|Cultural origins||1970s, United States, United Kingdom|
These groups generated punk's aesthetic of being simple, offensive, and free-spirited, in contrast to the angry, working-class audience generated by pub rock.
In the rock music of the 1970s, the "art" descriptor was generally understood to mean either "aggressively avant-garde" or "pretentiously progressive".
Musicologists Simon Frith and Howard Horne described the band managers of the 1970s punk bands as "the most articulate theorists of the art punk movement", with Bob Last of Fast Product identified as one of the first to apply art theory to marketing, and Tony Wilson's Factory Records described as "applying the Bauhaus principle of the same 'look' for all the company's goods".
Anna Szemere traces the beginnings of the Hungarian art-punk subculture to 1978, when punk band the Spions performed three concerts which drew on conceptualist performance art and Antonin Artaud's "theatre of cruelty", with neo-avant-garde/anarchist manifestos handed out to the audience.
Credits to the contents of this page go to the authors of the corresponding Wikipedia page: en.wikipedia.org/wiki/Art punk.