
They were known for their energetic live shows and their concept albums.
In 2008, they were named Best Prog-Rock Band by Rolling Stone magazine.
Following a run of reunion shows with At the Drive-In, the Mars Volta entered a hiatus in September 2012.
Omar Rodríguez-López and Parks then formed a new project, Bosnian Rainbows.
Four months later, the band formally broke up.
Bixler-Zavala and Alderete subsequently formed a new band, Zavalaz.
Rodríguez-López and Bixler-Zavala eventually reunited in 2014 for a new project, Antemasque.
At the Drive-In reunited again in 2015 before splitting in 2018.
Comments from the pair have indicated that they plan to reunite The Mars Volta in the future, but as of 2020 there is no specific information on the timing of a reunion.
Cedric Bixler-Zavala stated in an interview:
Formation and beginning (2001–2002)
The roots of the Mars Volta are found in the band At the Drive-In.
ATDI imploded on the verge of a commercial breakthrough, partly due to boredom, partly to musical differences.
Members Cedric Bixler-Zavala and Omar Rodríguez-López began to further explore their experimental, dub-influenced side project called De Facto, which featured Bixler-Zavala on drums, Rodríguez-López on bass, Isaiah "Ikey" Owens on keyboards, and Jeremy Michael Ward on vocals, loops and sound effects.
The remaining members of the band formed Sparta.
After the demise of At the Drive-In, Rodríguez-López and Bixler-Zavala found themselves once again starting from the ground up, touring and performing in smaller venues.
In their early years the Mars Volta were characterized by chaotic live shows and heavy drug use.
De-Loused in the Comatorium (2003–2004)
Main article: De-Loused in the Comatorium
Following Tremulant, the Mars Volta continued touring with a fluid line-up while preparing to record their debut full-length album De-Loused in the Comatorium, produced with Rick Rubin and released on June 24, 2003.
Whereas Tremulant had no general theme (except the prophetic mentioning) De-Loused was a unified work of speculative fiction telling the first-person story of someone in a drug-induced coma, battling the evil side of his mind.
Though lyrically obscure, the Mars Volta stated in interviews that the album's protagonist is based on their late friend Julio Venegas, or "Cerpin Taxt", an El Paso poet and artist who went into a coma for several years after a deliberate drug overdose, recovered and later committed suicide.
He died jumping from the Mesa Street overpass onto Interstate-10 in El Paso during afternoon rush-hour traffic.
(Venegas' death was also referenced in the At the Drive-In song "Embroglio" from their album Acrobatic Tenement.)
In an interview with The Aquarian Weekly in 2008, Cedric Bixler-Zavala said about working with Rubin, "Rick really over-simplified some of the parts that we thought were unique, and just made them very digestible.
He's got this thing about representing the common man's ears—I'd rather jab the common man's ears.
If we don't, we'll never get to a place where future music exists."
The Mars Volta had no official bassist during the recording session, but Flea (of the Red Hot Chili Peppers) played bass on nine of the album's ten songs, with Justin Meldal-Johnsen playing double bass on "Televators."
Flea's bandmate John Frusciante also contributed additional guitar, synthesizer and backing vocals to "Cicatriz ESP".
Despite limited promotion, De-Loused earned strong reviews, and appeared on several 'year-end best-of' lists.
The album remains the Mars Volta's best-seller, with over 500,000 copies sold.
Rolling Stone ranked a track from De-Loused, "Drunkship of Lanterns", the 91st Best Guitar Song Ever.
The band later released a limited-edition storybook version of the album, available by download from the Gold Standard Laboratories website.
The book speaks of Cerpin Taxt (Julio Venegas) and his suicide.
The band had canceled the tour's second leg, and the first single from De-Loused was later dedicated to Ward.
It was this event which finally convinced band leaders Rodríguez-López and Bixler-Zavala to purportedly quit using opioids.
Bixler-Zavala recalled: "One day, we were all getting high, and Jeremy asked me if I could see he had worms in his head.
