This article is about the British ska band.
For other uses, see Specials (disambiguation).
"The Special A.K.A." redirects here.
For the jazz-style ensemble, see The Spatial AKA Orchestra.
|Also known as||The Special A.K.A.|
|Years active||1977–1984, 1993, 1996–2001, 2008–present|
|Associated acts||Saffiyah Khan|
|Past members||See Members section|
After some early changes, the first stable lineup of the group consisted of Terry Hall and Neville Staple on vocals, Lynval Golding and Roddy Radiation on guitars, Horace Panter on bass, Jerry Dammers on keyboards, John Bradbury on drums, and Dick Cuthell and Rico Rodriguez on horns.
Their music combines a "danceable ska and rocksteady beat with punk's energy and attitude".
Lyrically, they present a "more focused and informed political and social stance".
In 1980, the song "Too Much Too Young", the lead track on their The Special AKA Live!
EP, reached No.
1 in the UK Singles Chart.
In 1981, the recession-themed single "Ghost Town" also hit No.
1 in the UK.
Continuing as "The Special AKA" (a name they used frequently on earlier Specials releases), a substantially revised Specials line-up issued new material through 1984, including the top 10 UK hit single "Free Nelson Mandela".
After this, founder and songwriter Jerry Dammers dissolved the band and pursued political activism.
The group reformed in 1993, and have continued to perform and record with varying line-ups, none of them involving Dammers.
Founding and early years (1977–78)
The group was formed in 1977 by songwriter/keyboardist Dammers, vocalist Tim Strickland, guitarist/vocalist Lynval Golding, drummer Silverton Hutchinson and bassist Horace Panter (a.k.a. Sir Horace Gentleman).
Strickland was replaced by Terry Hall shortly after the band's formation.
The band was first called the Automatics, then the Coventry Automatics.
This performance gave the Special AKA a new level of national exposure, and they briefly shared the Clash's management.
The Specials began at the same time as Rock Against Racism, which was first organised in 1978.
According to Dammers, anti-racism was intrinsic to the formation of the Specials, in that the band was formed with the goal of integrating black and white people.
Many years later Dammers stated that "Music gets political when there are new ideas in music, ...punk was innovative, so was ska, and that was why bands such as the Specials and the Clash could be political".
Ascendancy of the Specials (1979–81)
In 1979, shortly after drummer Hutchinson left the band to be replaced by John Bradbury, Dammers formed the 2 Tone Records label and released the band's debut single "Gangsters", a reworking of Prince Buster's "Al Capone".
The record became a Top 10 hit that summer.
The band had begun wearing mod/rude boy/skinhead-style two-tone tonic suits, along with other elements of late 1960s teen fashions.
The Specials led off with Dandy Livingstone's "Rudy, A Message to You" (slightly altering the title to "A Message to You, Rudy") and also had covers of Prince Buster and Toots & the Maytals songs from the late 1960s.
In 1980, the EP Too Much Too Young (predominantly credited to the Special A.K.A.) was a No. hit in the UK Singles Chart, despite controversy over the song's lyrics, which reference teen pregnancy and promote 1contraception.
Reverting once again to the name of the Specials, the band's second album, More Specials, was not as commercially successful and was recorded at a time when, according to Hall, conflicts had developed in the band.
Female backing vocalists on the Specials' first two studio albums included: Chrissie Hynde; Rhoda Dakar (then of the Bodysnatchers and later of the Special AKA); and Belinda Carlisle, Jane Wiedlin and Charlotte Caffey of the Go-Go's.
In the first few months of 1981, the band took a break from recording and touring, and then released "Ghost Town", a non-album single, which hit No.
1 in 1981.
At their Top of the Pops recording of the song, however, Staple, Hall and Golding announced they were leaving the band.
Golding later said: "We didn't talk to the rest of the guys.
We couldn't even stay in the same dressing room.
We couldn't even look at each other.
We stopped communicating.
You only realise what a genius Jerry was years later.
At the time, we were on a different planet."
Shortly afterwards, the three left the band to form Fun Boy Three.
Band split, rebirth as the Special AKA (1982–84)
For the next few years, the group was in a seemingly constant state of flux.
Adding Dakar to the permanent line-up, the group recorded "The Boiler" with Dakar on vocals, Dammers on keyboards, Bradbury on drums, John Shipley (from the Swinging Cats) on guitar, Cuthell on brass and Nicky Summers on bass.
The single was credited to "Rhoda with the Special AKA".
The track describes an incident of date rape, and its frank and harrowing depiction of the matter meant that airplay was severely limited.
Nevertheless, it managed to reach No.
35 on the UK charts, and American writer Dave Marsh later identified "The Boiler" as one of the 1,001 best "rock and soul" singles of all time in his book The Heart of Rock & Soul.