I never touched the stuff again.
His passing was the final nail in the coffin.
We never went back."
Frances the Mute (2005)
Main article: Frances the Mute
As the band resumed touring to support De-Loused, they added Marcel Rodríguez-López (Omar's brother) on percussion.
Work on their second album began in 2004.
That year the band received the American Society of Composers, Authors and Publishers Vanguard Award.
In 2005, the band released Frances the Mute.
The story given by the band on the album's concept concerns a diary that had been found in a repossessed car by late sound technician Jeremy Ward, while working as a repo-man.
The author of the diary is unknown but appeared to be someone who was adopted and was searching for their birth parents, and who may have suffered from mental illness caused by the death of a loved one.
The lyrics for each track on the album are loosely based on characters and life events described in this person's diary.
Frances the Mute started as a bigger commercial hit than De-Loused, moving 123,000 copies in its first week, and debuting at No.
4 on the Billboard album charts.
Reviews of Frances were generally positive (with a 75 on Metacritic) if somewhat polarized; Rolling Stone called it "a feverish and baroque search for self that conjures up the same majesty and gravity as Led Zeppelin three decades before", and even the detractors of Frances the Mute generally praised the band's musical abilities.
"L'Via L'Viaquez" was later released as a single, stripped down from its original 12-minute length to five minutes.
Frances the Mute has sold nearly 465,000 copies in the United States, according to Nielsen SoundScan ratings.
Rodríguez-López wrote all of the instrumental parts as well as arranging and producing the recording sessions himself.
He used a method that Miles Davis used to evoke great performances from bandmates: refusing to let the other members hear each other's parts, or the context of their own part, thereby forcing them to play each part as if it were a self-sufficient song.
In order to accomplish this, the musicians recorded to the pulse of a metronome.
Terrazas-González was added as a permanent member to the Mars Volta while touring in support of Frances the Mute.
Several songs written during the original recording sessions for the album never made the final cut.
Notably, the self-titled 14-minute epic "Frances the Mute", which was originally to open the album and was ultimately supposed to decode the album's concept, was not included due to time constraints.
Instead the track was featured as a b-side to the single release for "The Widow".
On May 20, 2005, instead of playing a traditional set at KROQ's Weenie Roast Festival, the band played a 50-minute improvisation jam that was jokingly named on-the-spot as "Abortion, The Other White Meat" by Rodríguez-López.
In keeping with the Mars Volta's tradition of testing and developing new work live, parts of "Abortion" later appeared on "Population Council's Wet Dream" from Rodríguez-López's 2009 album Old Money.
Midway through their headlining U.S. tour, former At the Drive-In member Paul Hinojos left the band Sparta to join the Mars Volta, claiming, "My time with Sparta has run its course, and simply wasn't fun anymore."
Hinojos joined as rhythm guitarist and became the band's sound manipulator, the position previously held by the late Ward.
Hinojos had previously toured with the Mars Volta in 2003 and 2004.
In addition, a full-length live album named Scabdates was released on November 8, 2005.
Main article: Amputechture
Upon finishing the majority of touring for Frances the Mute in fall 2005, Rodríguez-López traveled to Amsterdam and wrote what became Amputechture, which was released on September 8, 2006 in Europe, on September 9, 2006 in Australia and on September 12, 2006 in the U.S. Rodríguez-López spent much of his time in Amsterdam working on and performing various solo projects most notably under the name "Omar Rodriguez Quintet."
The Mars Volta as a whole performed the score.
Amputechture was produced by Rodríguez-López and mixed by Rich Costey.
It was once again a concept album, but rather than telling a story, the album was a series of vignettes, with each song telling a different story.
It became the last album with drummer Jon Theodore, whom Rodríguez-López fired before touring in support of the album.
Rodríguez-López said in an interview with an Italian fan site that Theodore was the only member in the band who wasn't happy playing live and brought down the moods of the rest.
John Frusciante was featured on every track on Amputechture, except for "Asilos Magdalena."
Rodríguez-López contributed the solos and riffs where the guitar work needed to be doubled.
Bixler-Zavala said in an interview, "...he taught Frusciante all the new songs and Frusciante tracked guitars for us so Omar could sit back and listen to the songs objectively.
It's great that he wants to help us and do that."
A new song titled "Rapid Fire Tollbooth" was debuted live on September 22, 2006 in Chicago, Illinois, as reported by fans and attendees of the show who had received set lists from the stage.
The song originally appears on Rodríguez-López's solo album Se Dice Bisonte, No Búfalo.
The song eventually evolved into the track "Goliath" from the band's fourth studio album.
On September 25, 2006, the Mars Volta played a unique set on the opening night of a double-header in Toronto, Ontario.
Cedric Bixler-Zavala fell ill and could not perform, so the Mars Volta played with John Frusciante on third guitar.
On October 17, 2006, while opening for the Red Hot Chili Peppers in East Rutherford, New Jersey, the band played with drummer Deantoni Parks as Rodríguez-López had fired Fleming because of complications within the band.
Parks remained with the band only until the conclusion of the Japanese tour because of his prior commitments with other bands.
On October 31, 2006 in Cleveland, Ohio, as Parks couldn't perform, the Mars Volta played an approximately 40-minute improvisation set as a rehearsal for another drummer, Thomas Pridgen.
On a 2006 episode of The Henry Rollins Show, the Mars Volta performed "Tetragrammaton" and "Day of the Baphomets" in a rare television performance.
Afterwards, they did an interview with Rollins about the creation of Amputechture.
The Bedlam in Goliath (2008)
Main article: The Bedlam in Goliath
In 2007, Thomas Pridgen became the new permanent drummer for the band.
Pridgen's first full-time appearance was at the March 12 show in New Zealand, where the band debuted the song "Idle Tooth" which was later renamed "Wax Simulacra" for the forthcoming album.
After shows in New Zealand and Australia, the Mars Volta toured a few West Coast venues as the headliner, then entered the studio to record their fourth LP, The Bedlam in Goliath.
One of these performances was captured in a live concert DVD (which remains unreleased) shot by director Jorge Hernandez Aldana.
Despite finding a permanent drummer and getting the band back on track, the recording and production of the album was reportedly plagued by difficulties related to a bad experience with a Ouija board purchased in a curio shop in Jerusalem.
According to Rodríguez-López, their original engineer experienced a nervous breakdown, his studio flooded twice, and both he and mixer Rich Costey claimed that various tracks would disappear at random.
On November 5, 2007, the Mars Volta released a document by Jeremy Robert Johnson titled, "The Mars Volta's Descent into Bedlam: A Rhapsody in Three Parts."
The document includes a history of the band and describes the obstacles and inspirations they encountered in the creation of The Bedlam in Goliath.
The band kicked off their supporting tour with a December 29, 2007 "secret show" at the Echoplex in Los Angeles, California, followed by a special New Year's Eve performance at San Francisco's Bill Graham Civic Auditorium.
That night they played their first ever acoustic set, which included six songs and a live performance of "Miranda, That Ghost Just Isn't Holy Anymore".
The band then departed on a club tour of the U.S. east coast throughout January, with an album release show at San Diego's Soma, followed by another month's worth of European dates from mid-February to mid-March.
On January 2, 2008, the Mars Volta released an online game called "Goliath: The Soothsayer", based on a true story that inspired their forthcoming album The Bedlam In Goliath.
The album chronicles the band's purported experience with the "Soothsayer", a Ouija board owned by vocalist Cedric Bixler-Zavala and its transition from a source of fun on tour to a psycho-spiritual force that almost tore the band apart.
The game was available for a limited time exclusively via Amazon.com.
On January 17, 2008, the band made their U.S. network television debut, performing "Wax Simulacra" on the Late Show with David Letterman (Rodríguez-López, Bixler-Zavala and Hinojos had appeared on the show with At the Drive-In in 2000).