After going on tour with Rodriguez, the band (without Dakar, and as "Rico and the Special AKA") also recorded the non-charting (and non-album) single "Jungle Music".
The line-up for the single was Rodriguez (vocal, trombone), Cuthell (cornets), Dammers (keyboards), Bradbury (drums), Shipley (guitar), returning bassist Panter, and new additions Satch Dickson and Groco (percussion) and Anthony Wymshurst (guitar).
Rodriguez and the three newcomers were all dropped for the next single, "War Crimes", which brought back Dakar and added new co-vocalists Egidio Newton and Stan Campbell, as well as violinist Nick Parker.
Follow-up single "Racist Friend" was a minor hit (UK No.
60), with the band establishing themselves as a septet: Dakar, Newton, Campbell, Bradbury, Cuthell, Dammers and Shipley.
The new line-up (still known as the Special AKA) finally issued a new full-length album In the Studio in 1984.
Officially, the band was now a sextet: Dakar, Campbell, Bradbury, Dammers, Shipley and new bassist Gary McManus.
Both critically and commercially, In The Studio was less successful than previous efforts, although the 1984 single "Free Nelson Mandela" was a No.
9 UK hit.
Dammers then dissolved the band and pursued political activism.
Since the break-up of the original line-up, various members of the band performed in other bands and have reformed several times to tour and record in Specials-related projects.
However, there has never been a complete reunion of the original line-up.
After their departure from the Specials, Golding, Hall and Staple founded the pop band Fun Boy Three and enjoyed commercial success from 1981 to 1983 with hits such as "Tunnel of Love", "It Ain't What You Do (It's the Way That You Do It)", "Our Lips Are Sealed" and "The Lunatics (Have Taken Over the Asylum)".
The group ended with Hall's sudden departure, leading to a 15-year rift with Staple.
After Fun Boy Three, Staple and Golding joined Pauline Black of the Selecter in the short-lived band Sunday Best, releasing the single "Pirates on the Airwaves".
In 1990, Bradbury, Golding, Panter and Staple teamed up with members of the Beat to form Special Beat, performing the music of the two bands and other ska and Two Tone classics.
The group, undergoing many line-up changes, toured and released several live recordings through the 1990s.
A 1994 single credited to "X Specials" featured Neville, Lynval, Roddy, and Horace.
Throughout the 1980s and 1990s, Staple would stay active producing and guesting with a variety of artists, including International Beat, Special Beat, Unwritten Law, Desorden Publico, the Planet Smashers and others, as well as leading his own bands and starting the Rude Wear clothing line.
He sang with the 1990s Specials line-up, and again from 2009 to 2012.
He joined the 1990s Specials before training as a primary school teacher at the University of Central England in Birmingham.
He continued to play with latter-day Special Neol Davies in the blues outfit Box of Blues.
However, he rejoined the band for their 2009 reunion and continues as a member.
Golding teamed up with Dammers for a brief spell of club DJing, and then worked with Coventry band After Tonight.
He has also toured with the Beat.
He joined the 1990s Specials line-up, but left in 2000.
He rejoined in 2009, and continues with the group.
Radiation fronted and worked with numerous artists including the Tearjerkers (a band that he had begun in the last months of the Specials), the Bonediggers, the Raiders and Three Men & Black (including Jean-Jacques Burnel of the Stranglers), Jake Burns (Stiff Little Fingers), Pauline Black, Bruce Foxton (the Jam), Dave Wakeling (the Beat, General Public) and Nick Welsh (Skaville UK).
He joined the 1990s Specials line-up and again in 2009, continuing to 2014.
Bradbury continued through the Special AKA era, then formed the band JB's Allstars, before moving into production.
He joined Special Beat for several years, then a reformed Selecter, before retiring from music to work as an IT specialist.
He rejoined the band for their 2009 reunion, and continued to perform with them until his death in 2015.
From 1984 until 1987, Hall fronted the Colourfield, with some commercial success.
After they disbanded, Hall pursued a solo career, working mostly in the new wave genre.
He co-wrote a number of early Lightning Seeds releases.
He also performed some vocals for a Dub Pistols album.
Hall joined the Specials for their 2009 reunion, and continues to perform with them.
Reunions and current events
The first reunion under the Specials name occurred in 1993, when producer Roger Lomas decided to use the Specials as backing band for a new album by ska legend Desmond Dekker.
Only Golding, Panter, Radiation and Staple were willing to participate.
They were joined in the studio by former Selecter drummer Charley Harrington "Aitch" Bembridge, who had also played with soul singer Ray King in the 1970s, who mentored and worked with Dammers, Staple, Golding and Hutchinson in their days before the Specials.
A group of studio musicians filled out the band, including keyboardist Mark Adams.
After the Dekker recording was finished, Lomas brought the group back into the studio to record a number of classic songs from the Trojan Records back catalogue.
Two weeks before this project, Golding left the group to concentrate on domestic life in Seattle.