In late January, the new album debuted at a career-best No.
3 on the Billboard 200.
The song "Wax Simulacra" won the 2009 Grammy Award for Best Hard Rock Performance.
It was the band's first nomination and win.
Main article: Octahedron (album)
Omar Rodríguez-López had discussed the band's next album as early as January 2008, the month that The Bedlam in Goliath was released, claiming "I consider it to be our acoustic album."
Cedric Bixler-Zavala had expressed an urge for the album to not be released on a major label.
In February 2009, Rodríguez-López claimed "the next two Mars Volta records are already recorded and waiting for a release date."
On April 14, 2009, the Mars Volta announced their fifth studio album, entitled Octahedron.
It was released June 23 in the United States and June 22 in the rest of the world.
A vinyl version was released on July 21 in a limited edition of 500 LPs.
In the spirit of distillation of the band's sound, Rodríguez-López asked saxophonist Adrián Terrazas-González and guitarist/sound manipulator Paul Hinojos to leave.
Regarding their departure, percussionist Marcel Rodríguez-López noted that: "it's like we got a whole new band.
It's two less members – we got to play differently."
The first single released in North America was "Since We've Been Wrong".
The first European single was "Cotopaxi".
An excerpt from the Mars Volta's performance at the All Tomorrow's Parties, UK 2005 A Nightmare Before Christmas festival was featured in the All Tomorrow's Parties film, which was released in cinemas during October 2009.
During the Octahedron tour, the show on October 23 in Raleigh, NC was unexpectedly cancelled.
It was supposed to be the final show of the North American leg of the tour, but was cancelled due to an argument between Bixler-Zavala and Thomas Pridgen, the drummer at the time, which ended with Pridgen abruptly leaving the venue.
A month later, Pridgen confirmed his departure from the Mars Volta via Facebook stating he was "not in TMV anymore".
In a February 2011 interview, Pridgen said he left the group "because the singer had a jealous ego trip.
There's nothing more to elaborate on"; however, Juan Alderete stated in 2013 that "Thomas got really drunk, did some bad things and did some real damage to the trust we all had with him."
The band later completed the tour with drummer Dave Elitch.
They played throughout Europe and Australia until the end of January 2010.
In October 2010, the Mars Volta played two shows in Brazil and Chile.
Long-time keyboardist, Ikey Owens, was absent during these dates due to touring commitments with his own project, Free Moral Agents.
Main article: Noctourniquet
Shortly after Octahedron's release, Rodríguez-López claimed to have put the supposed follow-up "on hold" and was starting work on a completely new album.
In an April 2010 interview with Rolling Stone, Rodríguez-López talked about trying to loosen his grip in the studio.
He claimed to have finished writing the album, and was awaiting lyrics and vocals from Bixler-Zavala.
Rodríguez-López spent most of 2010 focusing on his solo career, and little information regarding the sixth Mars Volta album was released.
During this year drummer Deantoni Parks began touring with Rodríguez-López as well as appearing on several solo records, and Cathy Pellow of Sargent House Records confirmed that Parks was in talks to become the next drummer for the Mars Volta.
In 2011 Rodríguez-López spoke about the band's new album in several interviews, saying that it would feature thirteen songs which, "[are] a simplified version of what we've done before", and would be released "Whenever the record label decides to put it out".
Bixler-Zavala took the opportunity to make a few remarks on the sound of the album, indicating a drastic change in sound for the band, referring to the new sound as "future punk".
Bixler-Zavala joined the group as a vocalist, performing entirely new material with the band, which led to speculations of the show being a secret Mars Volta show under the Omar Rodríguez-López Group moniker.
The Group continued to tour throughout April with the same lineup of Bixler-Zavala, Omar and Marcel Rodríguez-López, Juan Alderete, Deantoni Parks and (previously offstage) keyboardist/sound manipulator Lars Stalfors.
An official Mars Volta tour began in summer of 2011, consisting of them opening for Soundgarden on select dates.