Davies, Staple, Radiation and Panter, joined by a group of session musicians, recorded a wealth of tracks that eventually saw release by Trojan sub-label Receiver Records as Skinhead Girl in 2000 and Conquering Ruler in 2001.
The release of the album with Desmond Dekker created some buzz for the band, and led to an offer from a Japanese promoter to book a tour.
Rejoined by Golding, along with Bembridge & Adams from the "King of Kings" sessions, the band added horn players Adam Birch and Jonathan Read and began rehearsing and playing live.
Initially using the names the Coventry Specials, The X Specials, and Specials2, they shortly reverted to The Specials after accepting that it was the name promoters were using anyway, although the line-up was referred to as Specials MkII by those involved.
in 1998, a collection of original compositions.
The band toured heavily in support of both releases - including headlining the Vans Warped Tour - and received positive reviews of their live shows.
Despite the live success, the band fizzled out after a 1998 Japan tour (which Panter missed due to illness), although limited touring with a different line-up continued into 2000.
In 2007, Hall teamed up with Golding for the first time in 24 years, to play Specials songs at two music festivals.
In May 2009, Golding claimed that Allen's reuniting him with Hall played a "massive part" in the group's later reformation.
At GuilFest, Golding joined the Dub Pistols to again perform "Gangsters".
In 2007, Golding regularly performed concerts and recorded with Pama International, a collective of musicians who were members of Special Beat.
On 30 March 2008, Hall stated that the Specials would be reforming for tour dates in autumn 2008, and possibly for some recording.
This was officially confirmed on 7 April 2008.
On 6 September 2008, six members of the band performed on the main stage at the Bestival, billed as the "Surprise Act".
By December 2008, the band had announced 2009 tour dates to celebrate their 30th anniversary, although founder member Dammers was not joining the band on the tour.
Hall was quoted as saying, "The door remains open to him".
However, Dammers described the new reunion as a "takeover" and claimed he had been forced out of the band.
Around that same time, longtime Specials fan Amy Winehouse joined Dammers onstage at Hyde Park, singing the song he wrote for the Specials, "Free Nelson Mandela", for Mandela's 90th birthday concert, dubbed 46664 after Mandela's prison number, and also the name of his AIDS charity, which received money raised by the birthday bash.
The following month, Bradbury and Golding expressed their intentions to release further original Specials material at a later date.
On 8 June 2009, it was announced that the Specials would embark on a second leg of their 30th anniversary tour, taking in the locations and venues that they missed earlier in the year.
In October, the band picked up the Inspiration Award at the Q Awards.
In 2010, they performed at the Dutch festival Lowlands.
In an interview at the Green Room in Manchester in November 2010, Hall confirmed that there would be further Specials dates in the autumn of 2011, and confessed to having enjoyed playing live again: "It's a celebration of something that happened in your life that was important, and we're going to do that again next year, but then maybe that'll be it".
In late 2010, the band re-released "A Message to You, Rudy" as a Haiti Special Fund available to download from iTunes in both the UK and the US, with proceeds going to aid the UNICEF effort to help children in earthquake-stricken Haiti.
Panter said that the band were excited to be involved in such a momentous event: "We have been keeping it under our pork pie hats for a month or so now.
I think it is going to be the only chance people get to see the Specials performing in the UK this year."
The Specials' performance was said to have remained synonymous with Britain's political and social upheaval of the late 1970s and early 1980s.
In August 2012, the Specials released a new live album, More... Or Less.
– The Specials Live, featuring "the best of the best" performances from their 2011 European tour, selected by the band themselves on a double-disc CD and double-vinyl LP.
In January 2013, the Specials announced the departure of Staple with the following message on their website: "We are very sad Neville cannot join us on the Specials' UK tour in May 2013 or indeed on the future projects we have planned.
He has made a huge contribution to the fantastic time and reception we have received since we started and reformed in 2009.
However, he missed a number of key shows last year due to ill health, and his health is obviously much more important.
We wish him the very best for the future".
The Specials completed a North American tour in 2013, performing to sold-out crowds in Chicago, Los Angeles, San Diego, San Francisco, Seattle, Portland and Vancouver.
In February 2014, it was revealed that Roddy Radiation had left the reformed group.
Drummer John Bradbury died on 28 December 2015 at the age of 62.
On 29 October 2018, the Specials announced a forthcoming UK tour in 2019 to coincide with the release of a new album, Encore.
Main article: The Specials discography
- The Specials (1979)
- More Specials (1980)
- In the Studio (1984)
- Today's Specials (1996)
- Guilty 'til Proved Innocent! (1998)
- Skinhead Girl (2000)
- Conquering Ruler (2001)
- Encore (2019)
Credits to the contents of this page go to the authors of the corresponding Wikipedia page: en.wikipedia.org/wiki/The Specials.