This was in addition to their opening slot for the Red Hot Chili Peppers in their one-off gig in Hong Kong on August 9, 2011.
During these shows the band (featuring the same six members) continued to play the new material premiered during the Omar Rodríguez-López Group tour earlier in the year, with Bixler-Zavala telling the crowd at one show that he was "inviting them to a private rehearsal for their new album," confirming the material was off the band's upcoming album.
Keyboardist Ikey Owens, who had played with the band since its inception, was noticeably absent from all 2011 dates.
When asked in an interview, Owens stated that he knew "Absolutely nothing [of the upcoming album].
I haven't heard one note of it; I haven't played on it.
I don't know if I am going to play on it; I have no idea".
Bassist Juan Alderete later revealed via his Twitter page that Owens was no longer playing with the Mars Volta as he was busy "producing bands".
Marcel Rodríguez-López and Lars Stalfors took over keyboard and synth duties with the band in lieu of Owens.
On January 5, 2012, a new song titled "Zed and Two Naughts", a song revealed to be from the band's upcoming album, was confirmed to be included on the MLB 12: The Show Soundtrack.
On January 12, it was revealed that the upcoming album would be called Noctourniquet.
Later that week, an official page went up confirming Noctourniquet as the album title along with unveiling the album art and a full track listing and announcing March 27, 2012 as the release date.
The album's first single, "The Malkin Jewel," was first broadcast on February 13 and subsequently released on February 14.
Hiatus, breakup, and possible reunion (2013–present)
After the conclusion of the Noctourniquet tour, Omar Rodríguez-López decided to put the Mars Volta on hold to fully concentrate on his new project, Bosnian Rainbows, which also features Deantoni Parks.
When asked in an interview if the band will reunite, he stated:
On January 23, 2013, Cedric Bixler-Zavala revealed that he was no longer a part of the Mars Volta on Twitter and that the band had broken up.
Bixler-Zavala subsequently focused on his solo music and eventually formed a new band, Zavalaz, which also includes Juan Alderete.
He stated shortly after that he was "currently not on speaking terms" with Rodríguez-López and that "the falling out had been four years in the making, so the final announcement on my part was really just to let the children know that Mom and Dad were splitting up".
Rodríguez-López, meanwhile, didn't rule out the possibility of the Mars Volta reuniting in the future: "Because of all my anger and how I dealt with people, I spent so much of my life just closing doors left and right.
At this point, I refuse to close any, only to open new ones.
Whatever comes my way - as long as it's filled with joy and positivity - I want to give my talents to it.
[...] I'm not interested in throwing tantrums any more."
He elaborated further on an article with Billboard, acknowledging Bixler-Zavala's decision to depart TMV, effectively ending the over 20 year musical partnership between Rodríguez-López and Bixler-Zavala for the foreseeable future.
Rodríguez-López stated, "I was making a film and heard about it hours later; people were like, 'Are you OK?'
I understand where he's coming from; I've known the guy for 22 years.
I'll always respect and support any decision he makes.
If that's how he wants it, I totally get it and I support it."
In August 2013, a collection of unreleased songs, demos, alternate versions, and in-studio jams roughly spanning from 2005 until the Noctourniquet sessions was leaked online.
The source of these recordings still remains unknown.
In February 2014, several posts on the Comatorium message board by sources close to the band revealed that Bixler-Zavala and Rodríguez-López have been meeting and speaking again, hinting at a possible Mars Volta reunion.
The rumours were further fueled when Bixler-Zavala's wife Chrissie posted a picture on Instagram of her husband and Rodríguez-López holding Bixler's twin boys at a California beach.
On April 9, a new project featuring Rodríguez-López and Bixler-Zavala, Antemasque was announced; Antemasque also featured Flea on bass and Dave Elitch on drums.
According to a representative, Owens died of a heart attack.
In a July 11, 2016 interview with Rolling Stone, when asked about a potential return of The Mars Volta, Rodriguez-Lopez stated, "At some point, we’d love to do [Mars Volta] again too, you know what I mean?
There’s so much to do there as well."
In May 2019, further tweeting from Bixler-Zavala suggested he and Rodríguez-López had been experimenting with new material.
Musical style and influences
Omar Rodríguez-López commented, "Progressive is not a dirty word for people to use about us.
If you're not moving forward, you're stagnant.
And that's no way to live."
Almost the entire band's output was composed solely by Rodríguez-López, with lyrics and vocal melodies written by Cedric Bixler-Zavala.
They cited artists/bands such as King Crimson, Led Zeppelin, Pink Floyd, Can, Captain Beefheart, Frank Zappa, Larry Harlow, Miles Davis, Fela Kuti, Ennio Morricone, Throbbing Gristle, Talk Talk, Black Flag, Brainiac, Björk, Roni Size, Jaga Jazzist and Aphex Twin as their influences.
According to Rodríguez-López, cinema also largely influences his songwriting: "Creating tension, creating flow, creating scenes, creating fast-paced scenes, creating minimal dialogue – it's one of our biggest influences".
Many artists and bands have cited The Mars Volta as an influence, including Mastodon, Protest the Hero, Nick Hipa of As I Lay Dying, The Fall of Troy, Danny Marino of The Agonist, Tor Oddmund Suhrke of Leprous, Jonathan Nido of The Ocean, Mutiny on the Bounty, The Old Dead Tree, Canvas Solaris and Syriak of Unexpect.
A number of other artists have been quoted expressing admiration for their work such as Neil Peart of Rush, Tool, Steven Wilson of Porcupine Tree, James Hetfield of Metallica, Holger Czukay of Can and Mike Portnoy of Dream Theater.
According to the liner notes for Amputechture, The Bedlam in Goliath, Octahedron and Noctourniquet: "The partnership between Omar Rodríguez-López & Cedric Bixler-Zavala is the Mars Volta.
These compositions are then performed by the Mars Volta Group."
Final lineup (July 2012)
- Omar Rodríguez-López – guitar, direction, backing vocals (2001–2012)
- Cedric Bixler-Zavala – vocals (2001–2012)
- Juan Alderete – bass (April 2003 – 2012)
- Marcel Rodríguez-López – percussion (October 2003 – 2010); keyboards, synthesizers (2005–2012)
- Deantoni Parks – drums (September–November 2006, November 2010 – 2012)
- Isaiah "Ikey" Owens – keyboards (2001–2010; died 2014)
- Linda Good – keyboards (September–October 2002)
- Jeremy Michael Ward – sound manipulation (2001–2003; died 2003)
- Paul Hinojos – sound manipulation, live guitar (2003–2004 live offstage, 2005–2008 joined officially in recording and onstage)
- Lars Stalfors – keyboards, sound manipulation (2008–2010 live offstage, 2011 on stage; also works as recording and mixing engineer in studio)
- John Frusciante – guitars (2002–2008 in studio, 2003–2006 occasional live performances)
- Eva Gardner – bass (2001–2002)
- Ralph Jasso – bass (2002)
- Flea – bass (2002 in studio for De-Loused in the Comatorium sessions, also recorded trumpet in 2004 for Frances the Mute)
- Jason Lader – bass (January–April 2003)
- Blake Fleming – drums (March–August 2001, July–September 2006)
- Jon Theodore – drums (August 2001 – July 2006)
- Thomas Pridgen – drums (October 2006, December 2006 – October 2009)
- Dave Elitch – drums (November 2009 – October 2010)
- Adrián Terrazas-González – woodwind, percussion (2004 in studio, 2005–2008 joined officially in recording and onstage)
Main article: The Mars Volta discography
- De-Loused in the Comatorium (2003)
- Frances the Mute (2005)
- Amputechture (2006)
- The Bedlam in Goliath (2008)
- Octahedron (2009)
- Noctourniquet (2012)
Credits to the contents of this page go to the authors of the corresponding Wikipedia page: en.wikipedia.org/wiki/The Mars Volta.